Stills of Amnesty 1959.

　　At a time when domestic film and television dramas have almost written all the revolutionary themes, Amnesty 1959 has opened up a new creative perspective, with a fresh, declassified and dramatic plot; Looking back at this special history in the first decade of the founding of New China, tracing back to the reasons for the victory of communist party people is also a spiritual reflection on the present and Do not forget your initiative mind.

　　There are many "explosive" dramas in this summer, but Amnesty 1959 produced by Shanghai is particularly special. Since it was broadcast on CCTV 1 at the end of July, the average daily ratings have exceeded 1%, ranking first in the same period for many times. This series, which was broadcast simultaneously on the Internet and Taiwan, "detonated" a large number of barrage on the video website at the same time, which made the younger generation have a deeper understanding of the early history of the Republic.

　　Amnesty 1959 is the first TV series with the theme of "Amnesty" in China, and it also fills the gap in such TV dramas. The work tells the story of the historical events in which the party and state leaders stood on the historical height, farsighted and farsighted, reformed and pardoned war criminals after the founding of New China. How to achieve hot viewing of cold themes? What kind of exemplary role will this work play in the creation of China’s revolutionary theme? Focusing on these topics, the TV drama "Amnesty 1959" was held in Beijing yesterday under the guidance of the TV drama department of the State Administration of Radio and Television, sponsored by the China Television Arts Committee and co-organized by the Shanghai Cultural Development Foundation.

　　Show the attraction and appeal of the creation of major revolutionary historical themes

　　"At a time when domestic film and television dramas have almost written all the revolutionary themes, Amnesty 1959 has opened up a new creative perspective, with a sense of freshness, declassification and drama; Looking back at this special history in the first decade of the founding of New China and tracing back to the reasons for the victory of communist party people, it is also a spiritual reflection of Do not forget your initiative mind. " Li Jingsheng, vice president of China Federation of Radio, Film and Television Social Organizations, said.

　　After the three major battles of the War of Liberation, a "war of attacking the heart" to transform Kuomintang war criminals began. Amnesty 1959 takes Kutokuhayashi Management Office as the main narrative space, and tells the story of communist party people’s reform and amnesty for war criminals. In the play, a series of policies of our party towards war criminals are truly restored, the background of the times is delicately reproduced, and real historical figures such as Du Yuming, Wang Yaowu and Huang Wei are put on the screen.

　　The uniqueness of the theme brings freshness and adds a lot of difficulty to the narrative. Kutokuhayashi Management Office is developing a group drama with relatively fixed space, and it is difficult to tell a particularly obvious story, which is a narrative problem. According to Professor Yin Hong, director of Tsinghua University Film and Television Communication Center, the key reason for the success of Amnesty 1959 is to gather the original scattered characters with reasonable drama conflicts on the basis of respecting history. There is also a "contempt chain" between the war criminals in the play — — Huangpu School looks down on non-Huangpu School, generals look down on spies, officials look down on officials, and those who demand progress and those who are stubborn are in opposition to each other … … Wang Yingguang, the protagonist in the play and the director of Kutokuhayashi Management Office in charge of the reform of war criminals, is a fictional figure, but it is a collection of images of many communist party cadres at that time. He is educated, educated, responsible, open-minded, and has a firm revolutionary stand. He has complex personal feelings for Kuomintang war criminals because he lost his closest relatives in the War of Liberation. In this particular situation, the intricate interaction between the characters and the compact plot intertwined and pushed forward each other, forming a huge drama tension, which firmly attracted the audience in front of the screen.

　　Feelings and warmth make faith more penetrating of the times.

　　"Amnesty 1959 not only shows communist party’s humanitarian spirit, but also highlights the communist party people ‘ Only by liberating all mankind can we finally liberate ourselves ’ The broad mind also points out that regime change is the historical truth of people’s hearts. " Li Guoyi, secretary general of the Shanghai Cultural Development Foundation, said.

　　Communist party’s victory depends not only on guns, but also on advanced culture which is scientific and represents the law of human development. A "heart-to-heart battle" without gunpowder smoke is sometimes more difficult than fighting each other on the battlefield. Firm belief, theoretical self-confidence and great achievements in social construction have enabled communist party people to conquer their opponents ideologically and pull their former enemies back to the people’s camp. On the Internet, several hearty debates in Amnesty 1959 are full of feelings and warmth, and are called "Do not forget your initiative mind" by the audience, which has caused many netizens to spontaneously extract and spread. In the face of Huang Wei, who did not accept the reform at first and wanted to "wrap his body in a horse", Wang Yingguang made sense of it and pointed out that "the honor of a soldier is based on the people. Without this premise, there is no honor at all "; In the face of the other side’s assertion that "the winner is king and the loser is the enemy", Wang Yingguang even pointed out that "communist party’s victory was due to the will of the people".

　　"In the revolutionary culture and advanced culture led by the Communist Party of China (CPC), in the process of transforming the cultural lag and even the reactionary culture held by war criminals, which culture represents the direction of historical progress? In addition, for traditional spirits such as loyalty, filial piety, righteousness, courtesy, wisdom and trust, it is also mentioned in the play that we should stand at the height of the times and reinterpret and understand them. That is the real inheritance and promotion of traditional culture. " Chengxiang Zhong, chairman of the Chinese Literary Critics Association and literary critic, said. (Wen Wei Po reporter Zhang Yuxi)

　　Zhongqing Online, Beijing, September 28th (China Youth Daily, Zhongqing Online reporter Wang Yijun) The reporter was informed today that the Yanta District People’s Court of Xi ‘an, Shaanxi Province today publicly pronounced a first-instance judgment on the case that Ye Zhengguang, Ye Daying, Ye Tiejun, Ye Xiaomei, Ye Xiaoyan, Ye Wen and Ye Min, close relatives of Ye Ting martyrs, sued Xi ‘an Momo Information Technology Co., Ltd. (hereinafter referred to as "Xi ‘an Momo Company") for reputational infringement, and ruled that Xi ‘an Momo Company publicly apologized in the national news media.

　　The court found through trial that on May 8 this year, the defendant Xi ‘an Momo Company published a short video with a duration of 1 minute and 09 seconds on Today’s Headline through its self-media account "Runaway Comics". The content of this video will lock the door for people to get in and out of the Ye Ting martyr’s "Prison Song", open the hole for dogs to climb out, and a voice shouted, climb out and set you free! " The door for people to enter and leave is locked! The hole for the dog to climb out is open! A voice shouted! Climb out! Painless abortion! " . After the video was released on the Internet platform from May 8, 2018 to May 16, 2018, many news media reprinted it, which aroused public concern and hot discussion on the Internet, causing adverse social impact and consequences in a certain range.

　　The court held that the "Prison Song" written by Ye Ting martyr in prison after the Southern Anhui Incident fully reflected the indomitable revolutionary will and unswerving political belief of Ye Ting martyr, and the lofty revolutionary integrity and great patriotic spirit displayed by him have been widely recognized by the whole nation, which has become a part of the common memory of the Chinese nation, an important part of the precious spiritual wealth and socialist core values of the Chinese nation, and also the basis for Ye Ting martyrs to enjoy a high reputation. The video produced by Xi ‘an Momo Company tampered with the contents of "Prison Song", desecrated the fearless revolutionary spirit of Ye Ting martyrs and damaged the reputation of Ye Ting martyrs, which not only caused mental pain to the relatives of Ye Ting martyrs, but also hurt the national and historical feelings of the public and harmed the public interests. Therefore, the above behavior of the defendant Xi ‘an Momo Company has constituted a reputation infringement.

　　The court made the above judgment in accordance with the General Principles of the Civil Law of People’s Republic of China (PRC), the Tort Liability Law of People’s Republic of China (PRC), and the Law of People’s Republic of China (PRC) on the Protection of Heroes and Martyrs.

　　Ye Zhengguang, a close relative of Ye Ting martyr, and others v. Xi ‘an Momo Information Technology Co., Ltd.

　　1. What is the relationship between the seven plaintiffs and Ye Ting in this case?

　　A: Plaintiff Ye Zhengguang is the son of Ye Ting, Plaintiffs Ye Daying and Ye Tiejun are grandchildren of Ye Ting, Plaintiffs Ye Xiaomei, Ye Xiaoyan, Ye Wen and Ye Min are granddaughters of Ye Ting.

　　2. What are the main pleadings of the original defendant in this case? Can you briefly introduce the trial process?

　　A: On May 24, 2018, the plaintiffs Ye Zhengguang, Ye Daying, Ye Tiejun, Ye Xiaomei, Ye Xiaoyan, Ye Wen and Ye Min sued the defendant Xi ‘an Momo Information Technology Co., Ltd. (hereinafter referred to as Xi ‘an Momo Company) to the Yanta District People’s Court in Xi ‘an on the grounds that the defendant infringed on Ye Ting’s reputation. Their litigation requests were: 1. Order the defendant to stop infringing on Ye Ting’s heroic deeds and spirit; 2. Order the defendant to publicly apologize to the plaintiff in writing in the national media; 3. The defendant was ordered to compensate the plaintiff for mental comfort totaling 1 million yuan.

　　Defendant Xi ‘an Momo Company believes that: 1. The defendant has no intention to infringe Ye Ting’s reputation subjectively. The video program comments on the unhealthy social phenomenon of "implanting hospital advertisements in primary school textbooks" reported by People’s Daily and other media in an ironic way, and explicitly opposes the disorderly implantation of advertisements in primary school textbooks. The defendant inappropriately quoted Ye Ting’s works in the process of video creation, which caused emotional and spiritual harm to the plaintiff. The defendant sincerely apologized for this. 2. For some media reports that are out of context and mislead the public, the defendant hopes to explain his original intention of creating the video through a complete video presentation. 3. Based on the high respect for revolutionary martyrs, after the incident, the defendant actively communicated with the media to clarify the facts to the public; Actively apologize to the plaintiff and try to eliminate the influence.

　　On June 12, 2018, the Yanta District People’s Court of Xi ‘an organized the parties to the case to hold a pre-trial meeting. Through the pre-trial meeting, the original defendant and the defendant exchanged evidence and made clear the focus of the case dispute.

　　On July 15, 2018, the Yanta District People’s Court of Xi ‘an applied ordinary procedures to publicly hear the case. The plaintiff entrusted agents ad litem Feng Zhentao and Lian Gaobo and the defendant Xi ‘an Momo Company entrusted agent ad litem Li Xuesong to attend the proceedings.

　　On September 28, 2018, the Yanta District People’s Court of Xi ‘an publicly pronounced the case.

　　3. What are the main contents of Ye Ting’s "Prison Song"?

　　A: Ye Ting is the founder of China People’s Liberation Army and one of the important leaders of the New Fourth Army. He is a famous strategist at home and abroad. According to historical records, in January 1941, Ye Ting was illegally arrested by the Kuomintang during the Southern Anhui Incident, and was imprisoned in Shangrao, Jiangxi, Enshi, Hubei, Guilin, Guangxi and other places, and finally transferred to the concentration camp of Sino-US Institute for Special Technical Cooperation in Chongqing. In prison, Ye Ting suffered all kinds of hardships, but remained faithful and unyielding. In 1942, he wrote this song "Prison Song". The poem was written by Ye Ting on the wall of the second cell downstairs of the imprisoned Chongqing Zhazidong concentration camp, and the manuscript was brought out by Li Xiuwen, the wife of Ye Ting, when she visited the prison. On April 8, 1946, Ye Ting flew back to Yan ‘an from Chongqing. The plane crashed near Heicha Mountain in Xing County, Shanxi Province and was killed.

　　The full text of "Prison Song" is:

　　The door for people to enter and leave is locked,

　　The hole for the dog to climb out is open,

　　A voice shouted:

　　Climb out and set you free!

　　I long for freedom,

　　But I deeply know — —

　　How can a human body climb out of a dog hole!

　　I hope that one day,

　　Underground fire,

　　Burn me and this living coffin together,

　　I deserve eternal life in fire and blood!

　　4. How do Chinese laws protect the reputation of heroic martyrs?

　　A: According to China’s General Principles of Civil Law, Tort Liability Law, Protection of Heroes and Martyrs Law and relevant judicial interpretations in the Supreme People’s Court, after the death of a natural person, his personal interests before his death, including his name, portrait, reputation and honor, are still protected by law. Article 185 of the General Principles of Civil Law of People’s Republic of China (PRC) stipulates that anyone who infringes on the names, portraits, reputations and honors of heroes and martyrs and harms the public interests shall bear civil liability. The first and second paragraphs of Article 22 of the Law on the Protection of Heroes and Martyrs stipulate that it is forbidden to distort, vilify, blaspheme or deny the deeds and spirit of heroes and martyrs. The names, portraits, reputations and honors of heroic martyrs are protected by law. No organization or individual may insult, slander or otherwise infringe upon the names, portraits, reputations and honors of heroic martyrs in public places, on the Internet or by using radio and television, movies and publications. No organization or individual may use the names and portraits of heroic martyrs for trademarks or commercial advertisements in disguised form, thus damaging the reputation and honor of heroic martyrs. According to the relevant provisions of the Supreme People’s Court’s Answers to Several Questions on the Trial of Reputation Rights Cases, if the reputation of the deceased is damaged, his close relatives have the right to bring a lawsuit to the people’s court. According to Article 3 of the Supreme People’s Court’s Interpretation on Several Issues Concerning Determining the Liability for Compensation for Spiritual Damage in Civil Torts, the name, portrait, reputation and honor of the deceased are infringed by insulting, slandering, derogating, uglifying or other ways that violate social public interests and social morality, and their close relatives suffer mental pain due to the infringement.If a lawsuit is brought to a people’s court for compensation for mental damage, the people’s court shall accept it according to law. Specific to this case, Ye Ting has passed away, and the seven plaintiffs, as close relatives of Ye Ting, have the right to file a civil lawsuit against the perpetrator who violated Ye Ting’s reputation.

　　5. What are the infringements of the defendant Xi ‘an Momo Company?

　　A: On May 8, 2018, the defendant Xi ‘an Momo Company published a short video with a duration of 1 minute and 09 seconds on Today’s Headline through its self-media account "Runaway Comics". In this video, the "Prison Song" written by martyr Ye Ting before his death: "The door for people to go in and out is locked, the hole for dogs to climb out is open, and a voice screams, climb out and set you free" is changed to "The door for people to go in and out is locked, the hole for dogs to climb out is open, and a voice screams, climb out and there is no pain in people’s flow". The video of 1 minute and 09 seconds involved in the case was widely spread on the Internet, causing public concern. On May 16, 2018, "Today’s Headlines" removed the relevant videos and banned the account "runaway comics". Subsequently, video websites such as Youku, Iqiyi and Tencent Video also made similar treatments.

　　6. Is there any subjective fault in the defendant’s act of making and uploading the video involved?

　　A: Under normal circumstances, the fault in the case of infringement of reputation or reputation right refers to the subjective state of knowing or should have foreseen the consequences of others’ social evaluation, but still doing it or thinking it can still be avoided. In the case of infringement of reputation or the right to reputation, the determination of the fault of the actor is often based on the cognition of ordinary people, supplemented by objective factors such as social common sense, the occupation or specialty of the actor and the cost of controlling the harm.

　　In this case, the defendant, as a self-media operator, especially as an information technology company with certain network creation ability and skillful use of Internet tools, should fully realize the spiritual value embodied in Prison Song, and should foresee that the production and dissemination of the video involved in the case will damage Ye Ting’s reputation and also cause emotional and spiritual harm to his close relatives. In this case, the defendant has the ability to control the possible damage consequences of the video without control, and still publishes and uploads it in the existing state, which is obviously subjectively wrong.

　　7. Did the defendant’s tort infringe on the public interest while infringing on Ye Ting’s reputation?

　　A: The Prison Song written by Ye Ting martyr in prison after the Southern Anhui Incident fully embodies Ye Ting’s indomitable revolutionary will and unswerving political belief. The lofty revolutionary integrity and great patriotism shown in this poem have been widely recognized by the whole nation, which is a part of the common memory of the Chinese nation, a precious spiritual wealth of the Chinese nation, a manifestation of socialist core values, a part of social public interests, and the basis for Ye Ting to enjoy a high reputation. In this sense, the video involved in the case not only infringes on Ye Ting’s personal reputation, but also infringes on the social public interests that are integrated by the reputation of heroes.

　　8. What tort liability should the defendant bear?

　　A: According to the General Principles of the Civil Law, Tort Liability Law and other laws, the defendant shall bear the corresponding tort liability for his acts of infringing the reputation of the deceased, especially the heroic martyrs. By stopping the infringement, eliminating the influence, making an apology, and making compensation for spiritual comfort, the law makes up for the decrease of the social evaluation of the deceased and the mental pain suffered by his close relatives due to the infringement. In this case, the seven plaintiffs asked the defendant to stop the lawsuit against the heroic deeds and spiritual behavior of Ye Ting martyrs. After investigation, before the seven plaintiffs sued, the video involved in the case released by the defendant was removed from the "Today Headline" platform and the account of "runaway comics" was banned, and the infringement was stopped. The plaintiff asked the defendant to publicly apologize in the central news media. Although the video involved in the case released by the defendant has been removed from the shelves, and the defendant also apologized to the plaintiff in the form of "A Letter to General Ye Ting’s Family", the objective infringement of Ye Ting’s reputation has caused serious social impact, and the defendant should formally apologize in the national media to eliminate the adverse social impact caused by his infringement. The plaintiff asked the defendant Xi ‘an Momo Company to pay compensation of 1 million yuan, and the court determined that the defendant paid 100,000 yuan to the plaintiff as appropriate.

　　9. How did the court determine the amount of spiritual comfort in this case?

　　According to the Supreme People’s Court’s Interpretation on Several Issues Concerning Determining the Liability for Compensation for Spiritual Damage in Civil Torts, the amount of compensation for mental damage is determined according to the following factors: the degree of the infringer’s fault, the specific circumstances of the infringement, the consequences caused by the infringement, the infringer’s profit, the infringer’s economic ability to take responsibility and the average living standard of the place where the court is located. In this case, the defendant, as a media operator, should be fully aware of the spiritual value embodied in "Prison Song", and should foresee that improper tampering with the production and dissemination of "Prison Song" will damage Ye Ting’s reputation and also cause emotional and spiritual harm to his close relatives, and his subjective fault is obvious. At the same time, the video involved in the case released before the lawsuit has been taken off the shelf, and the defendant also apologized to the plaintiff in the form of "A Letter to General Ye Ting’s Family". He also truthfully admitted the infringement facts in court and expressed his apologies in court. The court comprehensively considered the relevant factors in combination with the specific circumstances of the case, and at the same time, in order to reflect the punishment and warning of the defendant’s infringement, it was determined that the defendant paid 100,000 yuan to the seven plaintiffs as appropriate.

　　10. What are the significance and enlightenment of this case?

　　A: The rapid development of network culture not only enriches people’s spiritual and cultural life, but also brings a series of legal problems. The video involved in the case has tampered with the content of Prison Song and spread rapidly through the network platform, which has aroused great concern of the media, public opinion and the masses about the reputation of heroic martyrs. How to protect the reputation of heroic martyrs has become a hot issue in society. A fair and efficient trial of this case is not only a requirement to achieve fairness and justice in individual cases, but also an important means to regulate people’s online behavior, control illegal online phenomena and protect citizens’ legitimate civil rights and interests by means of the rule of law, which has an important demonstration and guiding role in maintaining the glorious image of heroic martyrs, advocating heroes, admiring martyrs and carrying forward socialist core values according to law.

　　The reputation of heroic martyrs cannot be profaned. Network creation should not infringe upon the legitimate rights and interests of others, but should be based on the social public interests and national interests, and it is also the social responsibility that any citizen and market subject should bear. In this case, Ye Ting’s "Prison Song" embodies the revolutionary dauntless spirit, and the national historical memory condensed by the content of "Prison Song" is an important source and part of the core values of contemporary China society, bearing the common memory of several generations of the Chinese nation, and is also an indispensable spiritual core of China as a nation-state. Although the defendant argued that the original intention of creating the video involved in the case was to satirize the unhealthy phenomenon that a large number of advertisements were implanted in primary and secondary school textbooks in society, as an online media operator, he should fulfill a high degree of duty of care, and should be awed, strictly observe the bottom line, respect history and promote righteousness when creating online.

　　The acts involved in the case and similar acts frequently occurring on the Internet in recent years not only infringe on the personal dignity of revolutionary martyrs and their descendants, but also seriously hurt the national and historical feelings of the public. As a people’s court, when handling such cases of infringement of reputation disputes, it should strictly abide by legal procedures, accurately apply the law, punish and stop illegal acts that infringe on the personal interests of revolutionary martyrs, demonstrate judicial credibility, safeguard social public interests, and realize the organic unity of legal and social effects.

In blade 3 of otherness, it is necessary to decide the order of playing cards according to whether there are heroes in the first round, the second round and the third round, which can give a high evaluation.

List of details of the chain Amazing strategy

1. There are heroes in the first round.

The first round: choose [hero]. The first one sends out [high TP attack], the second one sends out [low TP role], and the third one sends out [low TP tank]. After completing the instruction, take back [high TP attack].

The second round: Select [Attack Class]. The first one comes out [the first round of high TP attack], and the second one comes out [the tank]. Because there is already a bonus, it must be 100% this time. Take back [the high TP attack].

The third round: choose [non-second round partner]. First issue [non-high-TP attack], then issue an [auxiliary] when it is almost 100%, and keep the value at 99%. Finally, issue [high-TP attack recovered twice] and directly hit off the charts. AMAZING!

Round 4: Select [Partner for Round 2/Round 3]. All three recovered cards were typed to make up 100%.

Round 5: Choose [Ouroborosaurus]. First issue [non-high TP attack], then issue [auxiliary], and stick the value at 99. Finally, issue [recover three high TP attacks] to continue off the charts. AMAZING!

2. There are heroes in the second round

The first round: Select [Attack Category]. The first one sends out [high TP attack], the second one sends out [low TP role], and the third one sends out [low TP tank]. After completing the instruction, take back [high TP attack].

The second round: choose [hero]. The first one comes out [the first round of high TP attack], and the second one comes out [the tank]. Because there is already a bonus, it must be 100% this time. Take back [the high TP attack].

Round 3: Choose [non-first-round partner]. First issue [non-high-TP attack], then issue an [auxiliary] near 100, and keep the value at 99%. Finally, issue [recover two high-TP attacks] and directly hit off the charts. AMAZING!

Round 4: Select [First Round/Third Round Partner]. All three recovered cards were typed to make up 100%.

Round 5: Choose [Ouroborosaurus]. First issue [non-high TP attack], then issue [auxiliary], and stick the value at 99. Finally, issue [recover three high TP attacks] to continue off the charts. AMAZING!

3. There are heroes in the third round

The first round: Select [Attack Category]. The first one sends out [high TP attack], the second one sends out [low TP role], and the third one sends out [low TP tank]. After completing the instruction, take back [high TP attack].

The second round: choose [non-first round partner]. The first one comes out [the first round of high TP attack], and the second one comes out [the tank]. Because there is already a bonus, it must be 100% this time. Take back [the high TP attack].

The third round: choose [hero]. First issue [non-high-TP attack], then issue an [auxiliary] when it is almost 100%, and keep the value at 99%. Finally, issue [high-TP attack recovered twice] and directly hit off the charts. AMAZING!

Round 4: Select [First Round/Second Round Partner]. All three recovered cards were typed to make up 100%.

Round 5: Choose [Ouroborosaurus]. First issue [non-high TP attack], then issue [auxiliary], and stick the value at 99. Finally, issue [recover three high TP attacks] to continue off the charts. AMAZING!

4. No heroes in the first three rounds

The first round: Select [Attack Category]. The first one sends out [high TP attack], the second one sends out [low TP role], and the third one sends out [low TP tank]. After completing the instruction, take back [high TP attack].

The second round: choose [non-first round partner]. The first one comes out [the first round of high TP attack], and the second one comes out [the tank]. Because there is already a bonus, it must be 100% this time. Take back [the high TP attack].

Third Round: Choose [First Round/Second Round Partner]. First issue [non-high-TP attack], then issue an [auxiliary] when it is almost 100%, and keep the value at 99%. Finally, issue [high-TP attack recovered twice] and directly hit off the charts. AMAZING!

The fourth round: choose [Octopus] (never choose a hero! ! ! )。 Playing cards is the same as the third round, AMAZING!

Chain rule

evaluation criterion

More than 100% is COOL, more than 150% is BRAVO and more than 200% is AMAZING.

Matters needing attention in card selection

1. If you choose an attack card, you will get an extra TP when you play an attack role.

2. If you choose the hero card, you won’t consume the chain meter.

3. After completing the instructions of a pair of partners, unlock the snake, and if it is not selected, the next round will disappear.

4. The Ouroboros command will not reduce the chain meter, and all team members who have completed the action can act again.

Rules of playing cards

1. The first attack character has a high TP bonus.

2. The ending of the tank role can recycle the role with the highest TP bonus.

3. Auxiliary roles can make the value not exceed 100%.

(Reporter Liu Lixin   Correspondent Niu Lingyun   Wang Lili)"In the past, the smoke and noisy noise of barbecue stalls on both sides of the road made it difficult for people to sleep. Now the barbecue stalls have entered the store and changed to electric barbecue, and finally they can sleep well at night." A few days ago, Mao Qiumei, who lives in tanghe county Oilfield Base, said with deep feelings.

Tanghe county Oilfield Base is a famous "barbecue street" in the local area. Many barbecue stalls have caused people’s disturbance, which makes the residents nearby miserable. In March this year, after receiving the feedback from the masses, the tanghe county Procuratorate immediately sent personnel to intervene in the investigation. After investigation, it was found that the restaurant in this street moved the barbecue stove out of the store for barbecue every night, and the stove did not take any measures to purify the oil smoke, and the smoke was directly discharged into the air.

In order to effectively solve the problem of open-air barbecue pollution, the hospital issued a pre-litigation procuratorial suggestion to the county urban management (law enforcement) bureau to urge it to perform its duties according to law. After receiving the procuratorial suggestions, the county urban management (law enforcement) bureau immediately investigated and standardized the management of open-air barbecues in fixed stores according to law, cleaned up and banned more than 60 illegal stalls for open-air barbecues, urged 507 catering units in urban areas to install fume purification facilities, and changed more than 210 barbecue stalls from carbon to gas and electricity.

Since the beginning of this year, according to the clues of public interest litigation with serious air pollution, tanghe county Procuratorate has focused on the problems based on its functions, found out the reasons and made classified policies, which has obviously improved the environmental quality of the county.

The hospital set up a task force to issue procuratorial suggestions to 4 townships and 5 related units for more than 30 outstanding common problems, and banned 47 "scattered and polluted" enterprises; In view of the large amount of coal used by coal-related production enterprises and the substandard emissions, the disorderly development of "scattered pollution" enterprises and the direct discharge of catering fumes, a research report will be formed in time and submitted to the county party Committee, county people’s congress and county government, and the county ecological environment bureau, urban management bureau and other departments will be urged to perform their duties according to law through procuratorial suggestions to ensure the overall promotion of air pollution control work.

In addition, the hospital has also established a working mechanism for linking administrative law enforcement and criminal justice with joint meetings, information sharing, clue transfer, and consultation and supervision of major cases, and strengthened contact and cooperation with county natural resources bureau, ecological environment bureau and other units to dig deep into the clues of filing supervision. Up to now, the institute has issued 15 pieces of procuratorial suggestions to 12 functional departments including the county ecological environment bureau, urged administrative organs to dismantle 3 commercial coal-fired boilers, investigated and dealt with 30 illegal sales of fireworks and firecrackers, stopped production and rectified 2 large household coal users, and controlled dust on 30 construction sites.

(Original title: Roadside barbecues that have caused headaches for residents have disappeared   Tanghe River, Henan Province: Focusing on Air Pollution Prevention and Improving County Environmental Quality)

Beijing Population Development No.39 [2011].

Population and Family Planning Commission and Finance Bureau of all districts and counties:

　　In order to thoroughly implement Scientific Outlook on Development, give priority to family planning families to enjoy the fruits of reform and development, and promote the coordinated and sustainable development of population, economy and society in this city, according to the spirit of the Notice of the State Population and Family Planning Commission and the Ministry of Finance on Incorporating Rural Residents with Half Households into the Rural Family Planning Reward and Support System, and combining with the actual situation of this city, it is decided to implement rural family planning reward and support for rural residents with half households in this city (hereinafter referred to as "Half Households Rural Residents Reward and Support"). Relevant matters are hereby notified as follows:

　　First, enjoy the definition of "half households" to reward and help rural residents

　　"Half-household" refers to a couple whose one party is a rural resident of this city and the other is an urban resident. The nature of the household registration of the parties concerned is subject to the first page of my current valid household registration book.

　　Two, the basic content of "half of rural residents reward and assistance"

　　"Half-family rural residents’ reward and assistance" refers to the rural residents in this city who enjoy the 100 yuan reward and assistance per person per month when they reach the age of 60. This system has been implemented in rural areas of the city since January 1, 2011.

　　(a) the application conditions for reward and assistance objects

　　The object of reward and assistance shall meet the following conditions:

　　1. I and my spouse are "half-family" family planning families, and I have the household registration of rural residents in this city;

　　2. I was born after January 1, 1933 and reached the age of 60;

　　3, since January 1, 1973, there is no violation of family planning laws, regulations, rules and policies to give birth to children (including adoption, the same below);

　　4. There is only one child now.　 　 　

　　(two) the standard of payment of bonus.

　　1, "half households" rural residents incentive assistance payments to individuals as a unit, since I reached the age of 60 next year, according to the standard of 100 yuan per person per month once a year, until death. If the measures are over 60 years old at the time of implementation, they will be issued from the actual age in 2011 and will not be reissued.

　　2, the source of incentive assistance and the proportion of sharing according to the relevant provisions of the family planning system in rural areas of our city.

　　3. Entrusted by the Municipal Population and Family Planning Commission, the agency will establish a personal account for the confirmed reward and assistance objects in a timely manner, and directly transfer the reward and assistance funds to the personal account of the reward and assistance objects.

　　(three) the confirmation procedure of the object of reward and assistance

　　Confirmation of the "half-family" rural residents’ reward and assistance objects shall be carried out in accordance with the following basic procedures:

　　1. I apply;

　　2. The villagers’ committee deliberated and publicized;

　　3 Township People’s government, street offices and publicity;

　　4 county population and Family Planning Commission review, confirmation and publicity;

　　5 city population and Family Planning Commission checks and logical audit.

　　If the reward and assistance object changes, it shall be reported by the villagers’ committee in time.

　　The county population and Family Planning Commission is responsible for organizing the annual examination of the reward and assistance objects.

　　(four) the principle of termination of the qualification of the object of reward and assistance

　　If the object of reward and assistance is in any of the following circumstances, the villagers’ committee shall verify it in time and go through the procedures for withdrawing from reward and assistance:

　　1, my household registration from rural residents to urban residents;

　　2, my account moved out of the city;

　　3. After I have given birth or adopted a child, the determination of the number of children no longer meets the prescribed conditions;

　　4, reward and help the object of my death;

　　5. Other circumstances that should be terminated.

　　Three, the county population and family planning departments should be in accordance with the spirit of this notice, planning to do a good job in policy propaganda and implementation, timely publicity of policies to the village to the people, so that the masses know, and actively do a good job in organizing the declaration of eligible objects.

　　In 2012, the "half-family" rural residents’ reward and assistance work began to be included in the reward and assistance system for some rural family planning families, and it was organized and implemented together. In 2011, the bonus will be reissued from January 1st.

　　Fourth, the qualification confirmation, specific measures for policy implementation, basic principles, payment methods and fund management, organization and leadership, fund supervision and management, and form filling of the "half-family" rural residents shall refer to the Notice of the General Office of the Beijing Municipal People’s Government on Forwarding the Opinions of the Municipal Population and Family Planning Commission and the Municipal Finance Bureau on Establishing the Incentive and Support System for Family Planning Families in Rural Areas of this Municipality (Beijing Zhengban Fa [2005] No.33). Notice of population and family planning commission of Beijing Municipality on Printing and Distributing the Policy Interpretation of Opinions on Establishing the Family Planning Reward and Assistance System in Rural Areas of this Municipality (J.P.F. [2005] No.51), Notice of Beijing Municipal Bureau of Finance of Beijing Municipal Population and Family Planning Commission on Printing and Distributing the Management Standard of Family Planning Reward and Assistance System in Rural Areas of Beijing (J.P.F. [2007] No.6) and other reward and assistance work requirements shall be implemented.

Beijing Municipal Population and Family Planning Commission

beijing finance bureau

October 10, 2011

　　Newspaper work is an important part of the party’s ideological propaganda work. During the Anti-Japanese War, under the correct leadership of the Communist Party of China (CPC), the Party’s newspaper work made great progress. According to incomplete statistics, from 1937 to 1939 alone, there were 330 kinds of newspapers and periodicals in the four major anti-Japanese base areas in North China. Newspapers and periodicals have become an important public opinion position to publicize the party’s anti-Japanese proposition, mobilize the general public and consolidate and expand the anti-Japanese national United front.

　　Mao Zedong attached great importance to the work of newspapers and periodicals, and clearly pointed out the role and strength of newspapers and periodicals, "because it can make the party’s program, line, principles and policies, tasks and working methods meet the masses most quickly and extensively". During the Anti-Japanese War, Mao Zedong thought deeply about the Party’s newspaper work, and gave guidance on how to do it well many times. These thoughts and guidance are also of great enlightenment and reference significance for us to do related work well today.

　　First, we should regard newspaper work as a weapon to organize all work.　

　　Newspaper work is of great significance to the cause of the party. Mao Zedong pointed out that "newspapers are the most powerful tool for the Party’s propaganda and agitation work, and they contact and influence hundreds of thousands of people every day. Therefore, running newspapers well is a central task of the Party". Mao Zedong clearly regards newspaper work as an important part of cultural work and superstructure by applying Marxist theory on the relationship between economic base and superstructure, and "a certain culture … is a reflection of the politics and economy of a certain society, which has a great influence and function on the politics and economy of a certain society". Therefore, from this perspective, newspaper work is not only an important part of the party’s cultural work, but also an important way and powerful weapon to promote political and economic work.

　　In March 1944, Mao Zedong pointed out in his speech at the propaganda work conference held by the the Central Committee of the Communist Party of China Propaganda Committee: "We should take newspapers in our own hands as a weapon to organize all work, a weapon to reflect and guide politics, military affairs and economy, and a weapon to organize and educate the masses. We should pay great attention to this work and make it progress year by year. " "Now the heads of various organs are responsible and regard the newspaper as their own good way of working. We have a lot of political and economic work, and if we run newspapers well, we can make these work better. " He also took the revised Liberation Daily as an example to illustrate the significance of newspaper work. He pointed out that the Shaanxi-Gansu-Ningxia Border Region is a sparsely populated and vast region with relatively backward economy and culture. Without newspapers, it is quite difficult to carry out the work smoothly, and "a Liberation Daily can organize the political and cultural life of the entire border region".

　　Mao Zedong has repeatedly given specific guidance on how to make full use of newspapers and periodicals to promote various work. In March 1942, at the symposium on the revision of Jiefang Daily, Mao Zedong proposed that "using Jiefang Daily should be one of the regular businesses of various organs. After newspapers spread the experience of one department, we can promote the transformation of other departments’ work … We must make good use of newspapers ". On September 15th, Mao Zedong pointed out in a letter to Kaifeng about newspapers and translation work that comrades in all departments of the central government should further improve their awareness of "using newspapers to do their work" and must "regard newspapers as their extremely important weapons". On September 22nd, Liberation Daily published an editorial, Party and Party Newspaper. The editorial pointed out that "active use of newspapers is a big problem and an important part of improving our work, which is a problem that our whole party should pay attention to." Leading organs at all levels and working departments of the party must make full use of newspapers to publicize and explain the party’s principles and policies and make full use of newspapers to carry out work and inspection. In March 1943, Mao Zedong pointed out in the Politburo meeting of the Chinese Communist Party that "newspapers are a very important way. Central comrades should be good at using newspapers and spend half their time on them. " Obviously, Mao Zedong regards newspapers and periodicals as an important way and tool for the Party to publicize policies and promote work, and it is also an important starting point for leading cadres to pay full attention to and use them. Therefore, doing a good job in newspapers and periodicals is of positive significance to promoting all the work of the party.

　　Two, the newspaper work should be "completely in line with the party’s policy"　

　　It is the fundamental principle of the party’s newspaper work to adhere to the principle of party spirit and to insist that the party newspaper bears the name of the party. The party’s newspaper work must obey the party’s leadership, serve the overall situation of the party’s work, and conform to the party’s principles and policies. During the Anti-Japanese War, Mao Zedong attached great importance to the issue of upholding the principle of party spirit in party newspapers and periodicals, and always stressed that the party’s newspaper propaganda must be subordinate to the party’s work and policies.

　　(1) The work of newspapers and periodicals should serve the overall situation of the Party’s work. Newspapers and periodicals are an integral part of the Party’s work and must serve the Party’s central work and overall situation. In October, 1939, Mao Zedong put forward that the purpose of founding communist party People was to "help build a Bolshevized the Communist Party of China (CPC) with nationwide, broad masses and complete ideological, political and organizational consolidation", and clearly pointed out that the mission of communist party People was to serve the great project of party building. In February, 1940, he pointed out in "The China Workers" that the Communist Party of China (CPC)’s political and organizational task is to unite all forces that can be United to oppose the class oppression of imperialism and feudalism, overthrow their rule and create a new democratic China, and "The China Workers" was published for this task. In the same month, in an article commemorating the first anniversary of the revision of New China Newspaper in Yan ‘an, Mao Zedong proposed that the political direction of New China Newspaper in the second year "is to emphasize unity and progress, so as to oppose all the cigar smoke that harms the Anti-Japanese War, with a view to further victory in the anti-Japanese cause". This political direction is completely consistent with the policy of "resistance, unity and progress" put forward by the party at the second anniversary of the Anti-Japanese War in 1939.

　　In May, 1941, Mao Zedong mentioned the mission of newspapers and periodicals in the Preface of Liberation Daily. He pointed out that "Liberation Daily" should be subordinate to the cause of the party, therefore, "what is the mission of this newspaper? Uniting the people of the whole country to defeat Japanese imperialism is enough. " In 1942, the rectification movement began, which was a far-reaching and party-wide Marxist educational practice carried out by our party during the Anti-Japanese War. During the movement, newspapers and periodicals, as an important tool and platform, became an important channel for the party to carry out ideological education.

　　In September 1941, the enlarged meeting of the Political Bureau of the Communist Party of China (CPC) Central Committee made a decision, and the Liberation Daily was expanded from two pages to four pages from September 16, and at the same time, the propaganda against subjectivism and sectarianism was added to the content. In April 1942, Mao Zedong pointed out at the meeting of the Central Learning Group that the publicity and education materials of the rectification movement should be widely disseminated by newspapers such as Liberation Daily. He believes that under the situation that the whole world is at war, there must be news of war, but less news can be published, while more publicity and education materials should be published. During the whole rectification movement, Party newspapers and periodicals played an important role in publicizing the Party’s relevant policies and carrying out rectification work, which became a vivid example of the Party’s newspaper work serving the Party’s cause during the Anti-Japanese War.

　　(2) Newspaper propaganda should serve the Party’s policies. During the Anti-Japanese War, the party’s principles and policies were adjusted with the changes of the situation, and the party’s newspaper work must be highly consistent with the party’s policies. This point is more prominent in the unity and struggle between the party and the Kuomintang and the efforts to safeguard the overall situation of the war of resistance.

　　After the Anti-Japanese War entered the stalemate stage, the Kuomintang die-hards began to destroy the United front and create friction more blatantly under the Japanese policy of inducing surrender. Starting from the overall situation of the Anti-Japanese War, the Communist Party of China (CPC) not only fought back against the Kuomintang’s efforts to strive for unity and maintain the United front, but also resolutely responded to its friction and anti-communist upsurge. Under such circumstances, the party’s newspaper work must follow the changes of the party’s principles and policies in time to ensure that it can correctly and effectively serve the overall cause of the party.

　　In October 1938, just after the Anti-Japanese War entered the stalemate stage, Mao Zedong profoundly pointed out that under the new anti-Japanese war situation, "the first task of the whole nation is to highly develop national self-esteem and self-confidence, overcome the pessimism of some people, resolutely support the government’s policy of continuing the anti-Japanese war, oppose any attempt to surrender and compromise, and persist in the anti-Japanese war to the end". "To this end, we must mobilize newspapers, publications, schools, propaganda groups, cultural and artistic groups, military and political organs, mass organizations, and all other possible forces to make extensive propaganda and agitation to front-line officers and soldiers, rear garrison troops, people in occupied areas, and the people of the whole country, firmly and systematically implement this policy, advocate the war of resistance to the end, oppose capitulation and compromise, clean up pessimism, and repeatedly point out the possibility and inevitability of final victory. There is only a way out in the war of resistance, calling on the whole nation to unite, not afraid of difficulties and sacrifices. We must be free, and we must win, so as to achieve the goal of continuing the war of resistance unanimously throughout the country. "

　　At the beginning of 1941, the Kuomintang die-hards created the Southern Anhui Incident, which shocked China and foreign countries, and launched the second anti-communist climax. The Communist Party of China (CPC) attached great importance to the overall situation of the Anti-Japanese War, strictly defended himself militarily, and resolutely fought back politically. By publishing a large number of facts, he exposed the plot of the Kuomintang to undermine the Anti-Japanese War, and with the support of progressive forces from all sides, he finally quickly repelled the anti-communist climax of the Kuomintang. After repelling the anti-communist upsurge of the Kuomintang, the Communist Party of China (CPC) paid attention to easing the propaganda struggle against the Kuomintang from the perspective of maintaining the overall situation of the Anti-Japanese War.

　　In September 1942, Mao Zedong pointed out in a telegram to Chen Yi, acting secretary of the Central China Bureau of the Central Committee of the Communist Party of China and acting commander of the New Fourth Army, that the situation began to turn to resume negotiations between the Kuomintang and the Communist Party, which led to a better relationship between the two sides, and then restored the legal status of the New Fourth Army in order to unite the period of the Anti-Japanese War. Mao Zedong demanded that we should pay close attention to the guidance of newspapers and periodicals in northern Jiangsu, and "ensure that their propaganda is subject to the Party’s current policies".

　　However, in the spring of 1943, the Kuomintang die-hards launched the third anti-communist climax, and launched a propaganda offensive by the dissolution of the Communist International in May, demanding the dissolution of communist party and advocating fascism. In this regard, the Communist Party of China (CPC) resolutely refuted and hit back. From July to October, 1943, Mao Zedong repeatedly gave instructions on using public opinion propaganda to counter the Kuomintang die-hards, with special emphasis on giving full play to the role of newspapers and periodicals, and instructed Xinhua Daily, The Mass and other newspapers and periodicals to "publish more anti-fascist articles in order to carry out ideological struggle".

　　Under the Communist Party of China (CPC)’s resolute counterattack, and public opinion at home and abroad generally demanded that the Kuomintang and the Communist Party cooperate and jointly resist Japan, after mid-September 1943, the anti-communist propaganda of the Kuomintang obviously weakened, and the anti-communist climax and public opinion attacks of the Kuomintang die-hards were repelled. In this case, Mao Zedong promptly instructed the relevant newspapers and periodicals to "temporarily stop publishing the remarks exposing the Kuomintang as a sign of easing, and see if the Kuomintang has a political solution and a tendency to ease the current situation", and at the same time asked Xinhua News Agency to stop publishing "articles exposing the Kuomintang" in an effort to safeguard the overall situation of unity and the war of resistance.

　　(3) Improve the level of the Party’s leadership over the work of newspapers and periodicals. Newspapers and periodicals are the mouthpiece of the party. To give full play to the role of newspapers and periodicals in serving the party’s cause and policies, we must strengthen the party’s leadership over the work of newspapers and periodicals, strive to improve the level of the party’s leadership over the work of newspapers and periodicals, and especially improve the political literacy and discipline awareness of the party’s newspaper staff. On October 28th, 1942, Mao Zedong pointed out in his instructions to the central bureaus and sub-bureaus drafted for the Secretariat of the CPC Central Committee that "the local central bureaus and sub-bureaus paid little attention to the work of local news agencies and newspapers, lacked guidance to propagandists and propaganda work, and did not realize the great role of news agencies and newspapers as propagandists and organizers of revolutionary policies and revolutionary work, and did not understand that many of the work of leaders should be done through newspapers". He urged all localities to "correct the past habit of not discussing news policies and editorial guidelines, pay close attention to the leadership of news agencies and newspapers, ensure that their propaganda fully conforms to the party’s policies, and ensure that our propaganda strengthens party spirit", and "educate our propagandists with many documents published by Liberation Daily on how to strengthen the party spirit of newspapers, and overcome the wrong tendency of making independence among propagandists". On the same day, he also stressed in a telegram to Lin Feng, secretary of the Jinsui Branch of the Central Committee that "the news policy and editorial policy of the whole news agency and newspaper office must be constantly paid attention to and mastered by the branch to make our propaganda fully conform to the party’s policy."

　　Third, the party’s newspapers and periodicals should adhere to seeking truth from facts and oppose subjectivism.　

　　Seeking truth from facts is the fundamental viewpoint of Marxism, the fundamental requirement for the Communist Party of China (CPC) people to understand and transform the world, and the basic thinking method, working method and leadership method of our party. During the War of Resistance against Japanese Aggression period, Mao Zedong combined the basic principles of Marxism with the concrete reality of the China Revolution, emphasizing that communist party should "eat by Marxism–Leninism’s truth, seek truth from facts and eat by science". This requirement also runs through Mao Zedong’s thinking and guidance on doing a good job in the Party’s newspapers and periodicals.

　　(1) We must persist in investigation and study in the work of newspapers and periodicals. No investigation, no right to speak. Investigation and research is the basic requirement of seeking truth from facts, and it is also the basic skill for us to do a good job. Mao Zedong pointed out, "People who do propaganda work can never give a lecture without investigating, researching and analyzing their target audience.". Newspapers and periodicals should publish more articles for solid investigation and study, and advocate the style of seeking truth from facts. He clearly opposed the practice of "no investigation, no research" and "hard writing" directly, thinking that it was a very irresponsible attitude.

　　On September 14th and 15th, 1941, Liberation Daily published an investigation report "Lu Zhongcai’s Long March" written by Gao Kelin, then secretary-general of the Party Committee of the Shaanxi-Gansu-Ningxia Border Region. This paper is the result of Gao Kelin’s in-depth practice and investigation, and describes the story of Lu Zhongcai leading a transport team to the "trilateral" areas (Anbian, Jingbian and Dingbian) belonging to the Shaanxi-Gansu-Ningxia Border Region for long-distance salt transportation. Mao Zedong wrote a note specially for this article, pointing out that "this is a report reflecting the actual situation with concise words" and "Comrade Gao Kelin’s report was written after a three-person investigation meeting in one night. His investigation meeting was very good and his report was well written. What we need is this kind of thing, not those stereotyped’ rhetoric’, not those stereotyped party writing. " In his opinion, this article is a model of persisting in investigation and study and reflecting the actual situation, which is completely different from those articles written by Wan Li who are far from the point, as well as those articles that are full of rhetoric, so it is worth studying carefully.

　　(2) Newspapers and periodicals should resolutely oppose subjectivism and stereotyped Party writing. The job of newspapers and periodicals is propaganda, but the basis of propaganda is facts. Newspapers and periodicals must resolutely oppose all unrealistic subjectivism and stereotyped Party writing if they rely on facts. Stereotyped Party writing is a style of writing that is divorced from reality, flashy and formalistic, and a manifestation of subjectivism. In 1942, Mao Zedong elaborated on eight counts of stereotyped Party writing in his famous article "Opposing Stereotyped Party Writing", including "empty talk, nothing to say", "putting on airs to scare people", "shooting at the target without looking at the object" and "tasteless language, like a beggar". He pointed out that some people in the party like to write long articles, but they only have form and no content, just like the foot-binding of a lazy woman, which is smelly and long. This long article with nothing to say must be cleaned up first. He called for "foreign stereotyped writing must be abolished, empty and abstract U-turns must be sung less, dogmatism must rest, and replaced by fresh and lively China style and China style that are loved by China people". In March 1942, the Propaganda Department of the Central Committee formulated the Notice on Reforming Party Newspapers according to Mao Zedong’s opinion, which pointed out that "the words of party newspapers in various places should be popular and concise, so that they can be read not only by ordinary cadres, but also by people with a little education". This further concretizes the demand against stereotyped Party writing.

　　(3) Newspapers and periodicals should publicize materialism and materialist dialectics. Mao Zedong pointed out that some people in the party "think they believe in Marxism, but they don’t try to publicize materialism, and they don’t think about what is subjective after listening to or watching it, and they don’t make comments. This attitude is not the attitude of Communist party member ". Mao Zedong put forward that "if we want to oppose subjectivism, we should publicize materialism and materialist dialectics" and "we should publish more articles in newspapers, reward articles on dialectical materialism and oppose subjectivism". He further demanded that materialist dialectics should be carried out in the work of newspapers and periodicals to get rid of the influence of subjectivism. In his view, if we can’t adhere to materialist dialectics well and don’t conduct in-depth analysis and research, the conclusion will be too simplistic, either absolutely positive or absolutely negative. "The lack of analytical articles in our newspapers and the fact that the habit of analysis within the Party has not been fully developed all indicate the existence of this problem. This situation should be improved in the future, and the way to improve it is to use Marxism and "make a concrete analysis of specific situations."

　　Fourth, running newspapers and periodicals well depends on the joint efforts of the whole party and the masses　

　　The party’s newspaper work is a part of the party’s cause and needs the efforts of the whole party; For the sake of the masses, the party’s newspaper work should also fully rely on the masses. Mao Zedong believes that to do a good job in newspapers and periodicals, we should not only rely on the joint efforts of all party member, but also practice the mass line and rely on the masses to do a good job in newspapers and periodicals.

　　(a) adhere to the "whole party newspaper". In order to promote the development of the party’s newspaper work, Mao Zedong emphasized that the whole party should be mobilized to participate in the newspaper work. In 1942, the editorial "Party and Party Newspaper" of Liberation Daily pointed out that "not only the higher authorities of the party newspaper … have the responsibility to have the closest relationship with the newspaper and provide it with various guidance, materials, articles and opinions, but also the party organs at all levels, organizations at all levels and even every party member are responsible for the party newspaper". What is this responsibility? That is, reading party newspapers frequently, including studying and discussing important articles and conversations in party newspapers; Help the party newspaper to carry out editing and distribution work, including helping the party newspaper to assemble manuscripts, participating in the party newspaper newsletter, and actively promoting the party newspaper.

　　Mao Zedong believes that only by mobilizing all Party comrades to participate in running a newspaper can a party newspaper truly become a party newspaper, otherwise, it will be more or less just a newspaper owned by its colleagues. Taking the wall newspaper as an example, he pointed out that the wall newspaper is also a kind of newspaper. If there are 100 people in a catering unit, a wall newspaper can be published. "In this way, there can be thousands of newspapers in the whole border area, which is called running a newspaper by the whole party."

　　Mao Zedong also actively mobilized the party’s leading cadres to write articles for newspapers and support their work. In May 1941, in the notice about the publication of Liberation Daily, Mao Zedong asked the leading comrades of the Central Committee and important cadres of the Party to write editorials for Liberation Daily. In September, at the enlarged meeting in the Political Bureau of the Central Committee, he also pointed out that "comrades working in various ministries and commissions of the Central Committee should write more articles for Liberation Daily to explain the Party’s policies and introduce their work experience, so as to truly become the organ of the whole Party reflecting the actual leadership work". In January, 1942, he pointed out in Politburo meeting of the Chinese Communist Party that the newspaper should assign topics to the central leading comrades to write social reviews and monographs, and at the same time, "the central ministries and commissions should organize their own news and write press releases and commentaries". In September 1942, after the Liberation Daily was expanded from two pages to four pages, there were often insufficient manuscripts, especially the fourth edition with strong theory. In this regard, Mao Zedong personally drafted the method of soliciting contributions for the fourth edition of Liberation Daily, and asked Deng Fa, Peng Zhen, Wu Yuzhang, Cai Chang, Fan Wenlan and others to be responsible for soliciting contributions, ranging from 5,000 words to 12,000 words per person per month. He also specifically requested that "all comrades should choose and revise the manuscripts they are responsible for, so as to ensure that there is no problem in thinking, the words are fluent, and strive for popularization."

　　(2) Newspapers and periodicals work for and rely on the masses. The mass line is the lifeline and fundamental working line of our party, and it is an important heirloom for our party to maintain its youthful vitality and combat effectiveness forever. Facing and relying on the masses is not only an important principle of our party’s newspaper work, but also an important method to run newspapers well. The party’s newspaper work is to stand on the position of the party and the people, report and publicize the deeds of the people, and strive to serve the people.

　　In February, 1942, Mao Zedong pointed out in the Politburo meeting of the Chinese Communist Party that "the newspaper should focus on the affairs of its own country". He criticized Liberation Daily for publishing too much news from domestic and foreign bourgeois news agencies, while neglecting to publicize our party’s policies and mass activities. He demanded that the propaganda focus of Liberation Daily should be China’s anti-Japanese war, our party’s policies, the construction of base areas, and the people’s production, life and struggle practice. In October 1944, when Mao Zedong visited the staff of Jiefang Daily and Xinhua News Agency in the auditorium of Qingliangshan Central Printing Factory in Yan ‘an, he encouraged everyone to serve the people wholeheartedly and run Jiefang Daily and Xinhua News Agency well.

　　The broad masses of the people are an important force to promote the party’s newspaper work. To do a good job in the party’s newspaper work, we must rely on the masses closely and adhere to the working methods of coming from the masses and going to the masses. Mao Zedong believes that "in all practical work of our Party, all correct leaders must come from the masses and go among them". It is an important magic weapon to do well the party’s newspaper work by coming from the masses, going among the masses and relying on the wisdom of the masses to promote the work. In February, 1940, Mao Zedong pointed out in the Preface of Workers in China that "once a newspaper has been set up, it should be done as a matter, and it must be done well. This is not only the responsibility of the person who does it, but also the responsibility of the person who looks at it. It is very important for readers to give their opinions, write short messages and send them to show what they are happy about and what they are not happy about, so as to make this newspaper run well. " In fact, this is to advocate the broad masses of the people to put forward requirements and expectations for the work of newspapers and periodicals and help them improve their work.

　　In March, 1942, he wrote an inscription for Liberation Daily, "Going deep into the masses, not empty talk", hoping that journalists could go deep into the masses, understand their reality and report their experiences. In the same month, Mao Zedong also proposed that "Xinhua Daily, Jiefang Daily and newspapers and periodicals in the anti-Japanese base areas should attract non-party people to express their opinions, so that all anti-fascist and anti-Japanese imperialists have the opportunity to speak in our party newspaper, and try their best to attract non-party people to participate in the editorial committee, so as to make the newspapers and periodicals run better".

　　In March, 1943, Liberation Daily was revised to better meet the needs of the masses, and Mao Zedong praised it: "Liberation Daily has made progress since it was revised in April last year, and it has touched the working methods from the masses to the masses, so the sources of newspaper materials are endless." At the end of December, 1944, Mao Zedong demanded in his instructions to the Anti-Japanese Daily in the Jin-Sui Border Region that the Anti-Japanese Daily "is a newspaper for the people in the Jin-Sui Border Region, and should be based on the needs of the local people (contacting the masses and serving them), otherwise it would be divorced from the masses and lose its local guiding significance". The basic spirit of Mao Zedong’s instructions and demands is to ask the party’s newspapers and periodicals to practice the mass line, reflect the will and voice of the masses extensively and timely, gather the strength of the masses, rely on the masses to promote their work and better serve them.

　　During the Anti-Japanese War, starting from the overall situation of the Anti-Japanese War and the overall situation of the Party’s work, Mao Zedong thought deeply about the Party’s newspaper work and gave many instructions on how to do a good job. These thoughts and guidance not only provided important guidance for the party’s newspaper work to better serve the party’s cause and the masses at that time, but also provided important enlightenment and reference for us to fully understand the significance of newspaper work, give full play to the role of newspapers and periodicals and further do a good job in ideological propaganda today.

　　Jinan, Oct. 10 (Reporter Zhang Xiaoyan Wang Huang) There are many tourists who choose to come to Jinan during the 11th holiday, and Baotu Spring is one of the must-see attractions when coming to Jinan. On October 4th, a netizen posted that Weibo saw a water pump and a transformer box near Baotu Spring in Jinan, questioning the gushing of Baotu Spring in Jinan. By 7: 00 pm on the 10th, the Weibo content had been forwarded for 308 times with 334 comments. On the 10th, the staff of Baotu Spring Scenic Area said that Baotu Spring spewing was a natural phenomenon.

　　On October 4th, a netizen named "Lang Qibo" in Weibo posted a list of people taking photos of tourists by Baotu Spring in Weibo. The spring eyes rumbled outward, and I heard the sound of a water pump from all directions. I found the distribution box by following the sound. Listening to this sound, the quality of the water pump is still good. I don’t know if it is an imported pump or a domestic pump. " It is equipped with three pictures, one of which is a distribution box in the scenic spot.

　　"I live near Baotu Spring, which is a real spring. Don’t mislead tourists and netizens." Weibo published by Lang Qibo quickly attracted comments from many netizens, and everyone left messages on his Weibo to show the authenticity of Baotu Spring in Jinan. However, many netizens’ messages did not dispel "Lang Qibo’s doubts about the gushing of Baotu Spring in Jinan. @ Sincerely and diligently, Jinan’s abundant rainfall and water volume have naturally increased greatly this year. You don’t know that the daily TV news will report the situation of staff monitoring water volume in real time, and you probably haven’t heard of the words "saving water and protecting springs"! @ Livefa _0′ s spring farm message, Jinan has a lot of rain this year, and the groundwater supply is very sufficient. Not only Baotu Spring, but also 72 springs around it have a lot of water inflow.

　　Below the Weibo, "Lang Qibo" is still full of doubts about the reply words of many netizens, and asks for evidence to prove the authenticity, and says that the water pump in the park can be turned off to prove it.

　　"The water pump is mainly used to water the green plants in the scenic spot, and the substation box is mainly used for power supply in the scenic spot." A staff member of the scenic spot said that they also paid attention to the contents of the Weibo, and the water pump that made the netizens doubt was mainly used for watering. In addition, the power distribution room mentioned was the scenic spot substation box, which had nothing to do with the water pump. "The spring eye of Baotu Spring is a natural phenomenon and cannot be moved. Our job is to protect it."

　　Now Jinan, online celebrity is well known by more and more people. Walking around the moat, Black Tiger Spring and other scenic spots, you will find transformer boxes in hidden and safe areas at regular intervals. With the arrival of "Quancheng Night Banquet" in Jinan, these transformer boxes are very useful and add a lot of color to Jinan night scene.

Special feature of 1905 film network "It was successfully held for 15 sessions, witnessing 87 projects entering production, 72 participating in major film festivals at home and abroad, 44 being shortlisted for Class A film festivals, and 63 films being shown in cinemas at home and abroad." At the 25th Shanghai International Film Festival, the host chose to use such a set of figures as the opening remarks.

Behind the figures are the achievements made by the venture capital unit of Shanghai Film Festival in the past 16 years. By providing docking services such as incubation, financing and promotion for projects of different scales and stages, Shanghai Film Festival Venture Capital has become an incubator for young directors’ works and an important platform for the industry to discover new Chinese speakers.

It will be released on June 16th, and the young director’s feature film debut is one of the examples. In 2017 and 2019, the project was selected by Shanghai Film Festival Venture Capital twice, and in 2021, it was selected as the "One Concern" unit of Cannes Film Festival. Starting from venture capital, going to international film festivals, and then landing on the cinema screen, Street Kids has gone out of the "idealized" path.

On the same day, director Najiazuo also came to the scene where the honor was announced, telling the significance of venture capital to him. "In 2017, I met the producer because of venture capital. In 2019, the filming was completed, and I went to many film festivals. I always wanted to go home and see it. Time flies. I hope I can still work as hard as filming Street Kids when I am 40 years old!"

As the 25th Shanghai International Film Festival, originally scheduled to be held in 2022, was postponed to 2023, the organizing committee received a total of 679 project declarations in two years, and the competition was particularly fierce. After selection, 33 projects stood out.

　

In the end, various honors were announced: the director’s new work "Bye-bye, Bye-bye" won the "Recommended Project in Production"; The film "Wild Crane in the Clouds" with the theme of ethnic minorities won the "Recommended Project by Young Directors"; The director’s "Yao Yao Zhuan" and Gao Ming’s "Two Time Zones" were awarded "Creative Recommended Project" and "Special Recommended Project" respectively.

#01. The genre theme is novel and diverse.

"I think the diversity of this venture capital project is very good, not limited to a certain type of theme." This is the biggest feeling of the annual recommender and producer of project venture capital.

　

Bye-bye, which won the honor of "recommended project in production", focuses on the "bye-bye" belief culture in the relatively small Minnan area, and thus shows the living conditions of local elderly women. Similar themes are very rare in the domestic market, which also makes the judges shine. The recommendation language reads: "The theme is novel, the film language is distinctive and the completion is high."

　

Producer Kick told 1905 Film Network that she and director Ye Qian are both from Fujian, and they are particularly familiar with the stories and female images in the film. Since the debut novel "Sweet Potato Dried with Rice", Ye Qian has been insisting on the creation of similar themes.

"Paying attention to the elderly women and taking root in the soil of southern Fujian, Ye Qian has always been very firm. He will not pick up other people’s adaptation projects, and he is very determined to do his own things, which is very valuable and rare."

　

It is this persistence that made the director successfully move to play the heroine. "After reading the story, she said that she had not seen the role that moved her so much for a long time, which reminded her of the director."

Starting from one’s own life experience, combining personal experience, social observation and thinking with audio-visual language and transforming it into a powerful movie story, which is exactly what many outstanding projects of this venture capital have in common.

　

The same is true of Wild Crane in the Clouds, which won the honor of "Young Director’s Recommended Project". Director Ahmad McMaiti chose to tell a familiar "Xinjiang Story" in a humorous way, which left a deep impression on the judges from Uighur lines to strong regional cultural characteristics and ethnic customs.

　

The recommender concluded: "Personal experience and feelings are the best fulcrum for the director’s early creation. Rooting the seeds of creation in life may grow something with strong imagination. "

Not only do you dare to focus on minority themes in topic selection, but this year’s venture capital finalists are also showing a trend of blooming in variety. Youth, suspense, sports, family, crime, comedy, love, fantasy and martial arts are all involved, taking into account art and business. The enthusiasm and vision presented by young creators are gratifying.

　

#02 Hot Women’s Issues with Realistic Themes Get Attention

In recent years, the market feedback of realistic works has been fierce, which has frequently triggered heated discussions in the society and staged a box office success of "small and broad". Coupled with its relatively low cost and shooting difficulty, realistic themes have become the focus of young creators.

For example, the director’s new work focuses on education and medical care, which are closely related to people’s livelihood, and interweaves them with dramatic techniques. He explained the theme of the film like this: "When fairness and justice are not good for you, will you still insist on fairness and justice?"

　

Faced with this controversial topic, Chen Zhixi bluntly said that the director could be bolder, take a "stinging" step forward on the basis of the original script, and more directly poke the "pain point" of the audience and society.

Different from the warm tone of Trading Destiny, From Now on, written and directed by young director Yang Guomin, hopes to maintain a cruel and true "hard spirit" and "force generate’s true feelings in a cruel way" when showing the special father-son relationship of the family with cerebral palsy.

　

While the three judges affirmed the quality and strength of the script, they also pointed out from the market point of view that the audience would like to see the story of how the protagonist in trouble faces life actively and meets challenges, which can increase the initiative of some characters.

　

"In the current environment, the audience hopes that the film can give it some hope and courage while empathizing, which also makes warm realism a preferred type in the current market," Chen Zhixi said.

Among many realistic works, the increase of women’s themes is also a significant trend. For example, Night Running tells about the situation and choices of three generations of women, Taste of Chinese focuses on the growth experience of post-90 s girls, and Playground this Friday puts the pressure of single and full-time mothers on the table.

When Chen Meiyu, the director and screenwriter of "Mom at the same table", took her 7-year-old daughter to the public presentation site, it quickly attracted the attention of the judges and guests. And her work is also adapted from personal experience. "I took the college entrance examination five months pregnant and reported to the university when I was nine months pregnant." Mother at the same table "tells the story of female college students taking their children to college."

　

In Chen Meiyu’s view, when it comes to "early pregnancy mother", many viewers will inevitably have curiosity, and the heroine she created is to break the stereotype of the audience: she can argue with the school for the right to go to school, boldly respond to her ex-husband’s struggle for custody, and dare to tear open the wound to tell her story to the public. "The first key word is fierce. She is not bitter at all, but she is optimistic and brave."

During Chen Meiyu’s presentation, producer Chen Zhixi was moved to tears. She bluntly said that the real and special story emotion is the biggest advantage of this project, which makes it both topical and market space.

　

"She has got a natural good topic, and the next step is to have a good text, find universality under a special story, and the mother-daughter emotion should be able to make the audience empathize."

　

Indeed, both "Mother at the Same Table" and the above-mentioned female-themed projects are paying attention to women’s living difficulties and inner world from different dimensions. Several judges also reminded the creators that the shaping of female images and the choice of female actors are very important and will become the key to whether the audience can substitute and empathize.

#03 Art or business to be decided

　

"Do you want to make a movie to express yourself, or do you want the audience to buy tickets to go to the cinema? These are two completely different goals." A sentence from the judges triggered on-the-spot thinking.

In his view, art or business, personal expression or market-oriented, this is the direction that needs to be determined in the early stage, and it is also a problem that many creators have not thought clearly.

　

Wu Ershan explained: "The new director’s project needs to have a clear goal, not both sides. For example, if it is the direction of film festivals, it needs to maintain the originality of creation and the creativity of film language, while maintaining low cost; However, if the target is the mass market, then you need to consider what types of elements your work has, whether the organization is mature, whether it meets the needs of the market, and whether the budget can match. "

The producer of Bye-bye, Bye-bye has a clear position in this respect. As a narrative film with a strong author style, they made it clear from the beginning that they would take the direction of film festival exhibition, and they also hoped to make targeted regional announcements in Fujian and Guangdong during the cinema stage.

　

"The key to a small-budget movie is to find its unique audience, recognize its own advantages, find audiences with the same roots and similar cultural soil, and it is good to’ punch through’ an area without eating into a big fat man."

　

The same is true of the romantic film Time Hotel, which was also selected as a "project in progress". The total budget of the project is only 3.5 million yuan, and the filming has been completed and entered the post-production stage.

　

Director Yixiang Zhai said, "I hope to make a movie with aesthetic feeling and adult love theme. At present, there are few similar movies depicting adult emotions in the domestic market. I had expectations for the market from the beginning, so I was more concerned about the budget than the producer. I finished shooting in 26 days and have been saving the budget. "

　

"We should not only see what everyone is doing, but also figure out what we can do." This is Xin Yukun’s message to young filmmakers.

He is also very envious that young creators can have a platform for exchange and learning, such as "venture capital". "In the process, you can know more like-minded friends, and you will also revise and sort out your own creative concept and film concept. This is the meaning of venture capital."

Wu Ershan hopes that the new directors can really exert their strength on the word "new". "We don’t need him to be perfect or mature, but we want to see new themes, new ideas and new film languages. This is the primary standard. With this longboard, other shortcomings can be slowly filled."

Starting from the "new", the next China story is on its way to the world.

Tengchong is located in the western border of Yunnan Province. The name of Tengchong started from the Book of the Old Tang Dynasty, and it was called Yunnan and Vietnam in the Western Han Dynasty. In the Sui and Tang Dynasties, Jimizhou was located, and in the early Song Dynasty, it was softened. Later, it was changed to Tengchong Prefecture, and Tengchong Prefecture was established in Yuan Dynasty. Tengchong Prefecture was established in Ming Dynasty, and Tengyue Prefecture and Tengyue Hall were established successively in Qing Dynasty. Tengchong County was established in 1913 and Tengchong City was established in September 2015. It is the gateway to Myanmar, India, Pakistan and other Southeast Asian and South Asian countries, and is known as the "first city in the extreme". There are seven nationalities living in the world: Han, Dai, Hui, Lisu, Wa, Bai and Achang. Tengchong is rich in culture and natural resources, and there are many intangible cultural heritage resources to inherit and protect. By 2019, there were 293 projects and inheritors at all levels, including 66 projects and 213 representative inheritors (2 at the national level and 14 at the provincial level).

On the occasion of the 13th Cultural and Natural Heritage Day, let’s enjoy the elegance of Tengchong’s intangible cultural heritage projects!

I. List of National Intangible Cultural Heritage Protection (2)

1. Wa nationality Qing opera

Published in 2008

Project introduction

Classify traditional dramas

Qing Opera, also known as Hubei Gaoqiang, was introduced into Tengchong, Yunnan during Xianfeng period in Qing Dynasty, and remained in Sugarcane Village, Wa village. It is the only local drama in Tengchong that has been included in China minority operas. Qing opera has the characteristics of "nine-cavity thirteen-board" and high-cavity opera, and its tunes are cadence, pleasing to the ear and good at narration and lyricism. The story of the play is touching and the characters are distinct.

2. Tengchong Shadow Play

Published in 2011

Project introduction

Classify traditional dramas

Tengchong shadow play, also known as "light shadow" and "shadow play", is a local art form with a long history and wide influence. According to legend, during the Hongwu period of Ming Dynasty, it was introduced from Jiangnan, Huguang and Sichuan, and it was divided into two types in singing: Western (lively rhythm and high spirits) and Eastern (beautiful melody and solemn atmosphere). Tengchong shadow puppets are exquisitely made, which not only has the style of shadow puppets in the Central Plains, but also has obvious border and regional characteristics.

Two, the provincial intangible cultural heritage protection list (6)

1. Tengchong Heshun folk song "Introduction to Yangwendun"

Published in 2006

Project introduction

Category folk literature

Yang Wen’s Little Introduction is an exhortation ballad based on the life experiences of Tengchong Heshun people and even people in western Yunnan who "went abroad". Yang Wen Cun Xiao Yin is famous for its ancient name, which was written in Daoguang period of Qing Dynasty. After several times of circulation, some traditional manuscripts of cotton paper brushes were scattered among the people.

2. Tengchong jade carving art

Published in 2006

Project introduction

Classify traditional art

Tengchong jade carving has a long history. According to local chronicles, there were more than 100 workshops engaged in jade processing in Tengchong before 1949, with more than 3,000 craftsmen. Today, Tengchong jade carving industry is developing rapidly, the jade carving team is expanding, the production process has evolved into mechanization and electrification, and the technology level is changing with each passing day.

3. Tengchong dulcimer

Published in 2009

Project introduction

Lei bie qu yi

Dulcimer is a kind of rap art, which is suitable for narrative content, events and characters’ emotions. The accompaniment instruments include dulcimer, erhu, pipa, cello and percussion. It is said that the dulcimer was introduced into Tengchong in Guangxu period of Qing Dynasty, and then it was integrated with the local four-tone pronunciation to form Tengchong dulcimer. There are three major melodies of dulcimer, namely "Yangdiao", "Daoqing" and "Sanban", which are light and lively, passionate with resentment, humorous, steady and deep.

4, Tengchong Diantan Shuicheng Lisu traditional cultural protection area.

Published in 2009

Project introduction

Category-specific national cultural protection areas

Lisu Village, Shuicheng, Lianzu Community, Diantan Town, Tengchong City, is located in the northwest of Diantan Town, 65 kilometers away from the county seat, bordering Myanmar, with a border of 24 kilometers. It is said that the ancestors of the Lisu people in Shuicheng settled in Shuicheng, Diantan, in the fourth year of Qing Emperor Kangxi. They were Lisu people who settled in Tengchong earlier, preserved traditional looms and textile processing, and most women mastered embroidery techniques. Folk literature plays an important role in the traditional culture of Lisu nationality; Dances mainly include ga-dancing and three-string dancing; The folk paintings of Lisu people in Shuicheng have distinct characteristics of the times and nationalities, and have high artistic appreciation value and collection value; The biggest and ceremonious festival among the Lisu people in Shuicheng is the Knife and Pole Festival, and "Going up the knife mountain and going down to the sea of fire" is the most wonderful folk activity of the Knife and Pole Festival.

5, Tengchong Chinese patent medicine production skills

Published in 2017

Project introduction

Biebie traditional medicine

Tengchong Chinese patent medicine herbs benefit from the unique geographical climate of Gaoligong Mountain, and are refined by traditional pharmaceutical techniques and secret recipes. Pharmaceutical factory uses pharmaceutical tools such as hay cutter, mortar, grinding trough and bowl, and uses the unique processing technology of "soaking, soaking, calcining, stewing, frying, steaming and boiling" and the ancient preparation technology to produce and process Chinese patent medicines. The products are sold in major pharmacies in more than 20 provinces and cities in China, including pills, plasters, medicinal liquor, tablets and injections. Yunnan Tengyao Pharmaceutical Co., Ltd. was recognized as "China’s time-honored brand" by the Ministry of Commerce in 2006.

6. Dongjing Music

Published in 2017

Project introduction

Classify traditional music

The Cave Sutra is the Cave True Sutra, and its full name is "Taishan Yuqing Wuji Always True Wenchang Cave Fairy Sutra", which is a long-standing traditional ancient music in Tengchong. The scriptures are profound, the melody is solemn and beautiful, and it is a noble and auspicious symbol. Dongjing musical instruments are composed of China national musical instruments, such as silk string, orchestral string, playing, plucking and percussion. Qupai is a mixture of ancient court music and Taoist music. The way of playing is dominated by classics, combined with singing and playing, and given certain religious ceremonies, which are solemn, elegant and simple.

Three, Baoshan municipal intangible cultural heritage protection list (32)

1. The Legend of Tengchong’s "Great Rescue"

Published in 2005

Project introduction

Category folk literature

The Legend of Tengchong’s "Rescue" is a legend that Zhu Youlang, Emperor Yongli of Nanming, was rescued by a local farmer with a bowl of fried bait when he fled to Tengchong, so he was named "Rescue". "Great rescue" means cutting Tengchong bait into small pieces and frying them with eggs and cabbage, which is a famous dish at local banquets.

2. The Lisu narrative poem "New Year Tune"

Project introduction

Category folk literature

"Chinese New Year Tune" is a "major" sung by Lisu people during the Chinese New Year. It is sung in a way of dialogue between people and gods, depicting how Lisu people wait for the arrival of their ancestors and gods during the Chinese New Year. This ancient poem sums up the Lisu ancestors’ understanding of the relationship between heaven and man, life and death, fate and reality, etc. The universe, the sun, the moon, the morning, the night, the gods and human beings it shows constitute a holy and spectacular epic realm.

3. The Legend of the Cliff of the Sacrifice of Yunfeng Mountain

Project introduction

Category folk literature

Yunfeng Taoist Temple, built in the seventh year of Chongzhen in Ming Dynasty (AD 1634), is a famous Taoist mountain in western Yunnan. It is said that to make a pilgrimage to Yunfeng Mountain and make a wish is responsive, and it has become a place where all sentient beings who worship Taoism yearn for worship. There are many folk legends and fairy tales circulating in Yunfeng Mountain, which is known as the "Fairy Mountain Qiongge". The legend about Sheshen Cliff is well known to women and children, adding a mysterious color to Yunfeng Mountain.

4. The Legend of Huzhu Temple

Project introduction

Category folk literature

The Legend of Huzhu Temple is based on the ancient temple Huzhu Temple. It is said that there is a dragon-to-pearl drama in the dry sea, which is lost occasionally and gained by Meng. Sometimes, the thunderstorm is raging, and Meng is afraid, and the temple is suitable for a statue. Meng Nazhu is named after the Buddha’s belly. Huzhu Temple is one of the oldest existing buildings in Tengchong and even Baoshan City. Huzhu Temple and its surrounding cultural relics represent an important history of Tengchong in Song and Yuan Dynasties. Its architectural style and legends are of high cultural value for studying Tengchong’s religious history and human geography.

5. Tengchong Lantern Music

Project introduction

Classify traditional music

According to legend, Tengchong Lantern was introduced into Tengchong from the mainland during the Hongwu period of the Ming Dynasty, and then it was merged with local songs and dances, and gradually developed into Tengchong Lantern with local characteristics, which was mainly based on dance or singing, with simple songs and dances, singers with good luck, seasonal farming, bidding farewell to the old and welcoming the new, praying for exorcism and good weather, and then further developed into a lantern play with a complete plot.

6. Lisu people "jump"

Project introduction

Biebie traditional dance

"Dancing Ga" is a kind of folk art that combines song and dance. In places where Lisu people live in compact communities, this dance is necessary for celebrations, funerals and building houses. "Tiao Ga" takes a circle as the formation, and the "Ga Tou", the leader of the dance and singer, leads the dancers to walk counterclockwise, singing and dancing while dancing. The activity of Tiaoga is of great value to the study of the cultural inheritance and development of Lisu people.

7. Lisu "Sanxian Dance"

Project introduction

Biebie traditional dance

"Sanxian Dance" is a dance with Xiao Sanxian as the main accompaniment instrument, and bamboo flute, oral string and duet can also be played together. On the occasion of "Spring Festival" and "Knife and Pole Festival", all the men, women and children in the village gather together to form a circle and dance in steps with the accompaniment of Xiao Sanxian. The formation can be horizontal or vertical, crossing each other and being flexible and changeable.

8. Dai "Kirin Dance" in Wuhe Township

Project introduction

Biebie traditional dance

Dai unicorn dance is an ancient dance with both self-entertainment and sacrifice, which is similar to the lion dance of Han nationality. It is a kind of sacrifice activity for people to pray for the blessing of the old heaven, for the village to be clean and auspicious, for people to live a long life and avoid disasters.

9. The Han folk dance "Little Back Dragon" in Beihai Township.

Project introduction

Biebie traditional dance

Xiao Beilong’s personal performance in Tengchong Dragon Lantern has local characteristics and is unique in Yunnan and even the whole country. It consists of three parts: the dragon head, the dragon body and the dragon tail, which are connected by cloth painted with scales in the middle. When performing, the dragon dancer carries the dragon body on his back and holds the dragon head and the dragon tail in both hands respectively. In the accompaniment of gongs and drums, he performs various performances, such as "playing pearls with dragons" and "turning waves and surging waves".

10. Qushi Township Han folk drama "Fishing Lantern"

Project introduction

Classify traditional dramas

Fish lanterns, an ancient play of Tengchong lanterns, were introduced into Tengchong during the Hongwu period of the Ming Dynasty, which is unique in Yunnan and even the whole country. The performance of "Fish Lantern" has many props and huge scenes. During the performance, wooden scaffolding is used to decorate the dragon gate, and people dance the fish to play the game of "Fish Leaping over the Dragon Gate". The fish dancers are paired to play "high handle", "low handle", "fish turning over", "fish drying belly", "fish grabbing water", "fish chasing pendulum" and ".

11. Tengchong Han folk drama "Fairy Lantern"

Project introduction

Classify traditional dramas

Fairy lantern is a symbolic play of Tengchong Lantern, which combines dancing and singing. Because there are fairies and immortals in the role, it is commonly known as fairy lantern. Fairy lanterns mainly show people dancing with gods, celebrating the Spring Festival and praying for a prosperous life, peace and prosperity, good luck and so on.

12. The Lantern Festival in Zhonghe Township is "Dashun Farming"

Project introduction

Classify traditional dramas

Dashun Tilling the Field is the oldest play handed down from the rural lantern drama, and it still retains the primitive and quaint characteristics of the early lantern. Before leaving home, Shun was driving an elephant to the fields for the last time, plowing and sowing with tribal villagers, and saying goodbye to the villagers. "Da Shun Geng Tian" is a large-scale traditional lantern play, in which there are many roles, and it takes thirty or forty people to perform the role-playing of characters and animals. There are many props and complicated systems, which are difficult to inherit and protect. It is an extremely precious "living fossil" to study the development and evolution of lanterns.

13, Lisu costume craft

Project introduction

Traditional skills of classification

Tengchong Lisu people’s costumes are complex in technology and colorful. Women’s costumes include "safflower thrush clothes", mainly including Baotou, silver beard collar, beaded beads, "thrush clothes", outer shoulder coat, streamer skirt, large pants, lacquer hoop, hanging tube, bamboo and linen sandals, etc. The man’s costume "Magpie Clothes" has a magpie-like head, with a white gown, a jacket, knee-length shorts and cotton embroidered hem.

14. Xingyang Flower Paper Umbrella in Gudong Town

Project introduction

Traditional skills of classification

Xingyang Flower Umbrella in Gudong Town, Tengchong has a history of at least 200 years, which is called "paper support or support" locally. Xingyang people make flower umbrellas by cutting bamboo into ribs and bamboo or wood into handles, drilling holes at the intersection of the ribs and the handles and fixing them with threads, then covering the stretched ribs with white cotton paper made of leather, printing colorful flowers on the paper, and painting with varnish. The flower umbrella is durable, beautifully patterned and brightly colored, which is suitable for daily sunshade and rainproof and performance.

15, Tengyue Town bait production process

Published in 2012

Project introduction

Traditional skills of classification

Tengchong bait silk production is an important local traditional food production process. It is made of high-quality old indica rice pulp rice as raw material, using local unique water quality, integrating traditional technology and modern science and technology. The product is clean and fine in color, soft and delicious, and has a unique flavor. It is very delicious whether cooked or fried, and is favored by tourists both inside and outside the province.

16, Tengyue Town thin bean powder production process

Project introduction

Traditional skills of classification

Thin bean flour is a local traditional snack. Peas are used as raw materials, ground into slurry, poured into a large iron pot with sufficient firepower, stirred and boiled out with slow fire. Golden color, full of fragrance, accompanied by soy sauce, sesame oil, pepper oil, Chili oil, garlic oil, tsaoko oil, broken peanuts, water chestnut root and so on.

17, Tengyue Town large sheet production process

Project introduction

Traditional skills of classification

Dapian is a famous local dish in Tengchong, and its family has been passed down for four generations. Made from pig’s head meat, the kung fu lies in the words. The big slice of the slice is as big as the palm of your hand and as thin as cicada’s wing. Put it in the dip water made of aged vinegar, bamboo shoots, eggplant, mustard and a variety of seasoning oils and rinse it. It is not oily or greasy, crisp and fresh.

18. Tengchong peasant paintings

Project introduction

Classify traditional art

Tengchong peasant painting is an extension of traditional folk painting in China, which was produced and formed in mass painting activities in the 1970s. Farmers who love painting in Tengchong countryside regard painting as their main spiritual pursuit after their production and work. For decades, they have created a large number of high-quality peasant paintings, which have had a good influence both inside and outside the province, and some of them even enjoy a good reputation in Beijing and have been broadcast overseas.

19. Tengchong God (A) Horse Printing Plate

Project introduction

Classify traditional art

Tengchong Shenma, also known as paper horse, is a block-printed product printed with various ghosts and gods, which is incinerated (or pasted independently) with gold and silver ingots and paper money when praying for blessings, disasters and sacrifices in folk religions. Tengchong Shenma is famous for its delicacy, which is the top grade in Yunnan Shenma art and the best in traditional folk black and white woodcut prints.

20. Tengchong caravan culture

Project introduction

Classify people’s customs

Caravan is a unique means of transportation in southwest China, which is transported by mules and horses. Tracing back to its roots, the existence and operation of Tengchong caravan has a history of thousands of years. Tengchong is the hub of the ancient Southern Silk Road, the earliest international trading port, and an important military town in history.

21. Heshun’s "three drops of water" diet custom

Project introduction

Classify people’s customs

Heshun’s "three drops of water" is a distinctive food culture in Tengchong. One drop of water is a series, and the first drop mainly includes fruits, dried fruits, candied fruits, preserved fruits, sweet liquor and cakes. The second drop contains sweet tea (such as milk fan tea), brain (fried dried rice cake), chicken, pig, shredded bacon, fried tofu, finely fried walnut kernels and peanuts; The third drop is dinner, mainly for delicacies, game, seafood, chicken with eight treasures, hibiscus eggs, shrimp covers, chicken brains, curry meat, roasted pigs and brown-wrapped white fish soup.

22. Lisu people’s "three glasses of wine" diet custom

Project introduction

Classify people’s customs

The Lisu people’s eating custom of "three glasses of wine" is formed in the Lisu people’s production and life, which shows the Lisu people’s national character of attaching importance to feelings and righteousness, being sincere to friends and being generous. The first cup, a "toast" to meet each other; The second cup is a "pour a glass of wine" of mutual respect and respect; The third cup is a "concentric wine".

23. Festival custom of Han nationality at the age of "protecting the territory"

Project introduction

Classify people’s customs

"Fighting to protect the territory" is a kind of folk worship activity. Its main body is the cave sutra, which is a large-scale and well-organized folk custom activity, in which Buddhism, Taoism and Emperor sutra are gathered to complete praying for auspicious disaster and peace, with the participation of the whole village.

24. Xianduo Dai traditional cultural protection zone in Hehua Township.

Project introduction

Category-specific traditional cultural protection areas

Xianduo is located in the southwest of Lotus Town, Tengchong, with a land area of 21.43 square kilometers. Xianduo Village has a long history and profound cultural heritage. With the changes of the times, some traditional cultural customs have changed or even disappeared, but the traditional culture of Xianduo Dai family, such as social morality, language and clothing, living habits, festivals, literature and art, sports, fine arts and religious beliefs, can still be passed down and carried forward.

25. Xinhua Township, the hometown of Achang people’s songs and dances

Project introduction

Classify the hometown of traditional culture.

Xinhua Township is a multi-ethnic area, mainly including Achang, Lisu and Dai. All ethnic groups retain rich and traditional folk culture. The songs and dances of various ethnic groups in Xinhua Township, Tengchong, have a broad mass base, and are highly artistic and ornamental, especially the folk songs "Love Song Tune", "Say Ai Tune" and the dance "Deng Wo Luo" have more distinctive national styles and regional characteristics.

26. Tengchong is the hometown of jadeite craft.

Project introduction

Classify the hometown of traditional culture.

Tengchong is a distribution center of jadeite, with a long history of trade and processing, which has formed its own characteristics. Jade culture is an important part of Tengyue culture, and jade craft production is a cultural industry with rapid development and great potential. With the acceleration of economic globalization, Tengchong jadeite processing and trade has become a bright spot in our county’s economic growth.

27. Xinzhuang Village, Jietou Township is the hometown of papermaking technology.

Project introduction

Classify the hometown of traditional culture.

Xinzhuang Village is located in the east of Jietou Town, Tengchong City, and still retains the traditional ancient manual papermaking skills. For more than 300 years, making white paper has been a traditional cottage industry in Xinzhuang Village, and selling handmade white paper is one of the main economic incomes of the village, accounting for 50% of the total income of the village.

28. Xiaoxi Town is the hometown of bamboo weaving technology.

Project introduction

Classify the hometown of traditional culture.

Xiaoxi has developed handicraft industry in history. Rattan, hat, reed, dustpan, bamboo chopsticks and brown products are exported to Myanmar and inside and outside the province, especially bamboo hats, which are exquisite in craftsmanship, elegant in appearance, firm and durable, and have established a good brand image in Myanmar and western Yunnan.

29. Tengchong, the hometown of Lisu knife and pole art.

Project introduction

Classify the hometown of traditional culture.

The Lisu people in Tengchong have a long history, a broad mass base and a unique artistic style.

30. Wanyao Village, Mazhan Township is the hometown of pottery making technology.

Project introduction

Classify the hometown of traditional culture.

"Tengchong County Records" contains: "Pottery production is mainly concentrated in bowls and kilns in Mazhan District, and earthenware has been fired for more than 500 years." Making and selling pottery is a traditional handicraft industry in Wanyao village. For hundreds of years, making and selling pottery has been one of the main sources of income in the village.

31. Tengchong is the hometown of folk music.

Project introduction

Classify the hometown of traditional culture.

During the Hongwu period of the Ming Dynasty, the large-scale migration of military and civilian villages brought the music culture from all parts of the Central Plains to Tengchong. The music not only maintained the charm of the ancient music in the Central Plains, but also blended with the tones of the border songs, thus forming the Tengyue ancient music with Tengchong regional music style. The representative music includes: Dongjing music, shadow play music, lantern music, dulcimer music, folk songs, Wa Qing opera music, Dai opera music and Lisu folk songs.

32. Tengchong sings books

Published in 2015

Project introduction

Biebie traditional folk art

Singing books is similar to storytelling, also known as "good books", which is a folk art popular in Tengbei rural areas in the 1960s and 1970s. It is a kind of sitting and singing quyi, which is mainly based on singing, and it is rarely said in plain English. The story is vivid and touching.

Four, Tengchong municipal intangible cultural heritage protection list (26)

1, the legend of Deng’s participation.

Published in 2005

Project introduction

Folk oral literature of different ethnic groups

2, columnar joints, Heiyu River legend.

Published in 2005

Project introduction

Folk oral literature of different ethnic groups

3. Lie about Zhang San’s story

Published in 2005

Project introduction

Folk oral literature of different ethnic groups

4. Tengchong Fishing Drum

Project introduction

Folk folk art of different ethnic groups

5. Lisu marriage

Published in 2005

Project introduction

Folk traditional customs of different ethnic groups

6. Lotus Township, the hometown of folk art (peasant paintings) in China

Published in 2005

Project introduction

Folk regional culture of different ethnic groups

7. Gudong Town, the hometown of folk art (shadow play) in China.

Published in 2005

Project introduction

8. Tengchong Lion Dance

Project introduction

Classify traditional sports, recreation and acrobatics.

9. Tengchong Dragon Lantern

Published in 2015

Project introduction

10. Tengchong Dai Opera

Published in 2015

Project introduction

Classify traditional dramas

11. Tengchong Dai language

Published in 2015

Project introduction

Category folk literature

12, Tengchong traditional old cloth shoes production

Published in 2015

Project introduction

Traditional skills of classification

13. Baking Techniques of Mingguang Small Ear Pig

Published in 2015

Project introduction

Traditional skills of classification

14, Tengchong burning pig technology

Published in 2015

Project introduction

Traditional skills of classification

15. Handmade Maltose Production Process in Gudong Town

Published in 2015

Project introduction

Traditional skills of classification

16, Tengchong pavilion production process

Project introduction

Traditional skills of classification

17, Tengchong clay pot production process

Published in 2015

Project introduction

Traditional skills of classification

18, Tengchong paper binding process

Published in 2015

Project introduction

Traditional skills of classification

19, ponytail buckle production process

Published in 2015

Project introduction

Traditional skills of classification

20. Tengchong Fragrant Technology

Published in 2015

Project introduction

Traditional skills of classification

21, Tengchong indigenous oil extraction process

Published in 2015

Project introduction

Traditional skills of classification

22, Tengchong wool felt production process

Published in 2015

Project introduction

Traditional skills of classification

23, Tengchong rice plastic technology

Published in 2015

Project introduction

Classify traditional art

24, Tengchong saddle making skills

Project introduction

Traditional skills of classification

25, Tengchong linen sandals compilation skills

Project introduction

Traditional skills of classification

26, Tengchong black sauce production process

Published in 2015

Project introduction

Traditional skills of classification

Source: Tengchong Cultural Center

　　Source: General Administration of Customs Cartography: Cai Huawei

　　According to customs statistics, in the first quarter, the total import and export value of China’s goods trade was 9.89 trillion yuan, a year-on-year increase of 4.8%. China’s foreign trade started smoothly, showing a good trend month by month, and the growth rate of import and export increased month by month. Lv Daliang, spokesman of the General Administration of Customs and director of the Statistics and Analysis Department, said at the press conference of the State Council Office on April 13th that despite the severe and complicated external situation, China’s foreign trade still showed strong resilience. Comprehensive judgment shows that the goal of promoting stability and improving quality of foreign trade this year is supported.

　　The vitality of foreign trade entities has been further enhanced.

　　There were 457,000 foreign trade enterprises with import and export performance, up 5.9% year-on-year.

　　In January, affected by the Spring Festival holiday, imports and exports fell by 7%. From negative to positive in February, it increased by 8% in that month, and the year-on-year growth rate increased to 15.5% in March, showing a positive trend month by month. The overall growth in the first quarter was 4.8%, 2.6 percentage points higher than that in the fourth quarter of last year.

　　The number of foreign trade business entities has increased steadily, showing new vitality. In the first quarter, there were 457,000 foreign trade enterprises with import and export performance in China, up 5.9% year-on-year. Among them, there were 384,000 private enterprises, an increase of 7.5%, and the import and export volume was 5.18 trillion yuan, an increase of 14.4%, accounting for 52.4% of China’s total import and export value. In the same period, the import and export of foreign-invested enterprises was 3.04 trillion yuan, and the import and export of state-owned enterprises was 1.65 trillion yuan, accounting for 30.7% and 16.7% of the total import and export value respectively.

　　"Private enterprises have been the main force in China’s foreign trade development for four consecutive years." Lu Daliang introduced that in 2022, the proportion of private enterprises in China’s total import and export value reached 50.9%, and the annual proportion exceeded half for the first time. In the first quarter of this year, the foreign trade of private enterprises continued to maintain a rapid growth trend, and its proportion further increased.

　　Customs data show that in the first quarter, China’s general trade import and export was 6.46 trillion yuan, up 7.9% year-on-year, accounting for 65.3% of the total import and export value, up 1.9 percentage points from the same period last year. Among them, exports were 3.68 trillion yuan, an increase of 12.7%; Imports reached 2.78 trillion yuan, up 2.2%.

　　Exports of mechanical and electrical products and labor-intensive products have both increased. In the first quarter, the export of mechanical and electrical products in China was 3.27 trillion yuan, up 7.6% year-on-year, accounting for 57.9% of the total export value; Among them, the exports of automobiles, household appliances and batteries were 147.47 billion yuan, 141.24 billion yuan and 116.34 billion yuan, up by 96.6%, 3.2% and 84.8% respectively. In the same period, the export of labor-intensive products was 947.46 billion yuan, an increase of 5.7%.

　　The foreign trade structure was further optimized.

　　The total export of "new three samples" was 264.69 billion yuan, a year-on-year increase of 66.9%.

　　In the first quarter, China’s total exports of electric manned vehicles, lithium batteries and solar cells ("new three kinds") reached 264.69 billion yuan, up 66.9% year-on-year, accounting for 1.7 percentage points of China’s exports, reaching 4.7%.

　　In recent years, the global attention to new energy and green low-carbon fields has gradually increased, and the strong demand in the international market has also driven the export growth of green low-carbon products in China. Last year, the "new three samples" boosted the overall growth of China’s exports by 1.7 percentage points. This year, the pulling effect has further increased, and the overall growth of exports in the first quarter was 2 percentage points. In the first quarter, China’s "new three samples" exported to more than 200 countries and regions around the world, among which exports to the European Union, the United States, ASEAN, South Korea and the United Kingdom increased by 88.7%, 88.1%, 103.5%, 121.7% and 118.2% respectively.

　　In the first quarter, China’s central and western regions achieved import and export of 1.84 trillion yuan, a year-on-year increase of 12.6%, and the scale reached a record high in the same period. Driven by the national regional coordinated development strategy, the central and western regions have sustained economic development, the proportion of foreign trade imports and exports has continued to increase, and the regional structure of China’s foreign trade has been further optimized.

　　"The central and western regions give play to their location advantages, promote cross-border transportation facilitation, and continuously improve channel operation and logistics efficiency." Lu Daliang said that in the first quarter, the import and export of the new land and sea passage in the west was 969.52 billion yuan, an increase of 10.1%. China-Laos Railway has played an increasingly significant role in China-ASEAN trade since its opening more than a year ago. In the first quarter of this year, it supervised and released 880,000 tons of import and export goods, an increase of 219%.

　　The scale of border trade through border crossings has steadily increased. In the first quarter, the total import and export of border trade and small-scale border trade was 89.7 billion yuan, a record high in the same period, up 111% year-on-year, and the proportion of foreign trade in central and western China increased by 2.3 percentage points year-on-year to 4.9%.

　　Foreign trade market expansion is more balanced.

　　Imports and exports to countries along the Belt and Road increased by 16.8%

　　In the first quarter, most of China’s top ten export markets maintained positive growth. Among them, exports to ASEAN, Japan and the European Union increased by 28%, 5.3% and 0.3% respectively, and the export growth rate to South Korea, India and Mexico exceeded double digits. The foreign trade regional market is further developed and more balanced.

　　"This year is ‘ Belt and Road ’ Tenth anniversary of the initiative. In the past ten years, China has been interested in ‘ Belt and Road ’ The proportion of imports and exports of countries along the route in China’s overall foreign trade has increased significantly from 25% in 2013 to 32.9% in 2022. " Lv Daliang said that in the first quarter, China’s import and export to countries along the Belt and Road increased by 16.8%, 12 percentage points higher than the overall growth rate of China’s foreign trade in the same period; It accounted for 34.6% of the total import and export value, up 3.5 percentage points. Among them, the import and export to Southeast Asia, West Asia, North Africa, Central Asia and South Asia along the route increased by 16.1%, 12.5%, 32.2% and 4.1% respectively. In the first quarter, China’s import and export to countries along the "Belt and Road" increased by 24.6% and 61.8% respectively by railway and road transportation.

　　In the first quarter, China’s imports and exports to the other 14 member countries of the Regional Comprehensive Economic Partnership Agreement (RCEP) totaled 3.08 trillion yuan, up 7.3% year-on-year, accounting for 31.2% of China’s total foreign trade in the same period, and the proportion increased by 0.8 percentage points compared with the same period of last year. Lv Daliang analyzed that in the first quarter, China’s imports and exports to other RCEP member countries increased by more than 10% to seven, among which imports and exports to Singapore, Laos and Myanmar all increased by more than 20%, reaching 45.8%, 37.8% and 29% respectively.

　　Lv Daliang said that at present, the global economic instability, uncertainty and unpredictable risks are increasing, and China’s foreign trade development will face many difficulties and challenges. However, we must also see that China’s economy is strong in resilience, great in potential and full of vitality, and its long-term positive fundamentals remain unchanged. "I believe that with the continuous overall improvement of China’s economic operation, the positive momentum of foreign trade is expected to continue further." He said that the customs will further optimize and upgrade the relevant policies and measures according to the demands of enterprises this year, and will continue to release the dividends of policies and measures to better help foreign trade to promote stability and improve quality.