The commonweal movie "Little Boy with a Reunion Dinner" makes the heart return and the love go home.

       On November 28th, the public welfare film "Little Boy with Reunion Dinner" produced by Ningxia Zhongshi Film Co., Ltd., Tianjin Xinyue Culture Media Co., Ltd., Fujian Zhongwei Media Co., Ltd. and Henan Jintongxiang Culture Communication Co., Ltd., jointly produced by Shaanxi Yuchun Film Culture Media Co., Ltd. and Shenzhen Yichen Film Technology Co., Ltd. and publicized by Shenzhen Yichen Film Technology Co., Ltd. was released nationwide a few days ago.

       It is reported that the creative team of the film "Little Boy with a Reunion Dinner" visited many families in the early stage of creation, and found that parents had different degrees of "lack of companionship" in the process of children’s growth. They chose the most representative family and the most grounded and touching details to create, which finally touched many people, and almost everyone who watched the film was deeply touched and moved to tears.

       The film tells the story of four children from three families who, in order to have a reunion dinner with their parents, traveled for 500 kilometers after two days of ice and fire, and finally reunited with their parents. At the script seminar, the propaganda minister of Hebi Municipal Committee and a member of the Henan Provincial Inspection Team of the Communist Party of China said: "China’s rapid development is due to Chinese’s diligence. In order to develop, parents have reduced their time with their children, and both parents and children have patience and dedication. It is well known that China has made great contributions to the development of the world, so the world should thank China and China’s parents and children."

       After attending the international film festival, the film "Little Boy with a Reunion Dinner" aroused widespread resonance and response. Up to now, it has been nominated for the best costume design, the most talented new director, the jury award, the best foreign language film actor and the best foreign language film at the 17th London World Film Festival. Won the best children’s film at Tagore International Film Festival; Best film at Drucker International Film Festival; Best Photography Award, Best Supporting Actress Award and Most Potential Actor Award in the 5th Golden Elephant Children’s Film Week.    

       In addition, the film has been shortlisted for 12 international film festivals, including South Africa International Film Festival and Bristol International Film Festival, and has been shown and exchanged in London, Johannesburg, South Africa, Delhi, Sweden, Moscow, Russia, Bristol, Turkey, Istanbul, Bhutan and Ukraine, making it an excellent children’s film undertaking international cultural exchanges.

       After the filming was completed, Golden Boy Elephant Children’s Film Week proposed to set November 20th as "International Companionship Day" every year, so as to let the heart return and love go home. 

The case of Ye Ting’s descendants v. "Internet spoof comics" was pronounced in the first instance and the company involved was sentenced to a public apology.

  Zhongqing Online, Beijing, September 28th (China Youth Daily, Zhongqing Online reporter Wang Yijun) The reporter was informed today that the Yanta District People’s Court of Xi ‘an, Shaanxi Province today publicly pronounced a first-instance judgment on the case that Ye Zhengguang, Ye Daying, Ye Tiejun, Ye Xiaomei, Ye Xiaoyan, Ye Wen and Ye Min, close relatives of Ye Ting martyrs, sued Xi ‘an Momo Information Technology Co., Ltd. (hereinafter referred to as "Xi ‘an Momo Company") for reputational infringement, and ruled that Xi ‘an Momo Company publicly apologized in the national news media.

  The court found through trial that on May 8 this year, the defendant Xi ‘an Momo Company published a short video with a duration of 1 minute and 09 seconds on Today’s Headline through its self-media account "Runaway Comics". The content of this video will lock the door for people to get in and out of the Ye Ting martyr’s "Prison Song", open the hole for dogs to climb out, and a voice shouted, climb out and set you free! " The door for people to enter and leave is locked! The hole for the dog to climb out is open! A voice shouted! Climb out! Painless abortion! " . After the video was released on the Internet platform from May 8, 2018 to May 16, 2018, many news media reprinted it, which aroused public concern and hot discussion on the Internet, causing adverse social impact and consequences in a certain range.

  The court held that the "Prison Song" written by Ye Ting martyr in prison after the Southern Anhui Incident fully reflected the indomitable revolutionary will and unswerving political belief of Ye Ting martyr, and the lofty revolutionary integrity and great patriotic spirit displayed by him have been widely recognized by the whole nation, which has become a part of the common memory of the Chinese nation, an important part of the precious spiritual wealth and socialist core values of the Chinese nation, and also the basis for Ye Ting martyrs to enjoy a high reputation. The video produced by Xi ‘an Momo Company tampered with the contents of "Prison Song", desecrated the fearless revolutionary spirit of Ye Ting martyrs and damaged the reputation of Ye Ting martyrs, which not only caused mental pain to the relatives of Ye Ting martyrs, but also hurt the national and historical feelings of the public and harmed the public interests. Therefore, the above behavior of the defendant Xi ‘an Momo Company has constituted a reputation infringement.

  The court made the above judgment in accordance with the General Principles of the Civil Law of People’s Republic of China (PRC), the Tort Liability Law of People’s Republic of China (PRC), and the Law of People’s Republic of China (PRC) on the Protection of Heroes and Martyrs.

  Ye Zhengguang, a close relative of Ye Ting martyr, and others v. Xi ‘an Momo Information Technology Co., Ltd.

  1. What is the relationship between the seven plaintiffs and Ye Ting in this case?

  A: Plaintiff Ye Zhengguang is the son of Ye Ting, Plaintiffs Ye Daying and Ye Tiejun are grandchildren of Ye Ting, Plaintiffs Ye Xiaomei, Ye Xiaoyan, Ye Wen and Ye Min are granddaughters of Ye Ting.

  2. What are the main pleadings of the original defendant in this case? Can you briefly introduce the trial process?

  A: On May 24, 2018, the plaintiffs Ye Zhengguang, Ye Daying, Ye Tiejun, Ye Xiaomei, Ye Xiaoyan, Ye Wen and Ye Min sued the defendant Xi ‘an Momo Information Technology Co., Ltd. (hereinafter referred to as Xi ‘an Momo Company) to the Yanta District People’s Court in Xi ‘an on the grounds that the defendant infringed on Ye Ting’s reputation. Their litigation requests were: 1. Order the defendant to stop infringing on Ye Ting’s heroic deeds and spirit; 2. Order the defendant to publicly apologize to the plaintiff in writing in the national media; 3. The defendant was ordered to compensate the plaintiff for mental comfort totaling 1 million yuan.

  Defendant Xi ‘an Momo Company believes that: 1. The defendant has no intention to infringe Ye Ting’s reputation subjectively. The video program comments on the unhealthy social phenomenon of "implanting hospital advertisements in primary school textbooks" reported by People’s Daily and other media in an ironic way, and explicitly opposes the disorderly implantation of advertisements in primary school textbooks. The defendant inappropriately quoted Ye Ting’s works in the process of video creation, which caused emotional and spiritual harm to the plaintiff. The defendant sincerely apologized for this. 2. For some media reports that are out of context and mislead the public, the defendant hopes to explain his original intention of creating the video through a complete video presentation. 3. Based on the high respect for revolutionary martyrs, after the incident, the defendant actively communicated with the media to clarify the facts to the public; Actively apologize to the plaintiff and try to eliminate the influence.

  On June 12, 2018, the Yanta District People’s Court of Xi ‘an organized the parties to the case to hold a pre-trial meeting. Through the pre-trial meeting, the original defendant and the defendant exchanged evidence and made clear the focus of the case dispute.

  On July 15, 2018, the Yanta District People’s Court of Xi ‘an applied ordinary procedures to publicly hear the case. The plaintiff entrusted agents ad litem Feng Zhentao and Lian Gaobo and the defendant Xi ‘an Momo Company entrusted agent ad litem Li Xuesong to attend the proceedings.

  On September 28, 2018, the Yanta District People’s Court of Xi ‘an publicly pronounced the case.

  3. What are the main contents of Ye Ting’s "Prison Song"?

  A: Ye Ting is the founder of China People’s Liberation Army and one of the important leaders of the New Fourth Army. He is a famous strategist at home and abroad. According to historical records, in January 1941, Ye Ting was illegally arrested by the Kuomintang during the Southern Anhui Incident, and was imprisoned in Shangrao, Jiangxi, Enshi, Hubei, Guilin, Guangxi and other places, and finally transferred to the concentration camp of Sino-US Institute for Special Technical Cooperation in Chongqing. In prison, Ye Ting suffered all kinds of hardships, but remained faithful and unyielding. In 1942, he wrote this song "Prison Song". The poem was written by Ye Ting on the wall of the second cell downstairs of the imprisoned Chongqing Zhazidong concentration camp, and the manuscript was brought out by Li Xiuwen, the wife of Ye Ting, when she visited the prison. On April 8, 1946, Ye Ting flew back to Yan ‘an from Chongqing. The plane crashed near Heicha Mountain in Xing County, Shanxi Province and was killed.

  The full text of "Prison Song" is:

  The door for people to enter and leave is locked,

  The hole for the dog to climb out is open,

  A voice shouted:

  Climb out and set you free!

  I long for freedom,

  But I deeply know — —

  How can a human body climb out of a dog hole!

  I hope that one day,

  Underground fire,

  Burn me and this living coffin together,

  I deserve eternal life in fire and blood!

  4. How do Chinese laws protect the reputation of heroic martyrs?

  A: According to China’s General Principles of Civil Law, Tort Liability Law, Protection of Heroes and Martyrs Law and relevant judicial interpretations in the Supreme People’s Court, after the death of a natural person, his personal interests before his death, including his name, portrait, reputation and honor, are still protected by law. Article 185 of the General Principles of Civil Law of People’s Republic of China (PRC) stipulates that anyone who infringes on the names, portraits, reputations and honors of heroes and martyrs and harms the public interests shall bear civil liability. The first and second paragraphs of Article 22 of the Law on the Protection of Heroes and Martyrs stipulate that it is forbidden to distort, vilify, blaspheme or deny the deeds and spirit of heroes and martyrs. The names, portraits, reputations and honors of heroic martyrs are protected by law. No organization or individual may insult, slander or otherwise infringe upon the names, portraits, reputations and honors of heroic martyrs in public places, on the Internet or by using radio and television, movies and publications. No organization or individual may use the names and portraits of heroic martyrs for trademarks or commercial advertisements in disguised form, thus damaging the reputation and honor of heroic martyrs. According to the relevant provisions of the Supreme People’s Court’s Answers to Several Questions on the Trial of Reputation Rights Cases, if the reputation of the deceased is damaged, his close relatives have the right to bring a lawsuit to the people’s court. According to Article 3 of the Supreme People’s Court’s Interpretation on Several Issues Concerning Determining the Liability for Compensation for Spiritual Damage in Civil Torts, the name, portrait, reputation and honor of the deceased are infringed by insulting, slandering, derogating, uglifying or other ways that violate social public interests and social morality, and their close relatives suffer mental pain due to the infringement.If a lawsuit is brought to a people’s court for compensation for mental damage, the people’s court shall accept it according to law. Specific to this case, Ye Ting has passed away, and the seven plaintiffs, as close relatives of Ye Ting, have the right to file a civil lawsuit against the perpetrator who violated Ye Ting’s reputation.

  5. What are the infringements of the defendant Xi ‘an Momo Company?

  A: On May 8, 2018, the defendant Xi ‘an Momo Company published a short video with a duration of 1 minute and 09 seconds on Today’s Headline through its self-media account "Runaway Comics". In this video, the "Prison Song" written by martyr Ye Ting before his death: "The door for people to go in and out is locked, the hole for dogs to climb out is open, and a voice screams, climb out and set you free" is changed to "The door for people to go in and out is locked, the hole for dogs to climb out is open, and a voice screams, climb out and there is no pain in people’s flow". The video of 1 minute and 09 seconds involved in the case was widely spread on the Internet, causing public concern. On May 16, 2018, "Today’s Headlines" removed the relevant videos and banned the account "runaway comics". Subsequently, video websites such as Youku, Iqiyi and Tencent Video also made similar treatments.

  6. Is there any subjective fault in the defendant’s act of making and uploading the video involved?

  A: Under normal circumstances, the fault in the case of infringement of reputation or reputation right refers to the subjective state of knowing or should have foreseen the consequences of others’ social evaluation, but still doing it or thinking it can still be avoided. In the case of infringement of reputation or the right to reputation, the determination of the fault of the actor is often based on the cognition of ordinary people, supplemented by objective factors such as social common sense, the occupation or specialty of the actor and the cost of controlling the harm.

  In this case, the defendant, as a self-media operator, especially as an information technology company with certain network creation ability and skillful use of Internet tools, should fully realize the spiritual value embodied in Prison Song, and should foresee that the production and dissemination of the video involved in the case will damage Ye Ting’s reputation and also cause emotional and spiritual harm to his close relatives. In this case, the defendant has the ability to control the possible damage consequences of the video without control, and still publishes and uploads it in the existing state, which is obviously subjectively wrong.

  7. Did the defendant’s tort infringe on the public interest while infringing on Ye Ting’s reputation?

  A: The Prison Song written by Ye Ting martyr in prison after the Southern Anhui Incident fully embodies Ye Ting’s indomitable revolutionary will and unswerving political belief. The lofty revolutionary integrity and great patriotism shown in this poem have been widely recognized by the whole nation, which is a part of the common memory of the Chinese nation, a precious spiritual wealth of the Chinese nation, a manifestation of socialist core values, a part of social public interests, and the basis for Ye Ting to enjoy a high reputation. In this sense, the video involved in the case not only infringes on Ye Ting’s personal reputation, but also infringes on the social public interests that are integrated by the reputation of heroes.

  8. What tort liability should the defendant bear?

  A: According to the General Principles of the Civil Law, Tort Liability Law and other laws, the defendant shall bear the corresponding tort liability for his acts of infringing the reputation of the deceased, especially the heroic martyrs. By stopping the infringement, eliminating the influence, making an apology, and making compensation for spiritual comfort, the law makes up for the decrease of the social evaluation of the deceased and the mental pain suffered by his close relatives due to the infringement. In this case, the seven plaintiffs asked the defendant to stop the lawsuit against the heroic deeds and spiritual behavior of Ye Ting martyrs. After investigation, before the seven plaintiffs sued, the video involved in the case released by the defendant was removed from the "Today Headline" platform and the account of "runaway comics" was banned, and the infringement was stopped. The plaintiff asked the defendant to publicly apologize in the central news media. Although the video involved in the case released by the defendant has been removed from the shelves, and the defendant also apologized to the plaintiff in the form of "A Letter to General Ye Ting’s Family", the objective infringement of Ye Ting’s reputation has caused serious social impact, and the defendant should formally apologize in the national media to eliminate the adverse social impact caused by his infringement. The plaintiff asked the defendant Xi ‘an Momo Company to pay compensation of 1 million yuan, and the court determined that the defendant paid 100,000 yuan to the plaintiff as appropriate.

  9. How did the court determine the amount of spiritual comfort in this case?

  According to the Supreme People’s Court’s Interpretation on Several Issues Concerning Determining the Liability for Compensation for Spiritual Damage in Civil Torts, the amount of compensation for mental damage is determined according to the following factors: the degree of the infringer’s fault, the specific circumstances of the infringement, the consequences caused by the infringement, the infringer’s profit, the infringer’s economic ability to take responsibility and the average living standard of the place where the court is located. In this case, the defendant, as a media operator, should be fully aware of the spiritual value embodied in "Prison Song", and should foresee that improper tampering with the production and dissemination of "Prison Song" will damage Ye Ting’s reputation and also cause emotional and spiritual harm to his close relatives, and his subjective fault is obvious. At the same time, the video involved in the case released before the lawsuit has been taken off the shelf, and the defendant also apologized to the plaintiff in the form of "A Letter to General Ye Ting’s Family". He also truthfully admitted the infringement facts in court and expressed his apologies in court. The court comprehensively considered the relevant factors in combination with the specific circumstances of the case, and at the same time, in order to reflect the punishment and warning of the defendant’s infringement, it was determined that the defendant paid 100,000 yuan to the seven plaintiffs as appropriate.

  10. What are the significance and enlightenment of this case?

  A: The rapid development of network culture not only enriches people’s spiritual and cultural life, but also brings a series of legal problems. The video involved in the case has tampered with the content of Prison Song and spread rapidly through the network platform, which has aroused great concern of the media, public opinion and the masses about the reputation of heroic martyrs. How to protect the reputation of heroic martyrs has become a hot issue in society. A fair and efficient trial of this case is not only a requirement to achieve fairness and justice in individual cases, but also an important means to regulate people’s online behavior, control illegal online phenomena and protect citizens’ legitimate civil rights and interests by means of the rule of law, which has an important demonstration and guiding role in maintaining the glorious image of heroic martyrs, advocating heroes, admiring martyrs and carrying forward socialist core values according to law.

  The reputation of heroic martyrs cannot be profaned. Network creation should not infringe upon the legitimate rights and interests of others, but should be based on the social public interests and national interests, and it is also the social responsibility that any citizen and market subject should bear. In this case, Ye Ting’s "Prison Song" embodies the revolutionary dauntless spirit, and the national historical memory condensed by the content of "Prison Song" is an important source and part of the core values of contemporary China society, bearing the common memory of several generations of the Chinese nation, and is also an indispensable spiritual core of China as a nation-state. Although the defendant argued that the original intention of creating the video involved in the case was to satirize the unhealthy phenomenon that a large number of advertisements were implanted in primary and secondary school textbooks in society, as an online media operator, he should fulfill a high degree of duty of care, and should be awed, strictly observe the bottom line, respect history and promote righteousness when creating online.

  The acts involved in the case and similar acts frequently occurring on the Internet in recent years not only infringe on the personal dignity of revolutionary martyrs and their descendants, but also seriously hurt the national and historical feelings of the public. As a people’s court, when handling such cases of infringement of reputation disputes, it should strictly abide by legal procedures, accurately apply the law, punish and stop illegal acts that infringe on the personal interests of revolutionary martyrs, demonstrate judicial credibility, safeguard social public interests, and realize the organic unity of legal and social effects.

The blade of otherness 3 how to achieve the chain Amazing chain Amazing to achieve the raiders details list.

In blade 3 of otherness, it is necessary to decide the order of playing cards according to whether there are heroes in the first round, the second round and the third round, which can give a high evaluation.

List of details of the chain Amazing strategy

1. There are heroes in the first round.

The first round: choose [hero]. The first one sends out [high TP attack], the second one sends out [low TP role], and the third one sends out [low TP tank]. After completing the instruction, take back [high TP attack].

The second round: Select [Attack Class]. The first one comes out [the first round of high TP attack], and the second one comes out [the tank]. Because there is already a bonus, it must be 100% this time. Take back [the high TP attack].

The third round: choose [non-second round partner]. First issue [non-high-TP attack], then issue an [auxiliary] when it is almost 100%, and keep the value at 99%. Finally, issue [high-TP attack recovered twice] and directly hit off the charts. AMAZING!

Round 4: Select [Partner for Round 2/Round 3]. All three recovered cards were typed to make up 100%.

Round 5: Choose [Ouroborosaurus]. First issue [non-high TP attack], then issue [auxiliary], and stick the value at 99. Finally, issue [recover three high TP attacks] to continue off the charts. AMAZING!

2. There are heroes in the second round

The first round: Select [Attack Category]. The first one sends out [high TP attack], the second one sends out [low TP role], and the third one sends out [low TP tank]. After completing the instruction, take back [high TP attack].

The second round: choose [hero]. The first one comes out [the first round of high TP attack], and the second one comes out [the tank]. Because there is already a bonus, it must be 100% this time. Take back [the high TP attack].

Round 3: Choose [non-first-round partner]. First issue [non-high-TP attack], then issue an [auxiliary] near 100, and keep the value at 99%. Finally, issue [recover two high-TP attacks] and directly hit off the charts. AMAZING!

Round 4: Select [First Round/Third Round Partner]. All three recovered cards were typed to make up 100%.

Round 5: Choose [Ouroborosaurus]. First issue [non-high TP attack], then issue [auxiliary], and stick the value at 99. Finally, issue [recover three high TP attacks] to continue off the charts. AMAZING!

3. There are heroes in the third round

The first round: Select [Attack Category]. The first one sends out [high TP attack], the second one sends out [low TP role], and the third one sends out [low TP tank]. After completing the instruction, take back [high TP attack].

The second round: choose [non-first round partner]. The first one comes out [the first round of high TP attack], and the second one comes out [the tank]. Because there is already a bonus, it must be 100% this time. Take back [the high TP attack].

The third round: choose [hero]. First issue [non-high-TP attack], then issue an [auxiliary] when it is almost 100%, and keep the value at 99%. Finally, issue [high-TP attack recovered twice] and directly hit off the charts. AMAZING!

Round 4: Select [First Round/Second Round Partner]. All three recovered cards were typed to make up 100%.

Round 5: Choose [Ouroborosaurus]. First issue [non-high TP attack], then issue [auxiliary], and stick the value at 99. Finally, issue [recover three high TP attacks] to continue off the charts. AMAZING!

4. No heroes in the first three rounds

The first round: Select [Attack Category]. The first one sends out [high TP attack], the second one sends out [low TP role], and the third one sends out [low TP tank]. After completing the instruction, take back [high TP attack].

The second round: choose [non-first round partner]. The first one comes out [the first round of high TP attack], and the second one comes out [the tank]. Because there is already a bonus, it must be 100% this time. Take back [the high TP attack].

Third Round: Choose [First Round/Second Round Partner]. First issue [non-high-TP attack], then issue an [auxiliary] when it is almost 100%, and keep the value at 99%. Finally, issue [high-TP attack recovered twice] and directly hit off the charts. AMAZING!

The fourth round: choose [Octopus] (never choose a hero! ! ! )。 Playing cards is the same as the third round, AMAZING!

Chain rule

evaluation criterion

More than 100% is COOL, more than 150% is BRAVO and more than 200% is AMAZING.

Matters needing attention in card selection

1. If you choose an attack card, you will get an extra TP when you play an attack role.

2. If you choose the hero card, you won’t consume the chain meter.

3. After completing the instructions of a pair of partners, unlock the snake, and if it is not selected, the next round will disappear.

4. The Ouroboros command will not reduce the chain meter, and all team members who have completed the action can act again.

Rules of playing cards

1. The first attack character has a high TP bonus.

2. The ending of the tank role can recycle the role with the highest TP bonus.

3. Auxiliary roles can make the value not exceed 100%.

The annual meeting can’t stop! "Exposing the special MTV lying flat, the migrant workers see the move."


1905 movie network news On December 23rd, the film released a special MTV "I can’t stop after work", and the "lying flat" migrant workers saw the move, rectified the workplace by joking and laughing, and showed the mental state of "it is better to consume others than to consume themselves internally" that young people admire. The film was written and directed by Luo Jia as the writer and producer, starring, starring, friendship starring, specially invited starring, starring Tong Mo Men and carnivores.


Fancy lying flat and touching fish is magical and hilarious.

May you bravely refuse internal friction until you get off work.


The movie annual meeting can’t stop! "tells the hilarious story of migrant workers joining hands to climb the" crazy "in life. The newly released special MTV "You Can’t Stop Working" is full of jokes, whether it is the lyrics in the hearts of migrant workers such as "Going to work to get off work" or the infectious performances of actors such as Dapeng and Ke Bai, it is extremely magical. In MTV, migrant workers tactfully fight against the employee code, and "paying attention to the mobile phone" changes from "turning off the mobile phone" and "sticking to the post" to "sticking to the pit", and the biggest task every day is to get off work after overcoming all difficulties. Behind the "lying flat", people reveal their refusal and resistance to the strange phenomenon in the workplace, which makes people laugh and relieve their anger, but also produce more feelings.


The film also has the same original intention. In the script development stage, Run Nian Dong, the screenwriter/director, not only interviewed many friends who worked in big Internet companies and factories, but also got many absurd and interesting stories and cases. At the same time, he also got some inspiration from the classic stand-up comic dialogue "Rising to Level 3" by Liu Baorui, the master of comic dialogue. Through Hu Jianlin’s promotion and salary increase, he embarked on the "lying and winning" adventure at the peak of his life, and launched a happy drama to rectify the workplace, which became the first choice for the audience to laugh at the end of the year.


Dapeng Ke Bai doubles his joy on the spot.

 Comedians meet at the meeting to see the "stalk"


The annual meeting can’t stop! The workplace depicted in is not limited to Internet giants, and many people and things in it are quite representative in life. Dapeng and Ke Bai, two national comedians, rely on their deep understanding of their respective roles, and improvise to upgrade their jokes. In the scene where Ma Jie took over Hu Jianlin’s post, Ma Jie said, "You will be my subordinate in the future" and bent down to shake hands with great humility, while Hu Jianlin quickly lowered his body. The two of them were lower than each other, which doubled the joy of the whole scene.

And the group drama of many comedians performing on the same stage also has a unique presentation. The meeting scenes in the film are treated as action scenes in a narrow space. Although there is no physical confrontation, the angry words and swords are over-the-top, and the "yin and yang" moves between different camps hide the knife and hide the needle in the cotton make the audience laugh hysterically. Run Nian Dong, the screenwriter/director, uses these playful and ironic plots and lines to reveal the strange phenomena in the workplace and satirize bureaucracy. Whether it is to rectify the hilarious plot in the workplace or to find the universal core of self, it conveys a vision for a better future.

The movie annual meeting can’t stop! "will be officially released on December 29.


Test drive Mercedes-Benz EQE: 500,000-class luxury electric car. Who else can you choose if you don’t choose it?

In the booming domestic electric vehicle market, there are many options for electric vehicles below 300,000, but when the price rises to 500,000, the selection range is relatively narrow.

500 thousand, buy an electric car, who will you think of?

Recently, I once again experienced the level of a 500,000-yuan electric car, yes, once again. When this car first came on the market, I was deeply impressed by the first test drive. It’s called EQE.

Modeling: elegance and exquisiteness coexist.

EQE still adopts a family-like front face design similar to EQS, but it is slightly different from EQS’s fashion pioneer sense. EQE’s shape takes care of the preferences of daily car users and is relatively more acceptable: the closed grille with the star emblem logo has a very high recognition, and the three-stage design surrounded by digital headlights and bottom makes the front face look more sporty; The 4.9-meter-long car and the 3.1-meter-long car body maintain smooth lines while ensuring enough space. The lower ground clearance and the two-color low wind resistance wheels further highlight the car’s sense of movement. The slip-back body shape and the duck tail design at the top of the rear trunk reflect the sporty atmosphere integrated with the whole vehicle in the roundness.

When you get into the car, you can clearly see that the old luxury enterprises have a unique understanding of luxury and intelligence. The overall layout of the car continues the design style of EQS, but it is different. 12.3-inch instrument screen, 12.8-inch central control screen, with exquisite walnut decorative board, the luxurious atmosphere is full at once.

Mercedes-Benz EQE is equipped with MBUX intelligent human-computer interaction system, which uses 8-core CPU, 24GB storage and 46.4GB memory bandwidth per second to ensure the fluency of the operating system. In addition, a group of physical buttons are reserved under the central control screen, including driving mode switching, parking images, EQ energy interface, etc., which can satisfy car owners who prefer the touch of physical buttons.

In terms of configuration, EQE is equipped with L2-level driver assistance component enhanced version, which integrates many driver assistance functions, such as intelligent navigation distance limiting function, intelligent navigation steering function, etc., and realizes the functions of full-screen display of navigation information, AR real-life navigation and 3D indoor map, realizing people-centered convenience, which is the scientific and technological concept that Mercedes-Benz EQE adheres to.

Driving: swiftness and comfort coexist

We can think about it with our eyes closed, and what is the battery life of mainstream electric vehicles now, ranging from 500 to 600 kilometers. Mercedes-Benz EQE is being developed based on the EVA platform, equipped with a power battery with a total capacity of 96.1kWh and NCM811 batteries, thus achieving a cruising range of up to 752 kilometers under CLTC conditions. At the same time, the car also supports a maximum of 128 kilowatts of DC charging, from 10% to 80% in 48 minutes.

EQE 350, which was put on the market in advance, uses a rear-drive permanent magnet synchronous motor, with a maximum power of 215kW and a peak torque of 556 N m. It only takes 6.7s to accelerate from 0 to 100 km/h, and the power consumption per 100 km is as low as 13.7kWh.

The first time I drove Mercedes EQS, I had a strong feeling that it was an electric car more suitable for "bosses" to drive themselves, although most of them would have their own full-time drivers. After two test drives of EQE, or out of a more compact body than the flagship EQS, I feel that this car is more suitable for driving by myself. Especially in the case of the blessing of technology such as active steering of rear wheels, this feeling will be more obvious.

In terms of power output, Mercedes-Benz EQE feels linear output in economy and comfort mode, relaxed but not impatient, and can experience the smoothness of driving while driving. When switching to sports mode, the power is abundant and the acceleration is very sensitive. But this sensitivity is also based on the "steady progress" and will not make you feel particularly abrupt. It feels like a large-displacement fuel car, and it is silky.

Mercedes-Benz EQE’s power steering and shock absorption adjustment are also very delicate. After a finely bumpy road section, the chassis adjustment of Mercedes-Benz EQE makes the car basically feel no vibration, while when passing through a large pothole road, the road feel will be clearer, but the front seats can absorb most of the shock. I deliberately chose some sections with continuous speed bumps to pass through many times, and even the photographer sitting straight in the back row did not feel too uncomfortable bumps.

Write at the end:

In the electric vehicle market segment of 500,000 yuan, EQE, which has the advantages of endurance and brand influence, is one of the "star" projects that will definitely be taken seriously. In this price range, who can choose without EQE?

Original title: "Test drive Mercedes-Benz EQE: 500,000-class luxury electric, who else can you choose if you don’t choose it? 》

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Some people only have a true gender, and "three years old and two calendars and one identity" has become the hardest hit area for cadre file fraud.

In the eyes of ordinary people, cadre files are both serious and mysterious, and it is difficult for outsiders to contact and understand. Oriental IC data

"The younger you fill in, the earlier you fill in the length of service, the higher your education, and the more fake your identity." Some people make fun of all kinds of fake cadres’ files.

We should be brave enough to forge a "bright sword" to the archives. The Central Organization Department listed the problem of file fraud as one of the six key tasks to rectify the unhealthy trend of selecting and employing people. Since October 2014, the special audit of cadre personnel files has been deployed in three batches throughout the country. At present, the first batch of special audit work of provincial cadres’ files has been basically completed, and the city, county and central units are stepping up and achieving phased results.

What are the "waistcoats" of cadre file fraud, what harm will it bring, and how to rectify this unhealthy trend? A few days ago, the reporter conducted an investigation and interview on this.

"Three years old, two calendars and one identity" is easy to be "facelift"

In the eyes of ordinary people, cadre files are both serious and mysterious, and it is difficult for outsiders to contact and understand. So, what exactly is a cadre file?

It is understood that China’s current cadre file management system came into being in the mid-1950s, adopting a closed management mode that is limited to the organization and personnel departments. Xie Chuntao, director of the Party History Teaching and Research Department of the Party School of the Central Committee of the Communist Party of China, said that according to the Regulations on the Work of Cadres’ Archives, cadres’ archives contain a wide range of contents, such as the basic information of cadres themselves, political thoughts, work experience, rewards and punishments received, the status of spouses and children, and materials for the promotion of cadres. Xie Chuntao said that archives are an important basis for historical and comprehensive inspection and correct use of cadres, and also an important proof of fulfilling various treatments of cadres.

Cadres’ files are so important that in the eyes of some people, forging and tampering with cadres’ files has become a "shortcut" for them to seek promotion and promotion.

Falsification of cadres’ files is not uncommon. It is understood that in the above-mentioned special audit of provincial cadres’ files, a total of 420 people were organized or disciplined for file fraud, 186 people were recorded for file problems, and they were not allowed to be promoted or reused until they were found out. 37 typical cases of fraud were also reported in various places. In the two rounds of inspections by the Central Leading Group for Inspection Work in 2014, 15 of the 20 provinces, autonomous regions and municipalities inspected had the problem of cadre file fraud.

Through combing, the reporter found that the "three-year-old, two-calendar and one-identity" in cadres’ files, that is, age, length of service, party age and education, work experience and cadre identity, are often easy to become the objects of file "cosmetic surgery", especially the "hard leverage" of age and education, because it plays a great role in the promotion and appointment of cadres and the cost of verification is relatively high, so it becomes the "hardest hit" for file fraud.

In the case of Wang Hongying, the former secretary-general of Shanxi Taiyuan Quality Inspection Association, there are several problems such as forging false age, false identity and false working experience. Zhang Shuisheng, the former deputy inspector of the Guangdong Provincial Administration for Industry and Commerce, was found to be the head of the Personnel Education Section of Huizhou Municipal Administration for Industry and Commerce, and asked someone to forge the academic qualifications, work resumes and archival materials of his two sons, so that they could be transferred as cadres; Wang Yali, a sensational "cheat official secretary" in Shijiazhuang, Hebei Province, even claimed that "the name, age and resume in the file are all false except the gender is true".

File fraud forms a gang to commit crimes

Xin Xiangyang, director of the Marxist Development Research Department of China Academy of Social Sciences, thinks that file fraud has impacted the normal order of cadre management and promotion, making good cadres suffer invisibly, resulting in "honest people suffer, counterfeiters gain" and indirectly endangering the interests of the people and the party.

Xie Chuntao said that no matter what form and link the fraud is taken, the intention of the counterfeiter is very clear, that is, it is profit-driven, and it is nothing more than "earning face, occupying seats, drawing hats and collecting tickets". In Xie Chuntao’s view, the falsification of cadres’ resumes means that they have problems with their own integrity, and it also means that they lack loyalty to party organizations, which not only affects the credibility of the party and the government, but also corrupts the social atmosphere.

Xie Chuntao pointed out that there is a strict management system for cadres’ files, which are kept by specialized departments and personnel. It is often difficult for a single person to make fraud. Judging from the past cases, there are many people who help to falsify and collude to commit crimes. "For example, if you make a fraud on the hukou issue, you need the help of the public security bureau and the police station. For example, changing the age of the party often requires the participation of people from the organization department. "

By combing past cases, the reporter found that behind every file fraud, a group of leading cadres or staff members can be involved to facilitate fraud and promotion. According to the circular, in the case of Wang Hongying’s file forgery, Wang Qiulan, then director of the Organization Department of Taiyuan Municipal Commission of Commerce and Trade and director of the Personnel Department, and Li Moumou, director of Taiyuan Finance and Trade Comprehensive Development Center, respectively, helped him in the process of relevant file forgery. In the file fraud case of Zhong Li, the former political commissar of Meizhou Reeducation-through-Labor Management Office, which was investigated and dealt with in Guangdong, 12 responsible persons were punished by party discipline.

Strengthen file management and accountability.

The phenomenon of falsification of cadres’ files from time to time exposes the loopholes in the management of cadres’ files. How should we make up for this?

A staff member of the Organization Department of a district committee in Qingdao, Shandong Province told reporters: "Cadres themselves are not allowed to access their files according to regulations, and file managers are hard to blame for the phenomenon of fraud. Some departments and regions are not strict enough in file management, and it is common for cadres to take files with them and mail them without leaving the machine. The more links and personnel the archives handle, the greater the space for fraud. "

The staff member said that electronic archives are the future trend, and the digitalization of archives should be promoted and a unified national electronic archives platform should be established. At present, there is a great shortage of archival professionals, and the professional level of archival staff should be improved.

Xie Chuntao believes that the problem of low cost of cadre file fraud is more common. Once the counterfeiters are verified, they must be severely punished, and the responsibility of acquiescence, participation and help should be investigated. If the case constitutes a crime, it should be transferred to judicial organs.

The reporter noted that the revised "Regulations on the Selection and Appointment of Leading Cadres of the Party and Government" stipulates that it is not allowed to alter cadres’ files or falsify in such aspects as "three years old, two calendars and one identity"; The newly revised "Regulations on Disciplinary Actions in the Communist Party of China (CPC)" includes the falsification of archives in the chapter of "Disciplinary Actions against Organizations", which stipulates that: anyone who falsifies or forges personal archives will be given a serious warning; If the circumstances are serious, he shall be dismissed from his post within the Party or be placed on probation.

Xin Xiangyang suggested that it is necessary to establish and improve the pre-appointment audit system for cadres’ files, and to make them public within a certain scope and accept social supervision.

A cadre from the Organization Department of a municipal party committee in Sichuan told reporters that the key to file audit is to pay attention to comparing files with original materials, and at the same time, relevant personnel should be trained to distinguish between deliberate fraud and negligence in filling files to avoid the phenomenon of "missing inspection" and "misdiagnosis". "Although the workload of the current cadre file review is very large, it is very necessary to conduct regular and strict audits of cadre files. In this way, the unhealthy trend of file fraud can be eliminated, so that party organizations can master the real cadre file information and select reliable talents. " The cadre said.

Regulations of Nanning Municipality on the Protection and Management of Yangmei Ancient Town

(adopted at the first meeting of the Standing Committee of the 15th Nanning Municipal People’s Congress on October 27, 2021)

Approved at the 28th meeting of the Standing Committee of the 13th People’s Congress of Guangxi Zhuang Autonomous Region on March 24th, 2022)

Catalogue

Chapter I General Principles

Chapter II Protective Measures

Chapter III Management and Utilization

Chapter IV Legal Liability

Chapter V Supplementary Provisions

Chapter I General Principles

Article 1 In order to strengthen the protection and management of Yangmei ancient town (hereinafter referred to as the ancient town) and inherit the outstanding historical and cultural heritage, these Regulations are formulated in accordance with the Regulations on the Protection of Famous Historical and Cultural Cities, Towns and Villages and other relevant laws and regulations, combined with the actual situation of this Municipality.

Article 2 These Regulations shall apply to activities such as the protection, management and utilization of ancient towns within the protection scope of ancient towns.

Engaged in the activities specified in the preceding paragraph, involving cultural relics, intangible cultural heritage and the protection of ancient and famous trees, if there are other provisions in relevant laws and regulations, those provisions shall prevail.

Article 3 The protection scope of ancient towns includes core protected areas, construction control zones and environmental coordination zones.

The core protected area refers to the vicinity of Zhuangyuan Bridge and Huang Manor in the east, Sanjie Temple in the south, Zuojiang River in the west and Chenwu Lane in Yong ‘an Street in the north, with an area of about 7.95 hectares.

The construction control zone refers to the area outside the core protection zone, east to Kuixinglou, south to the vicinity of historical building No.82 Zhenxing Street, west to the east bank of Zuojiang River and north to Leilianling, with an area of about 54.29 hectares.

The environmental coordination zone refers to the construction control zone, east to the left bank of Zuojiang River, south to the boundary of Yangmei village, west to Hutian Island and north to the left bank of Zuojiang River, with an area of about 1019.54 hectares.

Article 4 The people’s governments of cities and Jiangnan District shall strengthen the protection of ancient towns, incorporate the protection and management of ancient towns into the national economic and social development plan, and arrange funds for the protection of ancient towns in the budgets at the corresponding levels.

Jiangnan District People’s Government shall establish a coordination mechanism for the protection and management of ancient towns, clarify the institutions for the protection and management of ancient towns, and coordinate and solve major problems in the protection and management of ancient towns.

Jiangxi Town People’s Government should be equipped with special staff to cooperate with the protection, supervision and management of ancient towns.

Natural resources, ecological environment, housing and urban and rural construction, transportation, water conservancy, agriculture and rural areas, culture, radio and television and tourism, emergency management, market supervision and management, municipal and garden, urban management comprehensive administrative law enforcement and other relevant departments and fire rescue agencies shall, in accordance with their respective duties, do a good job in the protection and management of ancient towns.

Fifth ancient town protection and management institutions are responsible for the specific work of ancient town protection and management, and perform the following duties:

(a) to establish and improve the archives of ancient town protection objects;

(two) to organize the preparation and implementation of the ancient town building maintenance and repair plan and external repair technical guidelines;

(three) to organize the preparation of guidelines for the installation of outdoor facilities and equipment in ancient towns;

(four) to explore, study, protect and inherit the historical and cultural heritage of the ancient town;

(five) to carry out daily inspections to discourage and stop violations of the provisions on the protection and management of ancient towns, and to report to the people’s government of Jiangxi Town or the comprehensive administrative law enforcement of urban management and other relevant departments in a timely manner;

(six) to establish a complaint reporting system and accept complaints and reports in a timely manner;

(seven) other work related to the protection and management of ancient towns.

Article 6 Villagers’ committees shall assist Jiangxi Town People’s Government and relevant departments to do a good job in the protection of ancient towns, educate and guide villagers to protect and rationally use various historical and cultural heritages such as streets and historic buildings in accordance with the requirements for the protection of ancient towns.

Encourage the relevant requirements for the protection of ancient towns to be included in the village rules and regulations.

Encourage villagers’ committees to set up mass protection organizations and strengthen daily protection and fire safety inspections of ancient towns.

Encourage social organizations such as Xinxiang Xianhui Council to participate in the protection of ancient towns and play a leading and exemplary role in the protection of ancient towns.

Seventh Jiangnan District People’s Government and its relevant departments, Jiangxi Town People’s Government and ancient town protection and management institutions shall organize publicity and education activities to protect the historical and cultural heritage of ancient towns, and enhance the awareness of the whole society.

Encourage and guide social forces to participate in the protection of ancient towns through donation, investment, shareholding and leasing.

Chapter II Protective Measures

Eighth Jiangnan District People’s Government shall organize the preparation of the ancient town protection plan, and report it to the people’s government of the autonomous region for approval before promulgation.

Where the preparation of land and space planning involves the protection of ancient towns, it should be linked with the protection planning of ancient towns, and the opinions of the protection and management institutions of ancient towns should be sought.

Article 9 The protection objects of ancient towns include:

(a) the traditional landscape pattern and natural landscape;

(2) Courtyard and yard layout;

(3) Historical streets and lanes;

(four) cultural relics protection units, immovable cultural relics, historical buildings and traditional buildings;

(5) Historical and environmental elements such as ancient docks, ancient steles, ancient temples, ancient and famous trees, archways of gatehouses, bridges, pavements and characteristic landscapes;

(6) Intangible cultural heritages involving old firms, folk customs, local arts, local specialties and historical figures;

(seven) other objects that need to be protected.

Ancient town protection and management institutions shall establish and improve the archives of protected objects, and uniformly make and hang protection signs. For important historical and environmental elements, historical information can be preserved by setting up signs on the original site.

Tenth ancient town protection and management institutions shall set up fixed signs according to the ancient town protection planning, indicating the boundaries of the core protected areas, construction control areas and environmental coordination areas, and publicize the protection scope to the public in a graphic way.

No unit or individual may damage or set, move or alter the logo without authorization.

Eleventh core protected areas should maintain the traditional pattern, historical features, spatial scale and interdependent natural landscape, and be protected in accordance with the following provisions:

(a) historical buildings should maintain their original height, volume, appearance and color, and shall not be rebuilt or demolished without authorization;

(two) construction activities should be based on maintenance, sorting, repair and internal renewal, in addition to the necessary infrastructure and public service facilities, no new construction or expansion activities;

(three) the height of the building should meet the requirements of the protection planning of the ancient town, and the volume, color, space and pattern of the building should meet the historical features; In addition to historical buildings, buildings, structures or other facilities that do not meet the requirements of the ancient town protection planning, the Jiangnan District People’s Government shall organize relevant departments to formulate plans to gradually implement the transformation, or dismantle them according to law with the approval of relevant departments.

Twelfth construction control zones shall be protected in accordance with the following provisions:

(1) Newly-built, rebuilt and expanded buildings shall be in harmony with the core protected areas in terms of building height, volume, color, space and pattern;

(two) the height of the building should meet the requirements of the ancient town protection planning.

Non-historical buildings that do not meet the protection plan of ancient towns should be gradually transformed or demolished according to law.

Thirteenth environmental coordination zones shall be protected in accordance with the following provisions:

(a) control the construction scale, building height, volume, style and shape, and coordinate the architectural style with the core protected areas and natural landscapes;

(two) to protect the sight corridor between the ancient town and the countryside, and not to destroy the ecological environment of the countryside.

Fourteenth ancient towns within the scope of protection to prohibit the following acts:

(a) unauthorized excavation, filling, covering, blocking the river ponds and ditches;

(two) unauthorized construction, renovation and expansion of buildings, structures or other facilities;

(three) unauthorized removal, intentional damage to the doors, windows, signs, plaques, squares and other decorative components of historical buildings; Without changing the facade style of historical buildings, breaking walls, adding windows and opening doors;

(four) occupation, damage or unauthorized removal, demolition of public facilities;

(five) burning asphalt, linoleum, rubber, plastics, leather, garbage, straw and other substances that produce toxic and harmful smoke and malodorous gases;

(six) dumping muck and garbage in public places and fields, discharging sewage, piling up sundries, and discarding pesticides, fertilizer packages, agricultural wastes and animal carcasses;

(seven) scribing and smearing on buildings, structures, public facilities and trees;

(eight) activities that destroy the traditional pattern and historical features, such as mountain cutting, quarrying, mining and earth borrowing;

(nine) other acts prohibited by laws and regulations.

Fifteenth in addition to the prohibited acts stipulated in Article fourteenth of these regulations, the following acts are also prohibited in the core protected areas:

(a) hanging and piling up objects that hinder the style of the ancient town on the top of buildings, balconies, platforms, outer corridors and windows;

(2) Use reflective materials at the top of the building and the facade facing the street, and set up steel frame houses, tin houses, water towers, solar energy facilities, safety nets or rain shelters;

(three) new construction, renovation and expansion of graves;

(four) release dogs and other livestock and poultry;

(five) using loudspeakers or other means of making high noise to attract customers;

(six) occupy the road to set up stalls to engage in business activities.

Sixteenth the following acts are prohibited in the waters within the protection scope of the ancient town:

(a) set up obstacles, berthing ships, floating facilities, etc. without name and number, certificate and port of registry;

(two) sand, sand tools;

(3) Directly discharging feces and sewage into rivers, ponds and other water bodies, discarding animal carcasses and dumping garbage and other wastes;

(four) other acts prohibited by laws and regulations.

Seventeenth Jiangnan District People’s Government shall delimit the areas and time periods in which fireworks are prohibited or restricted within the protection scope of ancient towns, and announce them to the public.

Fireworks and firecrackers shall not be stored within the protection scope of the ancient town.

Fireworks and firecrackers shall not be sold or set off in areas where fireworks and firecrackers are prohibited.

Chapter III Management and Utilization

Article 18 The protection and management institutions of ancient towns shall, according to the protection plan of ancient towns, work out technical guidelines for the external repair of historical buildings and other buildings in ancient towns in conjunction with relevant departments such as natural resources, housing and urban and rural construction, culture, radio and television, and tourism, and report them to the Jiangnan District People’s Government for approval before promulgation.

Article 19 The responsible person shall be responsible for the protection of historical buildings within the protection scope of ancient towns. The person responsible for protection shall be determined in accordance with the following provisions:

(1) If it is owned by an individual, the owner is the person responsible for protection;

(two) collectively owned, rural collective economic organizations or villagers’ committees are responsible for protection;

(three) owned by the state, the management unit is the person responsible for protection;

(four) the ownership is unknown, and there is an actual user, and the actual user is the person responsible for protection; If there is no actual user, the ancient town protection management institution is the person responsible for protection.

The ancient town protection management institution shall sign a protection responsibility letter with the relevant protection responsible person, and clarify the protection requirements and related rights and obligations. Where the person responsible for protection changes, the ancient town protection management institution shall sign a separate protection responsibility letter with the successor within thirty days after the change.

Twentieth protection responsible person is responsible for the daily management, maintenance and safety protection of historical buildings; Ensure the integrity of historical buildings, and maintain the original facade, structural system, color and tone, basic plane layout and distinctive interior decoration of historical buildings.

When the person responsible for protection finds the danger that endangers the safety of historical buildings, he shall immediately take rescue measures and report to the ancient town protection management institution and Jiangxi Town People’s Government.

Twenty-first ancient town protection and management institutions shall conduct inspections on historical buildings, and if they find that they need to be repaired, they shall notify the person responsible for protection within five days.

The person responsible for protection shall maintain and repair historical buildings in accordance with the protection planning of ancient towns and the technical guidelines for external repair, and bear the maintenance and repair costs; Ancient town protection and management institutions shall, jointly with relevant departments, provide them with planning scheme design, construction site guidance and technical assistance.

Jiangnan District People’s Government may grant subsidies for the maintenance and repair of historical buildings, and the specific measures shall be formulated separately by Jiangnan District People’s Government.

Twenty-second units and individuals that have been approved to carry out construction activities within the protection scope of ancient towns shall formulate construction protection plans and report them to the ancient town protection management institutions for the record before construction.

Construction units and individuals shall take protective measures to protect cultural relics, historic buildings, ancient and famous trees and water landforms during the construction process, and shall not dump, scatter or pile up construction waste in non-designated places; After the construction is completed, the construction site shall be cleaned in time and restored to its original state.

Twenty-third core protected areas should be set up in accordance with the technical standards and norms of fire control fire control facilities, fire exits. If it cannot be set according to the standards and norms, the fire rescue agency shall, jointly with natural resources departments and ancient town protection and management agencies, formulate corresponding fire safety guarantee schemes and implement fire control measures.

Units and individuals within the protection scope of ancient towns shall do a good job in fire safety according to the requirements of fire safety.

Twenty-fourth ancient town protection and management institutions shall, in conjunction with relevant departments, prepare guidelines for the installation of outdoor facilities and equipment in ancient towns, and report them to the Jiangnan District People’s Government for approval and promulgation.

The installation of outdoor advertising facilities in the core protected areas, as well as the installation of air-conditioning facilities brackets and other facilities and equipment on the facade of the building, shall meet the requirements of the setting guidelines and be coordinated with the style of the ancient town.

Twenty-fifth core protected areas to implement vehicle traffic control. In addition to the registered production and living vehicles of residents in the core protected areas and special vehicles such as public security, fire fighting, ambulance, emergency rescue and sanitation, other vehicles are not allowed to enter without the approval of the ancient town protection and management institutions.

Vehicles driving into the core protected area shall be subject to the management of the ancient town protection and management institutions, drive along the prescribed routes and park in the designated areas.

Encourage the use of new energy vehicles to transport tourists in the ancient town control construction zone and the environmental coordination zone.

Twenty-sixth tourism, leisure facilities and business service outlets within the protection scope of ancient towns should be unified planning, rational layout and standardized setting.

Engaged in business services within the scope of protection of ancient towns shall be subject to the management of ancient town protection and management institutions, operate within the designated time and area, ensure that the business premises and facilities are clean and tidy, and shall not arbitrarily build facilities or place items in disorder.

Twenty-seventh residents within the protection of ancient towns and enterprises and individuals engaged in accommodation, catering, entertainment and other business activities, the disposal of garbage, discharge of sewage and lampblack should meet the relevant national and local standards.

Article 28 Holding non-large-scale mass activities within the protection scope of ancient towns shall not damage the buildings and public service facilities of ancient towns. May cause damage to the ancient town buildings and public facilities, the sponsor shall formulate a protection plan and set up necessary temporary protection facilities at the scene; After the activity, the temporary facilities shall be removed in time and restored to the original state.

The sponsor shall report the protection plan to the ancient town protection management institution for the record before the event is held.

Holding large-scale mass activities shall be implemented in accordance with relevant laws and regulations.

Twenty-ninth to encourage the following activities in accordance with the law within the scope of protection of ancient towns:

(1) Opening museums, exhibition halls and memorial halls;

(two) the establishment of traditional manual workshops, making folk crafts, traditional food, etc.;

(three) operating homestays, inns, etc.;

(four) to carry out the exhibition and trading of folk handicrafts;

(five) to hold traditional sports, recreational activities and folk customs and folk art performances;

(6) Holding traditional festivals;

(seven) other related activities conducive to the protection of ancient towns and the inheritance and development of traditional culture.

Thirtieth to encourage rural collective economic organizations to use idle land, housing and other resources to develop industries with the characteristics of promoting American cultural tourism.

Encourage rural collective economic organizations to guide villagers to make unified use of historical buildings in accordance with the law by means of homestead replacement, cooperative shareholding, leasing, etc., on the premise of meeting the protection plan of ancient towns.

Chapter IV Legal Liability

Thirty-first acts in violation of the provisions of this Ordinance, laws and regulations have legal liability provisions, from its provisions.

Article 32 Whoever, in violation of the provisions of the second paragraph of Article 10 of these regulations, damages or sets, moves or alters signs without authorization shall be ordered by the comprehensive administrative law enforcement department of urban management to make corrections; If no correction is made within the time limit, a fine of not less than ten thousand yuan but not more than fifty thousand yuan shall be imposed on the unit, and a fine of not less than one thousand yuan but not more than ten thousand yuan shall be imposed on the individual.

Thirty-third in violation of the provisions of the provisions of article fifteenth, one of the following circumstances in the core protected areas, the city management comprehensive administrative law enforcement department shall order it to make corrections; If no correction is made within the time limit, a fine shall be imposed in accordance with the following provisions:

(a) in the top of the building, balcony, platform, corridor and window hanging, piling up items that hinder the style of the ancient town, a fine of 50 yuan to 200 yuan;

(II) Where reflective materials are used at the top of the building and the facade facing the street, and steel houses, tin houses, water towers, solar facilities, safety nets or rain shelters are set up, a fine of not less than 100 yuan but not more than 1,000 yuan shall be imposed;

(3) Where dogs are kept, a fine of not less than 300 yuan but not more than 1,000 yuan shall be imposed on the unit, and a fine of not less than 100 yuan but not more than 300 yuan shall be imposed on the individual; Those who stock other livestock and poultry shall be fined between fifty yuan and five hundred yuan.

In violation of the provisions of the third paragraph of Article 15 of these regulations, if a tomb is newly built, rebuilt or expanded in the core protected area, the competent civil affairs department of Jiangnan District shall order it to stop the illegal act or move within a time limit, and impose a fine of not less than 5,000 yuan but not more than 20,000 yuan on each tomb.

Thirty-fourth in violation of the provisions of this Ordinance, one of the following circumstances, the city management comprehensive administrative law enforcement departments shall be ordered to make corrections; Those who have a destructive impact on the traditional pattern, historical features or historical buildings shall be given administrative punishment according to law:

(a) in violation of the provisions of the second paragraph of article twenty-first, the responsible person fails to maintain and repair the historical building in accordance with the technical guidelines for external repair;

(two) in violation of the provisions of the second paragraph of article twenty-fourth, the establishment of related facilities and equipment in the core protected areas does not meet the requirements of the guidelines for the establishment of outdoor facilities in ancient towns.

Article 35 Whoever, in violation of the provisions of the second paragraph of Article 26 of these regulations, fails to operate within the specified time and area in accordance with the provisions within the protection scope of the ancient town, fails to keep the business premises and facilities clean and tidy, and arbitrarily builds facilities and places articles in disorder shall be ordered to make corrections by the comprehensive administrative law enforcement department of urban management; If no correction is made within the time limit, a fine of not less than five hundred yuan but not more than three thousand yuan shall be imposed.

Article 36 Whoever, in violation of the provisions of the first paragraph of Article 28 of these regulations, holds a non-large mass activity without setting up necessary temporary protection facilities at the site in accordance with the regulations, or fails to remove the temporary facilities in time after the activity, shall be ordered by the comprehensive administrative law enforcement department of urban management to make corrections. If it fails to make corrections within the time limit, it shall be fined from 200 yuan to 2,000 yuan. Damage to historic buildings in ancient towns shall be punished in accordance with relevant laws and regulations; Damage to non-historical buildings and public service facilities in ancient towns shall be compensated according to law, and a fine of more than 2,000 yuan and less than 20,000 yuan shall be imposed; If the circumstances are serious, a fine of not less than 20,000 yuan but not more than 100,000 yuan shall be imposed.

Article 37 Where relevant administrative departments, ancient town protection and management institutions and their staff abuse their powers, neglect their duties or engage in malpractices for selfish ends in the process of ancient town protection and management, the competent department at a higher level or the supervisory organ shall order them to make corrections, and the directly responsible person in charge and other directly responsible personnel shall be punished according to law; If a crime is constituted, criminal responsibility shall be investigated according to law.

Chapter V Supplementary Provisions

Article 38 These Regulations shall come into force as of May 1, 2022.

Related interpretation:

Mao Zedong’s Thinking and Guidance on Newspaper Work during the Anti-Japanese War

  Newspaper work is an important part of the party’s ideological propaganda work. During the Anti-Japanese War, under the correct leadership of the Communist Party of China (CPC), the Party’s newspaper work made great progress. According to incomplete statistics, from 1937 to 1939 alone, there were 330 kinds of newspapers and periodicals in the four major anti-Japanese base areas in North China. Newspapers and periodicals have become an important public opinion position to publicize the party’s anti-Japanese proposition, mobilize the general public and consolidate and expand the anti-Japanese national United front.

  Mao Zedong attached great importance to the work of newspapers and periodicals, and clearly pointed out the role and strength of newspapers and periodicals, "because it can make the party’s program, line, principles and policies, tasks and working methods meet the masses most quickly and extensively". During the Anti-Japanese War, Mao Zedong thought deeply about the Party’s newspaper work, and gave guidance on how to do it well many times. These thoughts and guidance are also of great enlightenment and reference significance for us to do related work well today.

  First, we should regard newspaper work as a weapon to organize all work. 

  Newspaper work is of great significance to the cause of the party. Mao Zedong pointed out that "newspapers are the most powerful tool for the Party’s propaganda and agitation work, and they contact and influence hundreds of thousands of people every day. Therefore, running newspapers well is a central task of the Party". Mao Zedong clearly regards newspaper work as an important part of cultural work and superstructure by applying Marxist theory on the relationship between economic base and superstructure, and "a certain culture … is a reflection of the politics and economy of a certain society, which has a great influence and function on the politics and economy of a certain society". Therefore, from this perspective, newspaper work is not only an important part of the party’s cultural work, but also an important way and powerful weapon to promote political and economic work.

  In March 1944, Mao Zedong pointed out in his speech at the propaganda work conference held by the the Central Committee of the Communist Party of China Propaganda Committee: "We should take newspapers in our own hands as a weapon to organize all work, a weapon to reflect and guide politics, military affairs and economy, and a weapon to organize and educate the masses. We should pay great attention to this work and make it progress year by year. " "Now the heads of various organs are responsible and regard the newspaper as their own good way of working. We have a lot of political and economic work, and if we run newspapers well, we can make these work better. " He also took the revised Liberation Daily as an example to illustrate the significance of newspaper work. He pointed out that the Shaanxi-Gansu-Ningxia Border Region is a sparsely populated and vast region with relatively backward economy and culture. Without newspapers, it is quite difficult to carry out the work smoothly, and "a Liberation Daily can organize the political and cultural life of the entire border region".

  Mao Zedong has repeatedly given specific guidance on how to make full use of newspapers and periodicals to promote various work. In March 1942, at the symposium on the revision of Jiefang Daily, Mao Zedong proposed that "using Jiefang Daily should be one of the regular businesses of various organs. After newspapers spread the experience of one department, we can promote the transformation of other departments’ work … We must make good use of newspapers ". On September 15th, Mao Zedong pointed out in a letter to Kaifeng about newspapers and translation work that comrades in all departments of the central government should further improve their awareness of "using newspapers to do their work" and must "regard newspapers as their extremely important weapons". On September 22nd, Liberation Daily published an editorial, Party and Party Newspaper. The editorial pointed out that "active use of newspapers is a big problem and an important part of improving our work, which is a problem that our whole party should pay attention to." Leading organs at all levels and working departments of the party must make full use of newspapers to publicize and explain the party’s principles and policies and make full use of newspapers to carry out work and inspection. In March 1943, Mao Zedong pointed out in the Politburo meeting of the Chinese Communist Party that "newspapers are a very important way. Central comrades should be good at using newspapers and spend half their time on them. " Obviously, Mao Zedong regards newspapers and periodicals as an important way and tool for the Party to publicize policies and promote work, and it is also an important starting point for leading cadres to pay full attention to and use them. Therefore, doing a good job in newspapers and periodicals is of positive significance to promoting all the work of the party.

  Two, the newspaper work should be "completely in line with the party’s policy" 

  It is the fundamental principle of the party’s newspaper work to adhere to the principle of party spirit and to insist that the party newspaper bears the name of the party. The party’s newspaper work must obey the party’s leadership, serve the overall situation of the party’s work, and conform to the party’s principles and policies. During the Anti-Japanese War, Mao Zedong attached great importance to the issue of upholding the principle of party spirit in party newspapers and periodicals, and always stressed that the party’s newspaper propaganda must be subordinate to the party’s work and policies.

  (1) The work of newspapers and periodicals should serve the overall situation of the Party’s work. Newspapers and periodicals are an integral part of the Party’s work and must serve the Party’s central work and overall situation. In October, 1939, Mao Zedong put forward that the purpose of founding communist party People was to "help build a Bolshevized the Communist Party of China (CPC) with nationwide, broad masses and complete ideological, political and organizational consolidation", and clearly pointed out that the mission of communist party People was to serve the great project of party building. In February, 1940, he pointed out in "The China Workers" that the Communist Party of China (CPC)’s political and organizational task is to unite all forces that can be United to oppose the class oppression of imperialism and feudalism, overthrow their rule and create a new democratic China, and "The China Workers" was published for this task. In the same month, in an article commemorating the first anniversary of the revision of New China Newspaper in Yan ‘an, Mao Zedong proposed that the political direction of New China Newspaper in the second year "is to emphasize unity and progress, so as to oppose all the cigar smoke that harms the Anti-Japanese War, with a view to further victory in the anti-Japanese cause". This political direction is completely consistent with the policy of "resistance, unity and progress" put forward by the party at the second anniversary of the Anti-Japanese War in 1939.

  In May, 1941, Mao Zedong mentioned the mission of newspapers and periodicals in the Preface of Liberation Daily. He pointed out that "Liberation Daily" should be subordinate to the cause of the party, therefore, "what is the mission of this newspaper? Uniting the people of the whole country to defeat Japanese imperialism is enough. " In 1942, the rectification movement began, which was a far-reaching and party-wide Marxist educational practice carried out by our party during the Anti-Japanese War. During the movement, newspapers and periodicals, as an important tool and platform, became an important channel for the party to carry out ideological education.

  In September 1941, the enlarged meeting of the Political Bureau of the Communist Party of China (CPC) Central Committee made a decision, and the Liberation Daily was expanded from two pages to four pages from September 16, and at the same time, the propaganda against subjectivism and sectarianism was added to the content. In April 1942, Mao Zedong pointed out at the meeting of the Central Learning Group that the publicity and education materials of the rectification movement should be widely disseminated by newspapers such as Liberation Daily. He believes that under the situation that the whole world is at war, there must be news of war, but less news can be published, while more publicity and education materials should be published. During the whole rectification movement, Party newspapers and periodicals played an important role in publicizing the Party’s relevant policies and carrying out rectification work, which became a vivid example of the Party’s newspaper work serving the Party’s cause during the Anti-Japanese War.

  (2) Newspaper propaganda should serve the Party’s policies. During the Anti-Japanese War, the party’s principles and policies were adjusted with the changes of the situation, and the party’s newspaper work must be highly consistent with the party’s policies. This point is more prominent in the unity and struggle between the party and the Kuomintang and the efforts to safeguard the overall situation of the war of resistance.

  After the Anti-Japanese War entered the stalemate stage, the Kuomintang die-hards began to destroy the United front and create friction more blatantly under the Japanese policy of inducing surrender. Starting from the overall situation of the Anti-Japanese War, the Communist Party of China (CPC) not only fought back against the Kuomintang’s efforts to strive for unity and maintain the United front, but also resolutely responded to its friction and anti-communist upsurge. Under such circumstances, the party’s newspaper work must follow the changes of the party’s principles and policies in time to ensure that it can correctly and effectively serve the overall cause of the party.

  In October 1938, just after the Anti-Japanese War entered the stalemate stage, Mao Zedong profoundly pointed out that under the new anti-Japanese war situation, "the first task of the whole nation is to highly develop national self-esteem and self-confidence, overcome the pessimism of some people, resolutely support the government’s policy of continuing the anti-Japanese war, oppose any attempt to surrender and compromise, and persist in the anti-Japanese war to the end". "To this end, we must mobilize newspapers, publications, schools, propaganda groups, cultural and artistic groups, military and political organs, mass organizations, and all other possible forces to make extensive propaganda and agitation to front-line officers and soldiers, rear garrison troops, people in occupied areas, and the people of the whole country, firmly and systematically implement this policy, advocate the war of resistance to the end, oppose capitulation and compromise, clean up pessimism, and repeatedly point out the possibility and inevitability of final victory. There is only a way out in the war of resistance, calling on the whole nation to unite, not afraid of difficulties and sacrifices. We must be free, and we must win, so as to achieve the goal of continuing the war of resistance unanimously throughout the country. "

  At the beginning of 1941, the Kuomintang die-hards created the Southern Anhui Incident, which shocked China and foreign countries, and launched the second anti-communist climax. The Communist Party of China (CPC) attached great importance to the overall situation of the Anti-Japanese War, strictly defended himself militarily, and resolutely fought back politically. By publishing a large number of facts, he exposed the plot of the Kuomintang to undermine the Anti-Japanese War, and with the support of progressive forces from all sides, he finally quickly repelled the anti-communist climax of the Kuomintang. After repelling the anti-communist upsurge of the Kuomintang, the Communist Party of China (CPC) paid attention to easing the propaganda struggle against the Kuomintang from the perspective of maintaining the overall situation of the Anti-Japanese War.

  In September 1942, Mao Zedong pointed out in a telegram to Chen Yi, acting secretary of the Central China Bureau of the Central Committee of the Communist Party of China and acting commander of the New Fourth Army, that the situation began to turn to resume negotiations between the Kuomintang and the Communist Party, which led to a better relationship between the two sides, and then restored the legal status of the New Fourth Army in order to unite the period of the Anti-Japanese War. Mao Zedong demanded that we should pay close attention to the guidance of newspapers and periodicals in northern Jiangsu, and "ensure that their propaganda is subject to the Party’s current policies".

  However, in the spring of 1943, the Kuomintang die-hards launched the third anti-communist climax, and launched a propaganda offensive by the dissolution of the Communist International in May, demanding the dissolution of communist party and advocating fascism. In this regard, the Communist Party of China (CPC) resolutely refuted and hit back. From July to October, 1943, Mao Zedong repeatedly gave instructions on using public opinion propaganda to counter the Kuomintang die-hards, with special emphasis on giving full play to the role of newspapers and periodicals, and instructed Xinhua Daily, The Mass and other newspapers and periodicals to "publish more anti-fascist articles in order to carry out ideological struggle".

  Under the Communist Party of China (CPC)’s resolute counterattack, and public opinion at home and abroad generally demanded that the Kuomintang and the Communist Party cooperate and jointly resist Japan, after mid-September 1943, the anti-communist propaganda of the Kuomintang obviously weakened, and the anti-communist climax and public opinion attacks of the Kuomintang die-hards were repelled. In this case, Mao Zedong promptly instructed the relevant newspapers and periodicals to "temporarily stop publishing the remarks exposing the Kuomintang as a sign of easing, and see if the Kuomintang has a political solution and a tendency to ease the current situation", and at the same time asked Xinhua News Agency to stop publishing "articles exposing the Kuomintang" in an effort to safeguard the overall situation of unity and the war of resistance.

  (3) Improve the level of the Party’s leadership over the work of newspapers and periodicals. Newspapers and periodicals are the mouthpiece of the party. To give full play to the role of newspapers and periodicals in serving the party’s cause and policies, we must strengthen the party’s leadership over the work of newspapers and periodicals, strive to improve the level of the party’s leadership over the work of newspapers and periodicals, and especially improve the political literacy and discipline awareness of the party’s newspaper staff. On October 28th, 1942, Mao Zedong pointed out in his instructions to the central bureaus and sub-bureaus drafted for the Secretariat of the CPC Central Committee that "the local central bureaus and sub-bureaus paid little attention to the work of local news agencies and newspapers, lacked guidance to propagandists and propaganda work, and did not realize the great role of news agencies and newspapers as propagandists and organizers of revolutionary policies and revolutionary work, and did not understand that many of the work of leaders should be done through newspapers". He urged all localities to "correct the past habit of not discussing news policies and editorial guidelines, pay close attention to the leadership of news agencies and newspapers, ensure that their propaganda fully conforms to the party’s policies, and ensure that our propaganda strengthens party spirit", and "educate our propagandists with many documents published by Liberation Daily on how to strengthen the party spirit of newspapers, and overcome the wrong tendency of making independence among propagandists". On the same day, he also stressed in a telegram to Lin Feng, secretary of the Jinsui Branch of the Central Committee that "the news policy and editorial policy of the whole news agency and newspaper office must be constantly paid attention to and mastered by the branch to make our propaganda fully conform to the party’s policy."

  Third, the party’s newspapers and periodicals should adhere to seeking truth from facts and oppose subjectivism. 

  Seeking truth from facts is the fundamental viewpoint of Marxism, the fundamental requirement for the Communist Party of China (CPC) people to understand and transform the world, and the basic thinking method, working method and leadership method of our party. During the War of Resistance against Japanese Aggression period, Mao Zedong combined the basic principles of Marxism with the concrete reality of the China Revolution, emphasizing that communist party should "eat by Marxism–Leninism’s truth, seek truth from facts and eat by science". This requirement also runs through Mao Zedong’s thinking and guidance on doing a good job in the Party’s newspapers and periodicals.

  (1) We must persist in investigation and study in the work of newspapers and periodicals. No investigation, no right to speak. Investigation and research is the basic requirement of seeking truth from facts, and it is also the basic skill for us to do a good job. Mao Zedong pointed out, "People who do propaganda work can never give a lecture without investigating, researching and analyzing their target audience.". Newspapers and periodicals should publish more articles for solid investigation and study, and advocate the style of seeking truth from facts. He clearly opposed the practice of "no investigation, no research" and "hard writing" directly, thinking that it was a very irresponsible attitude.

  On September 14th and 15th, 1941, Liberation Daily published an investigation report "Lu Zhongcai’s Long March" written by Gao Kelin, then secretary-general of the Party Committee of the Shaanxi-Gansu-Ningxia Border Region. This paper is the result of Gao Kelin’s in-depth practice and investigation, and describes the story of Lu Zhongcai leading a transport team to the "trilateral" areas (Anbian, Jingbian and Dingbian) belonging to the Shaanxi-Gansu-Ningxia Border Region for long-distance salt transportation. Mao Zedong wrote a note specially for this article, pointing out that "this is a report reflecting the actual situation with concise words" and "Comrade Gao Kelin’s report was written after a three-person investigation meeting in one night. His investigation meeting was very good and his report was well written. What we need is this kind of thing, not those stereotyped’ rhetoric’, not those stereotyped party writing. " In his opinion, this article is a model of persisting in investigation and study and reflecting the actual situation, which is completely different from those articles written by Wan Li who are far from the point, as well as those articles that are full of rhetoric, so it is worth studying carefully.

  (2) Newspapers and periodicals should resolutely oppose subjectivism and stereotyped Party writing. The job of newspapers and periodicals is propaganda, but the basis of propaganda is facts. Newspapers and periodicals must resolutely oppose all unrealistic subjectivism and stereotyped Party writing if they rely on facts. Stereotyped Party writing is a style of writing that is divorced from reality, flashy and formalistic, and a manifestation of subjectivism. In 1942, Mao Zedong elaborated on eight counts of stereotyped Party writing in his famous article "Opposing Stereotyped Party Writing", including "empty talk, nothing to say", "putting on airs to scare people", "shooting at the target without looking at the object" and "tasteless language, like a beggar". He pointed out that some people in the party like to write long articles, but they only have form and no content, just like the foot-binding of a lazy woman, which is smelly and long. This long article with nothing to say must be cleaned up first. He called for "foreign stereotyped writing must be abolished, empty and abstract U-turns must be sung less, dogmatism must rest, and replaced by fresh and lively China style and China style that are loved by China people". In March 1942, the Propaganda Department of the Central Committee formulated the Notice on Reforming Party Newspapers according to Mao Zedong’s opinion, which pointed out that "the words of party newspapers in various places should be popular and concise, so that they can be read not only by ordinary cadres, but also by people with a little education". This further concretizes the demand against stereotyped Party writing.

  (3) Newspapers and periodicals should publicize materialism and materialist dialectics. Mao Zedong pointed out that some people in the party "think they believe in Marxism, but they don’t try to publicize materialism, and they don’t think about what is subjective after listening to or watching it, and they don’t make comments. This attitude is not the attitude of Communist party member ". Mao Zedong put forward that "if we want to oppose subjectivism, we should publicize materialism and materialist dialectics" and "we should publish more articles in newspapers, reward articles on dialectical materialism and oppose subjectivism". He further demanded that materialist dialectics should be carried out in the work of newspapers and periodicals to get rid of the influence of subjectivism. In his view, if we can’t adhere to materialist dialectics well and don’t conduct in-depth analysis and research, the conclusion will be too simplistic, either absolutely positive or absolutely negative. "The lack of analytical articles in our newspapers and the fact that the habit of analysis within the Party has not been fully developed all indicate the existence of this problem. This situation should be improved in the future, and the way to improve it is to use Marxism and "make a concrete analysis of specific situations."

  Fourth, running newspapers and periodicals well depends on the joint efforts of the whole party and the masses 

  The party’s newspaper work is a part of the party’s cause and needs the efforts of the whole party; For the sake of the masses, the party’s newspaper work should also fully rely on the masses. Mao Zedong believes that to do a good job in newspapers and periodicals, we should not only rely on the joint efforts of all party member, but also practice the mass line and rely on the masses to do a good job in newspapers and periodicals.

  (a) adhere to the "whole party newspaper". In order to promote the development of the party’s newspaper work, Mao Zedong emphasized that the whole party should be mobilized to participate in the newspaper work. In 1942, the editorial "Party and Party Newspaper" of Liberation Daily pointed out that "not only the higher authorities of the party newspaper … have the responsibility to have the closest relationship with the newspaper and provide it with various guidance, materials, articles and opinions, but also the party organs at all levels, organizations at all levels and even every party member are responsible for the party newspaper". What is this responsibility? That is, reading party newspapers frequently, including studying and discussing important articles and conversations in party newspapers; Help the party newspaper to carry out editing and distribution work, including helping the party newspaper to assemble manuscripts, participating in the party newspaper newsletter, and actively promoting the party newspaper.

  Mao Zedong believes that only by mobilizing all Party comrades to participate in running a newspaper can a party newspaper truly become a party newspaper, otherwise, it will be more or less just a newspaper owned by its colleagues. Taking the wall newspaper as an example, he pointed out that the wall newspaper is also a kind of newspaper. If there are 100 people in a catering unit, a wall newspaper can be published. "In this way, there can be thousands of newspapers in the whole border area, which is called running a newspaper by the whole party."

  Mao Zedong also actively mobilized the party’s leading cadres to write articles for newspapers and support their work. In May 1941, in the notice about the publication of Liberation Daily, Mao Zedong asked the leading comrades of the Central Committee and important cadres of the Party to write editorials for Liberation Daily. In September, at the enlarged meeting in the Political Bureau of the Central Committee, he also pointed out that "comrades working in various ministries and commissions of the Central Committee should write more articles for Liberation Daily to explain the Party’s policies and introduce their work experience, so as to truly become the organ of the whole Party reflecting the actual leadership work". In January, 1942, he pointed out in Politburo meeting of the Chinese Communist Party that the newspaper should assign topics to the central leading comrades to write social reviews and monographs, and at the same time, "the central ministries and commissions should organize their own news and write press releases and commentaries". In September 1942, after the Liberation Daily was expanded from two pages to four pages, there were often insufficient manuscripts, especially the fourth edition with strong theory. In this regard, Mao Zedong personally drafted the method of soliciting contributions for the fourth edition of Liberation Daily, and asked Deng Fa, Peng Zhen, Wu Yuzhang, Cai Chang, Fan Wenlan and others to be responsible for soliciting contributions, ranging from 5,000 words to 12,000 words per person per month. He also specifically requested that "all comrades should choose and revise the manuscripts they are responsible for, so as to ensure that there is no problem in thinking, the words are fluent, and strive for popularization."

  (2) Newspapers and periodicals work for and rely on the masses. The mass line is the lifeline and fundamental working line of our party, and it is an important heirloom for our party to maintain its youthful vitality and combat effectiveness forever. Facing and relying on the masses is not only an important principle of our party’s newspaper work, but also an important method to run newspapers well. The party’s newspaper work is to stand on the position of the party and the people, report and publicize the deeds of the people, and strive to serve the people.

  In February, 1942, Mao Zedong pointed out in the Politburo meeting of the Chinese Communist Party that "the newspaper should focus on the affairs of its own country". He criticized Liberation Daily for publishing too much news from domestic and foreign bourgeois news agencies, while neglecting to publicize our party’s policies and mass activities. He demanded that the propaganda focus of Liberation Daily should be China’s anti-Japanese war, our party’s policies, the construction of base areas, and the people’s production, life and struggle practice. In October 1944, when Mao Zedong visited the staff of Jiefang Daily and Xinhua News Agency in the auditorium of Qingliangshan Central Printing Factory in Yan ‘an, he encouraged everyone to serve the people wholeheartedly and run Jiefang Daily and Xinhua News Agency well.

  The broad masses of the people are an important force to promote the party’s newspaper work. To do a good job in the party’s newspaper work, we must rely on the masses closely and adhere to the working methods of coming from the masses and going to the masses. Mao Zedong believes that "in all practical work of our Party, all correct leaders must come from the masses and go among them". It is an important magic weapon to do well the party’s newspaper work by coming from the masses, going among the masses and relying on the wisdom of the masses to promote the work. In February, 1940, Mao Zedong pointed out in the Preface of Workers in China that "once a newspaper has been set up, it should be done as a matter, and it must be done well. This is not only the responsibility of the person who does it, but also the responsibility of the person who looks at it. It is very important for readers to give their opinions, write short messages and send them to show what they are happy about and what they are not happy about, so as to make this newspaper run well. " In fact, this is to advocate the broad masses of the people to put forward requirements and expectations for the work of newspapers and periodicals and help them improve their work.

  In March, 1942, he wrote an inscription for Liberation Daily, "Going deep into the masses, not empty talk", hoping that journalists could go deep into the masses, understand their reality and report their experiences. In the same month, Mao Zedong also proposed that "Xinhua Daily, Jiefang Daily and newspapers and periodicals in the anti-Japanese base areas should attract non-party people to express their opinions, so that all anti-fascist and anti-Japanese imperialists have the opportunity to speak in our party newspaper, and try their best to attract non-party people to participate in the editorial committee, so as to make the newspapers and periodicals run better".

  In March, 1943, Liberation Daily was revised to better meet the needs of the masses, and Mao Zedong praised it: "Liberation Daily has made progress since it was revised in April last year, and it has touched the working methods from the masses to the masses, so the sources of newspaper materials are endless." At the end of December, 1944, Mao Zedong demanded in his instructions to the Anti-Japanese Daily in the Jin-Sui Border Region that the Anti-Japanese Daily "is a newspaper for the people in the Jin-Sui Border Region, and should be based on the needs of the local people (contacting the masses and serving them), otherwise it would be divorced from the masses and lose its local guiding significance". The basic spirit of Mao Zedong’s instructions and demands is to ask the party’s newspapers and periodicals to practice the mass line, reflect the will and voice of the masses extensively and timely, gather the strength of the masses, rely on the masses to promote their work and better serve them.

  During the Anti-Japanese War, starting from the overall situation of the Anti-Japanese War and the overall situation of the Party’s work, Mao Zedong thought deeply about the Party’s newspaper work and gave many instructions on how to do a good job. These thoughts and guidance not only provided important guidance for the party’s newspaper work to better serve the party’s cause and the masses at that time, but also provided important enlightenment and reference for us to fully understand the significance of newspaper work, give full play to the role of newspapers and periodicals and further do a good job in ideological propaganda today.

Intangible cultural heritage blooms more fascinating brilliance in the new era.

  On August 24th, 2022, the Propaganda Department of the CPC Central Committee held the 23rd news conference on the theme of "China this decade" to introduce the situation of promoting the high-quality development of culture and tourism in the new era. Among them, the relevant leading comrades of the Ministry of Culture and Tourism introduced the creative transformation and innovative development of intangible cultural heritage since the 18th CPC National Congress. Let’s watch together!

  The picture shows Gao Dianliang (right), a provincial non-genetic inheritor from Yuxian County, Zhangjiakou City, Hebei Province, showing the paper-cut works of Yuxian County with the theme of Winter Olympics. Photo courtesy of Hebei Daily

  Since the 18th National Congress of the Communist Party of China, the CPC Central Committee with the Supreme Leader as the core has attached great importance to the protection and inheritance of intangible cultural heritage, made a series of major arrangements, and launched a series of pragmatic measures to promote the creative transformation and innovative development of intangible cultural heritage, so as to bloom more fascinating brilliance in the new era.

  First, the legacy of right and wrong has become an important aspect of continuing the cultural context and inheriting Chinese civilization.

  Up to now, there are more than 100,000 non-legacy representative projects at all levels in China, including 1,557 national non-legacy representative projects; There are more than 90,000 representative inheritors at all levels, including 3,062 national non-legacy representative inheritors; Twenty-three national cultural and ecological protection zones have been set up, and intangible cultural heritage projects, China traditional craft revitalization plan, China non-genetic inheritor research and training plan and Quyi inheritance and development plan have been implemented. More than 100,000 inheritors have been trained, and the vitality of non-genetic inheritors has been continuously enhanced.

  Second, non-legacy has become an important source of strengthening cultural self-confidence and casting a solid sense of the Chinese nation’s community.

  Various places hold colorful non-legacy activities on traditional festivals and cultural and natural heritage days, and the whole society has a stronger atmosphere of loving Chinese excellent traditional culture. "Twenty-four solar terms" show the Chinese nation’s cultural heritage and self-confidence to the world on the stage of Beijing Winter Olympics. All 56 ethnic groups have projects listed in the list of national intangible cultural heritage representative projects. Under the framework of intangible cultural heritage protection, excellent traditional cultures of all ethnic groups exchange, appreciate and respect each other, and intangible cultural heritage has become a carrier and link to promote exchanges and exchanges among ethnic groups and build a strong sense of community of the Chinese nation.

  Third, non-legacy has become an important force to promote high-quality economic and social development and meet the needs of the people for a better life.

  Promote the revitalization and development of traditional crafts, the categories of traditional crafts products are increasingly rich, the quality is significantly improved, and they have been widely used in modern life. We will carry out non-legacy work to help precision poverty alleviation and rural revitalization, and set up more than 2,500 non-legacy workshops in various places to promote poverty alleviation and local economic development. Non-legacy projects related to family discipline and village regulations have played an important role in cultivating good folk customs and enriching community cultural accumulation.

  Fourth, the legacy of right and wrong has become an important part of displaying China’s image and spreading China’s voice.

  Up to now, 42 non-legacy projects in China have been listed in UNESCO’s non-legacy list and roster, ranking first in the world, contributing "China color" to world cultural diversity. Jointly declared projects such as "Mongolian long-tune folk songs" and "sending a boat to the king" have become an important embodiment of promoting civilized exchanges and mutual learning. Projects such as Acupuncture in Traditional Chinese Medicine, Bathing in Tibetan Medicine and Tai Ji Chuan provide "China Wisdom" for solving human health problems.

  (Planning: Chai Xiaofan Audit: Li Yanling)

How much does Tengchong know?

Tengchong is located in the western border of Yunnan Province. The name of Tengchong started from the Book of the Old Tang Dynasty, and it was called Yunnan and Vietnam in the Western Han Dynasty. In the Sui and Tang Dynasties, Jimizhou was located, and in the early Song Dynasty, it was softened. Later, it was changed to Tengchong Prefecture, and Tengchong Prefecture was established in Yuan Dynasty. Tengchong Prefecture was established in Ming Dynasty, and Tengyue Prefecture and Tengyue Hall were established successively in Qing Dynasty. Tengchong County was established in 1913 and Tengchong City was established in September 2015. It is the gateway to Myanmar, India, Pakistan and other Southeast Asian and South Asian countries, and is known as the "first city in the extreme". There are seven nationalities living in the world: Han, Dai, Hui, Lisu, Wa, Bai and Achang. Tengchong is rich in culture and natural resources, and there are many intangible cultural heritage resources to inherit and protect. By 2019, there were 293 projects and inheritors at all levels, including 66 projects and 213 representative inheritors (2 at the national level and 14 at the provincial level).

On the occasion of the 13th Cultural and Natural Heritage Day, let’s enjoy the elegance of Tengchong’s intangible cultural heritage projects!

I. List of National Intangible Cultural Heritage Protection (2)

1. Wa nationality Qing opera

Published in 2008

Project introduction

Classify traditional dramas

Qing Opera, also known as Hubei Gaoqiang, was introduced into Tengchong, Yunnan during Xianfeng period in Qing Dynasty, and remained in Sugarcane Village, Wa village. It is the only local drama in Tengchong that has been included in China minority operas. Qing opera has the characteristics of "nine-cavity thirteen-board" and high-cavity opera, and its tunes are cadence, pleasing to the ear and good at narration and lyricism. The story of the play is touching and the characters are distinct.

2. Tengchong Shadow Play

Published in 2011

Project introduction

Classify traditional dramas

Tengchong shadow play, also known as "light shadow" and "shadow play", is a local art form with a long history and wide influence. According to legend, during the Hongwu period of Ming Dynasty, it was introduced from Jiangnan, Huguang and Sichuan, and it was divided into two types in singing: Western (lively rhythm and high spirits) and Eastern (beautiful melody and solemn atmosphere). Tengchong shadow puppets are exquisitely made, which not only has the style of shadow puppets in the Central Plains, but also has obvious border and regional characteristics.

Two, the provincial intangible cultural heritage protection list (6)

1. Tengchong Heshun folk song "Introduction to Yangwendun"

Published in 2006

Project introduction

Category folk literature

Yang Wen’s Little Introduction is an exhortation ballad based on the life experiences of Tengchong Heshun people and even people in western Yunnan who "went abroad". Yang Wen Cun Xiao Yin is famous for its ancient name, which was written in Daoguang period of Qing Dynasty. After several times of circulation, some traditional manuscripts of cotton paper brushes were scattered among the people.

2. Tengchong jade carving art

Published in 2006

Project introduction

Classify traditional art

Tengchong jade carving has a long history. According to local chronicles, there were more than 100 workshops engaged in jade processing in Tengchong before 1949, with more than 3,000 craftsmen. Today, Tengchong jade carving industry is developing rapidly, the jade carving team is expanding, the production process has evolved into mechanization and electrification, and the technology level is changing with each passing day.

3. Tengchong dulcimer

Published in 2009

Project introduction

Lei bie qu yi

Dulcimer is a kind of rap art, which is suitable for narrative content, events and characters’ emotions. The accompaniment instruments include dulcimer, erhu, pipa, cello and percussion. It is said that the dulcimer was introduced into Tengchong in Guangxu period of Qing Dynasty, and then it was integrated with the local four-tone pronunciation to form Tengchong dulcimer. There are three major melodies of dulcimer, namely "Yangdiao", "Daoqing" and "Sanban", which are light and lively, passionate with resentment, humorous, steady and deep.

4, Tengchong Diantan Shuicheng Lisu traditional cultural protection area.

Published in 2009

Project introduction

Category-specific national cultural protection areas

Lisu Village, Shuicheng, Lianzu Community, Diantan Town, Tengchong City, is located in the northwest of Diantan Town, 65 kilometers away from the county seat, bordering Myanmar, with a border of 24 kilometers. It is said that the ancestors of the Lisu people in Shuicheng settled in Shuicheng, Diantan, in the fourth year of Qing Emperor Kangxi. They were Lisu people who settled in Tengchong earlier, preserved traditional looms and textile processing, and most women mastered embroidery techniques. Folk literature plays an important role in the traditional culture of Lisu nationality; Dances mainly include ga-dancing and three-string dancing; The folk paintings of Lisu people in Shuicheng have distinct characteristics of the times and nationalities, and have high artistic appreciation value and collection value; The biggest and ceremonious festival among the Lisu people in Shuicheng is the Knife and Pole Festival, and "Going up the knife mountain and going down to the sea of fire" is the most wonderful folk activity of the Knife and Pole Festival.

5, Tengchong Chinese patent medicine production skills

Published in 2017

Project introduction

Biebie traditional medicine

Tengchong Chinese patent medicine herbs benefit from the unique geographical climate of Gaoligong Mountain, and are refined by traditional pharmaceutical techniques and secret recipes. Pharmaceutical factory uses pharmaceutical tools such as hay cutter, mortar, grinding trough and bowl, and uses the unique processing technology of "soaking, soaking, calcining, stewing, frying, steaming and boiling" and the ancient preparation technology to produce and process Chinese patent medicines. The products are sold in major pharmacies in more than 20 provinces and cities in China, including pills, plasters, medicinal liquor, tablets and injections. Yunnan Tengyao Pharmaceutical Co., Ltd. was recognized as "China’s time-honored brand" by the Ministry of Commerce in 2006.

6. Dongjing Music

Published in 2017

Project introduction

Classify traditional music

The Cave Sutra is the Cave True Sutra, and its full name is "Taishan Yuqing Wuji Always True Wenchang Cave Fairy Sutra", which is a long-standing traditional ancient music in Tengchong. The scriptures are profound, the melody is solemn and beautiful, and it is a noble and auspicious symbol. Dongjing musical instruments are composed of China national musical instruments, such as silk string, orchestral string, playing, plucking and percussion. Qupai is a mixture of ancient court music and Taoist music. The way of playing is dominated by classics, combined with singing and playing, and given certain religious ceremonies, which are solemn, elegant and simple.

Three, Baoshan municipal intangible cultural heritage protection list (32)

1. The Legend of Tengchong’s "Great Rescue"

Published in 2005

Project introduction

Category folk literature

The Legend of Tengchong’s "Rescue" is a legend that Zhu Youlang, Emperor Yongli of Nanming, was rescued by a local farmer with a bowl of fried bait when he fled to Tengchong, so he was named "Rescue". "Great rescue" means cutting Tengchong bait into small pieces and frying them with eggs and cabbage, which is a famous dish at local banquets.

2. The Lisu narrative poem "New Year Tune"

Project introduction

Category folk literature

"Chinese New Year Tune" is a "major" sung by Lisu people during the Chinese New Year. It is sung in a way of dialogue between people and gods, depicting how Lisu people wait for the arrival of their ancestors and gods during the Chinese New Year. This ancient poem sums up the Lisu ancestors’ understanding of the relationship between heaven and man, life and death, fate and reality, etc. The universe, the sun, the moon, the morning, the night, the gods and human beings it shows constitute a holy and spectacular epic realm.

3. The Legend of the Cliff of the Sacrifice of Yunfeng Mountain

Project introduction

Category folk literature

Yunfeng Taoist Temple, built in the seventh year of Chongzhen in Ming Dynasty (AD 1634), is a famous Taoist mountain in western Yunnan. It is said that to make a pilgrimage to Yunfeng Mountain and make a wish is responsive, and it has become a place where all sentient beings who worship Taoism yearn for worship. There are many folk legends and fairy tales circulating in Yunfeng Mountain, which is known as the "Fairy Mountain Qiongge". The legend about Sheshen Cliff is well known to women and children, adding a mysterious color to Yunfeng Mountain.

4. The Legend of Huzhu Temple

Project introduction

Category folk literature

The Legend of Huzhu Temple is based on the ancient temple Huzhu Temple. It is said that there is a dragon-to-pearl drama in the dry sea, which is lost occasionally and gained by Meng. Sometimes, the thunderstorm is raging, and Meng is afraid, and the temple is suitable for a statue. Meng Nazhu is named after the Buddha’s belly. Huzhu Temple is one of the oldest existing buildings in Tengchong and even Baoshan City. Huzhu Temple and its surrounding cultural relics represent an important history of Tengchong in Song and Yuan Dynasties. Its architectural style and legends are of high cultural value for studying Tengchong’s religious history and human geography.

5. Tengchong Lantern Music

Project introduction

Classify traditional music

According to legend, Tengchong Lantern was introduced into Tengchong from the mainland during the Hongwu period of the Ming Dynasty, and then it was merged with local songs and dances, and gradually developed into Tengchong Lantern with local characteristics, which was mainly based on dance or singing, with simple songs and dances, singers with good luck, seasonal farming, bidding farewell to the old and welcoming the new, praying for exorcism and good weather, and then further developed into a lantern play with a complete plot.

6. Lisu people "jump"

Project introduction

Biebie traditional dance

"Dancing Ga" is a kind of folk art that combines song and dance. In places where Lisu people live in compact communities, this dance is necessary for celebrations, funerals and building houses. "Tiao Ga" takes a circle as the formation, and the "Ga Tou", the leader of the dance and singer, leads the dancers to walk counterclockwise, singing and dancing while dancing. The activity of Tiaoga is of great value to the study of the cultural inheritance and development of Lisu people.

7. Lisu "Sanxian Dance"

Project introduction

Biebie traditional dance

"Sanxian Dance" is a dance with Xiao Sanxian as the main accompaniment instrument, and bamboo flute, oral string and duet can also be played together. On the occasion of "Spring Festival" and "Knife and Pole Festival", all the men, women and children in the village gather together to form a circle and dance in steps with the accompaniment of Xiao Sanxian. The formation can be horizontal or vertical, crossing each other and being flexible and changeable.

8. Dai "Kirin Dance" in Wuhe Township

Project introduction

Biebie traditional dance

Dai unicorn dance is an ancient dance with both self-entertainment and sacrifice, which is similar to the lion dance of Han nationality. It is a kind of sacrifice activity for people to pray for the blessing of the old heaven, for the village to be clean and auspicious, for people to live a long life and avoid disasters.

9. The Han folk dance "Little Back Dragon" in Beihai Township.

Project introduction

Biebie traditional dance

Xiao Beilong’s personal performance in Tengchong Dragon Lantern has local characteristics and is unique in Yunnan and even the whole country. It consists of three parts: the dragon head, the dragon body and the dragon tail, which are connected by cloth painted with scales in the middle. When performing, the dragon dancer carries the dragon body on his back and holds the dragon head and the dragon tail in both hands respectively. In the accompaniment of gongs and drums, he performs various performances, such as "playing pearls with dragons" and "turning waves and surging waves".

10. Qushi Township Han folk drama "Fishing Lantern"

Project introduction

Classify traditional dramas

Fish lanterns, an ancient play of Tengchong lanterns, were introduced into Tengchong during the Hongwu period of the Ming Dynasty, which is unique in Yunnan and even the whole country. The performance of "Fish Lantern" has many props and huge scenes. During the performance, wooden scaffolding is used to decorate the dragon gate, and people dance the fish to play the game of "Fish Leaping over the Dragon Gate". The fish dancers are paired to play "high handle", "low handle", "fish turning over", "fish drying belly", "fish grabbing water", "fish chasing pendulum" and ".

11. Tengchong Han folk drama "Fairy Lantern"

Project introduction

Classify traditional dramas

Fairy lantern is a symbolic play of Tengchong Lantern, which combines dancing and singing. Because there are fairies and immortals in the role, it is commonly known as fairy lantern. Fairy lanterns mainly show people dancing with gods, celebrating the Spring Festival and praying for a prosperous life, peace and prosperity, good luck and so on.

12. The Lantern Festival in Zhonghe Township is "Dashun Farming"

Project introduction

Classify traditional dramas

Dashun Tilling the Field is the oldest play handed down from the rural lantern drama, and it still retains the primitive and quaint characteristics of the early lantern. Before leaving home, Shun was driving an elephant to the fields for the last time, plowing and sowing with tribal villagers, and saying goodbye to the villagers. "Da Shun Geng Tian" is a large-scale traditional lantern play, in which there are many roles, and it takes thirty or forty people to perform the role-playing of characters and animals. There are many props and complicated systems, which are difficult to inherit and protect. It is an extremely precious "living fossil" to study the development and evolution of lanterns.

13, Lisu costume craft

Project introduction

Traditional skills of classification

Tengchong Lisu people’s costumes are complex in technology and colorful. Women’s costumes include "safflower thrush clothes", mainly including Baotou, silver beard collar, beaded beads, "thrush clothes", outer shoulder coat, streamer skirt, large pants, lacquer hoop, hanging tube, bamboo and linen sandals, etc. The man’s costume "Magpie Clothes" has a magpie-like head, with a white gown, a jacket, knee-length shorts and cotton embroidered hem.

14. Xingyang Flower Paper Umbrella in Gudong Town

Project introduction

Traditional skills of classification

Xingyang Flower Umbrella in Gudong Town, Tengchong has a history of at least 200 years, which is called "paper support or support" locally. Xingyang people make flower umbrellas by cutting bamboo into ribs and bamboo or wood into handles, drilling holes at the intersection of the ribs and the handles and fixing them with threads, then covering the stretched ribs with white cotton paper made of leather, printing colorful flowers on the paper, and painting with varnish. The flower umbrella is durable, beautifully patterned and brightly colored, which is suitable for daily sunshade and rainproof and performance.

15, Tengyue Town bait production process

Published in 2012

Project introduction

Traditional skills of classification

Tengchong bait silk production is an important local traditional food production process. It is made of high-quality old indica rice pulp rice as raw material, using local unique water quality, integrating traditional technology and modern science and technology. The product is clean and fine in color, soft and delicious, and has a unique flavor. It is very delicious whether cooked or fried, and is favored by tourists both inside and outside the province.

16, Tengyue Town thin bean powder production process

Project introduction

Traditional skills of classification

Thin bean flour is a local traditional snack. Peas are used as raw materials, ground into slurry, poured into a large iron pot with sufficient firepower, stirred and boiled out with slow fire. Golden color, full of fragrance, accompanied by soy sauce, sesame oil, pepper oil, Chili oil, garlic oil, tsaoko oil, broken peanuts, water chestnut root and so on.

17, Tengyue Town large sheet production process

Project introduction

Traditional skills of classification

Dapian is a famous local dish in Tengchong, and its family has been passed down for four generations. Made from pig’s head meat, the kung fu lies in the words. The big slice of the slice is as big as the palm of your hand and as thin as cicada’s wing. Put it in the dip water made of aged vinegar, bamboo shoots, eggplant, mustard and a variety of seasoning oils and rinse it. It is not oily or greasy, crisp and fresh.

18. Tengchong peasant paintings

Project introduction

Classify traditional art

Tengchong peasant painting is an extension of traditional folk painting in China, which was produced and formed in mass painting activities in the 1970s. Farmers who love painting in Tengchong countryside regard painting as their main spiritual pursuit after their production and work. For decades, they have created a large number of high-quality peasant paintings, which have had a good influence both inside and outside the province, and some of them even enjoy a good reputation in Beijing and have been broadcast overseas.

19. Tengchong God (A) Horse Printing Plate

Project introduction

Classify traditional art

Tengchong Shenma, also known as paper horse, is a block-printed product printed with various ghosts and gods, which is incinerated (or pasted independently) with gold and silver ingots and paper money when praying for blessings, disasters and sacrifices in folk religions. Tengchong Shenma is famous for its delicacy, which is the top grade in Yunnan Shenma art and the best in traditional folk black and white woodcut prints.

20. Tengchong caravan culture

Project introduction

Classify people’s customs

Caravan is a unique means of transportation in southwest China, which is transported by mules and horses. Tracing back to its roots, the existence and operation of Tengchong caravan has a history of thousands of years. Tengchong is the hub of the ancient Southern Silk Road, the earliest international trading port, and an important military town in history.

21. Heshun’s "three drops of water" diet custom

Project introduction

Classify people’s customs

Heshun’s "three drops of water" is a distinctive food culture in Tengchong. One drop of water is a series, and the first drop mainly includes fruits, dried fruits, candied fruits, preserved fruits, sweet liquor and cakes. The second drop contains sweet tea (such as milk fan tea), brain (fried dried rice cake), chicken, pig, shredded bacon, fried tofu, finely fried walnut kernels and peanuts; The third drop is dinner, mainly for delicacies, game, seafood, chicken with eight treasures, hibiscus eggs, shrimp covers, chicken brains, curry meat, roasted pigs and brown-wrapped white fish soup.

22. Lisu people’s "three glasses of wine" diet custom

Project introduction

Classify people’s customs

The Lisu people’s eating custom of "three glasses of wine" is formed in the Lisu people’s production and life, which shows the Lisu people’s national character of attaching importance to feelings and righteousness, being sincere to friends and being generous. The first cup, a "toast" to meet each other; The second cup is a "pour a glass of wine" of mutual respect and respect; The third cup is a "concentric wine".

23. Festival custom of Han nationality at the age of "protecting the territory"

Project introduction

Classify people’s customs

"Fighting to protect the territory" is a kind of folk worship activity. Its main body is the cave sutra, which is a large-scale and well-organized folk custom activity, in which Buddhism, Taoism and Emperor sutra are gathered to complete praying for auspicious disaster and peace, with the participation of the whole village.

24. Xianduo Dai traditional cultural protection zone in Hehua Township.

Project introduction

Category-specific traditional cultural protection areas

Xianduo is located in the southwest of Lotus Town, Tengchong, with a land area of 21.43 square kilometers. Xianduo Village has a long history and profound cultural heritage. With the changes of the times, some traditional cultural customs have changed or even disappeared, but the traditional culture of Xianduo Dai family, such as social morality, language and clothing, living habits, festivals, literature and art, sports, fine arts and religious beliefs, can still be passed down and carried forward.

25. Xinhua Township, the hometown of Achang people’s songs and dances

Project introduction

Classify the hometown of traditional culture.

Xinhua Township is a multi-ethnic area, mainly including Achang, Lisu and Dai. All ethnic groups retain rich and traditional folk culture. The songs and dances of various ethnic groups in Xinhua Township, Tengchong, have a broad mass base, and are highly artistic and ornamental, especially the folk songs "Love Song Tune", "Say Ai Tune" and the dance "Deng Wo Luo" have more distinctive national styles and regional characteristics.

26. Tengchong is the hometown of jadeite craft.

Project introduction

Classify the hometown of traditional culture.

Tengchong is a distribution center of jadeite, with a long history of trade and processing, which has formed its own characteristics. Jade culture is an important part of Tengyue culture, and jade craft production is a cultural industry with rapid development and great potential. With the acceleration of economic globalization, Tengchong jadeite processing and trade has become a bright spot in our county’s economic growth.

27. Xinzhuang Village, Jietou Township is the hometown of papermaking technology.

Project introduction

Classify the hometown of traditional culture.

Xinzhuang Village is located in the east of Jietou Town, Tengchong City, and still retains the traditional ancient manual papermaking skills. For more than 300 years, making white paper has been a traditional cottage industry in Xinzhuang Village, and selling handmade white paper is one of the main economic incomes of the village, accounting for 50% of the total income of the village.

28. Xiaoxi Town is the hometown of bamboo weaving technology.

Project introduction

Classify the hometown of traditional culture.

Xiaoxi has developed handicraft industry in history. Rattan, hat, reed, dustpan, bamboo chopsticks and brown products are exported to Myanmar and inside and outside the province, especially bamboo hats, which are exquisite in craftsmanship, elegant in appearance, firm and durable, and have established a good brand image in Myanmar and western Yunnan.

29. Tengchong, the hometown of Lisu knife and pole art.

Project introduction

Classify the hometown of traditional culture.

The Lisu people in Tengchong have a long history, a broad mass base and a unique artistic style.

30. Wanyao Village, Mazhan Township is the hometown of pottery making technology.

Project introduction

Classify the hometown of traditional culture.

"Tengchong County Records" contains: "Pottery production is mainly concentrated in bowls and kilns in Mazhan District, and earthenware has been fired for more than 500 years." Making and selling pottery is a traditional handicraft industry in Wanyao village. For hundreds of years, making and selling pottery has been one of the main sources of income in the village.

31. Tengchong is the hometown of folk music.

Project introduction

Classify the hometown of traditional culture.

During the Hongwu period of the Ming Dynasty, the large-scale migration of military and civilian villages brought the music culture from all parts of the Central Plains to Tengchong. The music not only maintained the charm of the ancient music in the Central Plains, but also blended with the tones of the border songs, thus forming the Tengyue ancient music with Tengchong regional music style. The representative music includes: Dongjing music, shadow play music, lantern music, dulcimer music, folk songs, Wa Qing opera music, Dai opera music and Lisu folk songs.

32. Tengchong sings books

Published in 2015

Project introduction

Biebie traditional folk art

Singing books is similar to storytelling, also known as "good books", which is a folk art popular in Tengbei rural areas in the 1960s and 1970s. It is a kind of sitting and singing quyi, which is mainly based on singing, and it is rarely said in plain English. The story is vivid and touching.

Four, Tengchong municipal intangible cultural heritage protection list (26)

1, the legend of Deng’s participation.

Published in 2005

Project introduction

Folk oral literature of different ethnic groups

2, columnar joints, Heiyu River legend.

Published in 2005

Project introduction

Folk oral literature of different ethnic groups

3. Lie about Zhang San’s story

Published in 2005

Project introduction

Folk oral literature of different ethnic groups

4. Tengchong Fishing Drum

Project introduction

Folk folk art of different ethnic groups

5. Lisu marriage

Published in 2005

Project introduction

Folk traditional customs of different ethnic groups

6. Lotus Township, the hometown of folk art (peasant paintings) in China

Published in 2005

Project introduction

Folk regional culture of different ethnic groups

7. Gudong Town, the hometown of folk art (shadow play) in China.

Published in 2005

Project introduction

8. Tengchong Lion Dance

Project introduction

Classify traditional sports, recreation and acrobatics.

9. Tengchong Dragon Lantern

Published in 2015

Project introduction

10. Tengchong Dai Opera

Published in 2015

Project introduction

Classify traditional dramas

11. Tengchong Dai language

Published in 2015

Project introduction

Category folk literature

12, Tengchong traditional old cloth shoes production

Published in 2015

Project introduction

Traditional skills of classification

13. Baking Techniques of Mingguang Small Ear Pig

Published in 2015

Project introduction

Traditional skills of classification

14, Tengchong burning pig technology

Published in 2015

Project introduction

Traditional skills of classification

15. Handmade Maltose Production Process in Gudong Town

Published in 2015

Project introduction

Traditional skills of classification

16, Tengchong pavilion production process

Project introduction

Traditional skills of classification

17, Tengchong clay pot production process

Published in 2015

Project introduction

Traditional skills of classification

18, Tengchong paper binding process

Published in 2015

Project introduction

Traditional skills of classification

19, ponytail buckle production process

Published in 2015

Project introduction

Traditional skills of classification

20. Tengchong Fragrant Technology

Published in 2015

Project introduction

Traditional skills of classification

21, Tengchong indigenous oil extraction process

Published in 2015

Project introduction

Traditional skills of classification

22, Tengchong wool felt production process

Published in 2015

Project introduction

Traditional skills of classification

23, Tengchong rice plastic technology

Published in 2015

Project introduction

Classify traditional art

24, Tengchong saddle making skills

Project introduction

Traditional skills of classification

25, Tengchong linen sandals compilation skills

Project introduction

Traditional skills of classification

26, Tengchong black sauce production process

Published in 2015

Project introduction

Traditional skills of classification

Source: Tengchong Cultural Center