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　　A few days ago, the newspaper "Don’t let students play" soft ball "aroused the concern of the society about students’ physical health. Yesterday, after interviewing some schools, the reporter found that many PE teachers were afraid to take part in sports for fear of accidental injuries to students. Traditional sports such as "jumping goats" and single parallel bars are quietly withdrawing from primary and secondary schools in physical education class.

　　Afraid of students being injured, they dare not go to the project.

　　A physical education teacher in the city told the reporter that his school has not participated in the jumping box project for many years. On the surface, it is more troublesome to prepare before class, and the mat is also a box, but the more important reason is that students are afraid of injury. "Especially primary school students can’t stand it, and they can fall out with a wrong eye."

　　The teacher’s "jumping box" is commonly known as "jumping goat", and most people over 30 years old have practiced it on the physical education class in their student days. This project is mainly to train students’ ability to overcome obstacles, and also to test students’ psychological quality. Under normal circumstances, senior primary school students should learn "goat prancing with split legs", junior high school students and senior high school girls should learn "horizontal box prancing with split legs" and "horizontal box prancing with bent legs", while senior high school boys should learn "vertical box prancing with split legs" and "vertical box prancing with bent legs". However, up to now, few schools offer this program.

　　The events with the same fate as "Bouncing Box" include the single parallel bars. A physical education teacher with more than 20 years’ teaching experience said that he had never started this project since he entered the profession. At first, the school didn’t have the venue conditions, but later he dared not take it, for fear that students would be injured. "Today’s children can’t really talk. They didn’t last for a few seconds, either their arms were twisted or their shoulders were twisted, and wrist fracture’s children couldn’t attend class … …” The teacher repeatedly expressed his feelings.

　　Change the content to avoid disputes.

　　Physical education teachers are afraid to take part in the project, fearing the disputes that may be caused by students’ exercise injuries.

　　A physical education teacher told the reporter about his experience. Once, he gave a class to a fifth-grade student. A student fell down while running 50 meters. At that time, he asked if the child was injured. The child said that he was fine, but his arm was red and swollen after returning to work. The class teacher called the parents. Later, parents were adamant. First, they complained that the teacher didn’t send their children to the hospital at the first time. Later, they said that their children were made for the air force, and injuries would affect their future service as soldiers. The physical education teacher had no choice but to make amends at home every three days until his parents cooled down.

　　It is understood that schools encounter such disputes in different ways. Some schools will pay children’s medical expenses, but some schools will let PE teachers bear the consequences themselves, which will bring pressure to PE teachers invisibly.

　　In order to avoid disputes, many PE teachers have to reduce their own risks without violating the syllabus. For example, there are gymnastics teaching contents in the syllabus, but the teachers no longer take the single and parallel bars, but only use relatively simple movements such as forward roll, back roll, horizontal fork and vertical fork instead. Even the most common winter long-distance running events, many schools have to issue a "parents’ notice" before the start of the race, so that parents can confirm whether their children can participate in this sport, so as to avoid being "accounted for" after the accident.

　　New monitoring and evaluation standards are brewing.

　　I am afraid that my child will be injured and dare not go to the project. Is this for the sake of my child or for the sake of my child?

　　In this regard, Li Xiangru, a professor at Capital Institute of Physical Education, believes that the decline of primary and secondary school students’ physical fitness and ability to adapt to society is related to the lack of challenging events in physical education class. We should not regard physical education class as a simple physical education class, but link physical education class with the all-round development of teenagers.

　　In his view, the physical education curriculum in primary and secondary schools should be reformed around "what kind of teenagers should be trained". In this process, it is necessary for young people to enhance their ability to resist blows, setbacks and injuries in physical exercise. From a certain point of view, failing to get on the "dangerous project" tests the responsibility of primary and secondary school principals and physical education teachers.

　　As for the fear of students’ injuries, he feels that among all disciplines, physical education class is a high-risk course, and minor injuries are inevitable in sports. As long as physical education teachers are not negligent, they should not be held accountable to physical education teachers. "Students’ injuries should be viewed objectively, not necessarily the problems of schools and teachers."

　　In addition, the reporter learned from relevant departments that the Municipal Education Commission, the Municipal Sports Bureau and the Municipal Center for Disease Control and Prevention are preparing the "Evaluation Standard for physical education class Exercise Load of Primary and Secondary School Students in Beijing", with a view to monitoring and evaluating the quality of physical education class in primary and secondary schools by issuing local standards. If it goes well, the standard is expected to be officially introduced next year.

Beijing Population Development No.39 [2011].

Population and Family Planning Commission and Finance Bureau of all districts and counties:

　　In order to thoroughly implement Scientific Outlook on Development, give priority to family planning families to enjoy the fruits of reform and development, and promote the coordinated and sustainable development of population, economy and society in this city, according to the spirit of the Notice of the State Population and Family Planning Commission and the Ministry of Finance on Incorporating Rural Residents with Half Households into the Rural Family Planning Reward and Support System, and combining with the actual situation of this city, it is decided to implement rural family planning reward and support for rural residents with half households in this city (hereinafter referred to as "Half Households Rural Residents Reward and Support"). Relevant matters are hereby notified as follows:

　　First, enjoy the definition of "half households" to reward and help rural residents

　　"Half-household" refers to a couple whose one party is a rural resident of this city and the other is an urban resident. The nature of the household registration of the parties concerned is subject to the first page of my current valid household registration book.

　　Two, the basic content of "half of rural residents reward and assistance"

　　"Half-family rural residents’ reward and assistance" refers to the rural residents in this city who enjoy the 100 yuan reward and assistance per person per month when they reach the age of 60. This system has been implemented in rural areas of the city since January 1, 2011.

　　(a) the application conditions for reward and assistance objects

　　The object of reward and assistance shall meet the following conditions:

　　1. I and my spouse are "half-family" family planning families, and I have the household registration of rural residents in this city;

　　2. I was born after January 1, 1933 and reached the age of 60;

　　3, since January 1, 1973, there is no violation of family planning laws, regulations, rules and policies to give birth to children (including adoption, the same below);

　　4. There is only one child now.　 　 　

　　(two) the standard of payment of bonus.

　　1, "half households" rural residents incentive assistance payments to individuals as a unit, since I reached the age of 60 next year, according to the standard of 100 yuan per person per month once a year, until death. If the measures are over 60 years old at the time of implementation, they will be issued from the actual age in 2011 and will not be reissued.

　　2, the source of incentive assistance and the proportion of sharing according to the relevant provisions of the family planning system in rural areas of our city.

　　3. Entrusted by the Municipal Population and Family Planning Commission, the agency will establish a personal account for the confirmed reward and assistance objects in a timely manner, and directly transfer the reward and assistance funds to the personal account of the reward and assistance objects.

　　(three) the confirmation procedure of the object of reward and assistance

　　Confirmation of the "half-family" rural residents’ reward and assistance objects shall be carried out in accordance with the following basic procedures:

　　1. I apply;

　　2. The villagers’ committee deliberated and publicized;

　　3 Township People’s government, street offices and publicity;

　　4 county population and Family Planning Commission review, confirmation and publicity;

　　5 city population and Family Planning Commission checks and logical audit.

　　If the reward and assistance object changes, it shall be reported by the villagers’ committee in time.

　　The county population and Family Planning Commission is responsible for organizing the annual examination of the reward and assistance objects.

　　(four) the principle of termination of the qualification of the object of reward and assistance

　　If the object of reward and assistance is in any of the following circumstances, the villagers’ committee shall verify it in time and go through the procedures for withdrawing from reward and assistance:

　　1, my household registration from rural residents to urban residents;

　　2, my account moved out of the city;

　　3. After I have given birth or adopted a child, the determination of the number of children no longer meets the prescribed conditions;

　　4, reward and help the object of my death;

　　5. Other circumstances that should be terminated.

　　Three, the county population and family planning departments should be in accordance with the spirit of this notice, planning to do a good job in policy propaganda and implementation, timely publicity of policies to the village to the people, so that the masses know, and actively do a good job in organizing the declaration of eligible objects.

　　In 2012, the "half-family" rural residents’ reward and assistance work began to be included in the reward and assistance system for some rural family planning families, and it was organized and implemented together. In 2011, the bonus will be reissued from January 1st.

　　Fourth, the qualification confirmation, specific measures for policy implementation, basic principles, payment methods and fund management, organization and leadership, fund supervision and management, and form filling of the "half-family" rural residents shall refer to the Notice of the General Office of the Beijing Municipal People’s Government on Forwarding the Opinions of the Municipal Population and Family Planning Commission and the Municipal Finance Bureau on Establishing the Incentive and Support System for Family Planning Families in Rural Areas of this Municipality (Beijing Zhengban Fa [2005] No.33). Notice of population and family planning commission of Beijing Municipality on Printing and Distributing the Policy Interpretation of Opinions on Establishing the Family Planning Reward and Assistance System in Rural Areas of this Municipality (J.P.F. [2005] No.51), Notice of Beijing Municipal Bureau of Finance of Beijing Municipal Population and Family Planning Commission on Printing and Distributing the Management Standard of Family Planning Reward and Assistance System in Rural Areas of Beijing (J.P.F. [2007] No.6) and other reward and assistance work requirements shall be implemented.

Beijing Municipal Population and Family Planning Commission

beijing finance bureau

October 10, 2011

Jing Shang Dian Shang Zi [2023] No.4

Bureau of Commerce of all districts, Bureau of Commerce and Finance of Beijing Economic and Technological Development Zone, and relevant units:

　　In order to cultivate and expand the scale of the city’s online consumer market, optimize the structure of the online consumer market, accelerate the innovation and development of live e-commerce, encourage enterprises to actively carry out online promotion, live delivery and other activities, further expand online sales channels, enhance the scale and influence of online sales, and give financial support to qualified enterprises in 2023. In accordance with the principle of "reaching the standard and enjoying it", enterprises that meet the requirements within the year will be given support in advance. The relevant matters are notified as follows:

　　I. Scope of support

　　Wholesale and retail enterprises that carry out online retail business [Note 1] Refer to the national statistical system for the description of relevant indicators of wholesale and retail] (hereinafter referred to as "wholesale and retail enterprises"), and Internet life service platform enterprises that mainly provide trading services such as commodity sales and catering take-out [Note 2] Refer to the national statistical system for the description of relevant indicators of Internet life service platform]. Live broadcast platform, live broadcast (e-commerce) service organization [Note 3] live broadcast (e-commerce) operation service enterprise certified or filed by e-commerce platform], Beijing featured live broadcast e-commerce base [Note 4] related enterprises recognized by the Measures for the Identification of Beijing featured live broadcast e-commerce base (Trial)] and other related enterprises.

　　Second, the direction and conditions of support

　　(a) encourage online retail, Internet life service platform enterprises to further enhance the scale of online transactions.

　　1. Wholesale and retail enterprises whose year-on-year growth rate of total retail sales and online retail sales (hereinafter referred to as "net zero amount") is not lower than that of the whole city’s total retail sales. If the net zero amount increases by not less than 100 million yuan year-on-year, they will be supported by "net zero amount increases by 100 million yuan every year, and the maximum support will not exceed 100,000 yuan". If a number of reporting enterprises belong to the same group, the total retail sales and net zero of the group company shall not be lower than the average growth rate of the city’s total retail sales, and the contribution rate of the total net zero to the city’s net zero [Note 5] The proportion of enterprise net zero increment to the city’s net zero increment shall not be less than 1%. The maximum amount of such support to a single enterprise is no more than 10 million yuan.

　　2. Internet life service platform enterprises with year-on-year growth rate of operating income not less than the year-on-year growth rate of service consumption in the city, if the year-on-year growth rate of operating income is not less than 100 million yuan, will be supported by "the maximum support for each year-on-year growth of operating income of 100 million yuan is not more than 50,000 yuan". The maximum amount of such support to a single enterprise shall not exceed 5 million yuan.

　　(B) Encourage online retail new growth enterprises to become bigger and stronger.

　　The year-on-year growth rate of total retail sales of commodities is not lower than the year-on-year growth rate of total retail sales of the whole city, and the net zero amount is not less than 30 million yuan. If one of the following conditions is met, a one-time financial support will be given. If a number of conditions are met at the same time, support shall be given in accordance with the principle of "not repeating high".

　　1. If the year-on-year growth rate of net zero is not less than 50% or the net zero is realized for the first time in 2023 (that is, there is no net zero in the same period of last year), the support will not exceed 200,000 yuan.

　　2. In 2023, if an e-commerce or online settlement entity is established in Beijing, the industry type is transformed, and the revenue scale is increased, it will be added as a unified enterprise above the designated size in this city, and the support will not exceed 300,000 yuan.

　　(3) Encourage enterprises to create live broadcast activities with Beijing characteristics and increase business support.

　　1. Encourage e-commerce platforms, live broadcast platforms, featured live broadcast e-commerce bases, live broadcast (e-commerce) service organizations, and commercial circulation enterprises to hold online promotion, live broadcast with goods and other related activities in Beijing. For the establishment of special zones such as "Beijing Merchants" and "Beijing Brand" and the investment cost (field rent, construction, publicity and promotion) is not less than 500,000 yuan, support will be given according to the results of the activities, which will not exceed 30% of the approved investment cost. Among them, the cumulative support for online promotion activities applying new technologies such as Metauniverse, as well as cultural content-based live broadcast activities such as cultural creation and intangible cultural heritage, does not exceed 1.5 million yuan; The cumulative support for other types of online promotion activities does not exceed 1 million yuan. Give priority to supporting relevant enterprises participating in the "Beijing Consumption Season".

　　2. Encourage platform enterprises, featured live broadcast e-commerce bases and live broadcast (e-commerce) service institutions to increase support for local businesses. Support measures such as "business assistance", "brand cultivation" and "resource promotion" will be given according to the support effect. Among them, the relevant platforms and bases will give no more than 100,000 yuan of support for each enterprise that meets the "Support Direction (II)" in this document in 2023; In 2023, the relevant service agencies will give support of no more than 50,000 yuan for each wholesale and retail enterprise in this city to achieve net zero exceeding 5 million yuan (inclusive). The cumulative support for a single enterprise in this kind of direction is no more than 1 million yuan.

　　Third, the application materials

　　Relevant application materials shall be submitted in electronic version in duplicate with the official seal of the applicant, and will not be returned after submission. The application materials are as follows:

　　(1) An application form for funds.

　　(2) Brief introduction of the enterprise.

　　(3) Financial and statistical statements in recent two years.

　　(4) The reporting enterprise of "Support Direction (3) Article 1" in this document shall submit the project activity plan, entrustment contract and summary report (including activity completion, activity performance, activity publicity and activity photos, etc.); The reporting enterprise of "Support Direction (3) Article 2" in this document shall submit the list of enterprises cultivated, introduced or served and relevant certification materials.

　　Fourth, the declaration process

　　(1) Project declaration

　　From the date of publication of this document, the project application unit shall submit the project application materials to the competent commercial departments of all districts within the time limit according to the affiliation after the project meets the corresponding conditions, and it will not be accepted after the time limit. The specific requirements are as follows:

　　1. Declare qualification requirements

　　The reporting enterprise shall be registered in this city, and the relevant data shall be subject to the business data such as enterprise statistics and finance. Among them, the reporting enterprises of "direction of support (1)" and "direction of support (2)" in this document should be the enterprises regulated by this Municipality; The reporting enterprise in the document "Support Direction (III) Article 1" shall be registered in this Municipality and have the status of an independent legal person, and the reporting entity shall be the event organizer.

　　2. Requirements for reporting time limit

　　(1) Enterprises that meet the application conditions in this document within 2023 can apply in batches before April 20th, July 20th and October 20th, 2023. Among them, the deadline for application is December 20, which is related to the project "Support Direction (III) Article 1" in this document.

　　(2) Enterprises that meet the reporting requirements of this document in 2023 must complete the project declaration before February 18, 2024.

　　(2) Project review and publicity

　　The local competent commercial department conducts a preliminary examination of the application materials, and the projects that pass the preliminary examination are summarized and submitted to the Municipal Bureau of Commerce by the relevant local departments. Among them, the application items in Article 1 of Support Direction (III) of this document are summarized and submitted to the Municipal Bureau of Commerce within 30 days after receiving the application materials from the enterprise, and the projects that pass the preliminary examination are summarized and filled in the Summary of the Application of Commercial Circulation Development Projects and the Summary of the Preliminary Examination of Commercial Circulation Development Projects. The Municipal Bureau of Commerce will organize a third-party company to conduct an audit and give support to enterprises that meet the requirements and have no objection after publicity.

　　V. Relevant requirements

　　(1) Standardized and orderly operation. It is not supported in the following circumstances: it is included in the scope of prohibited and restricted categories in the Catalogue of Prohibitions and Restrictions of New Industries in Beijing; Incorporated into the "blacklist" of joint punishment in the city; Being included in the list of bad credit records in Beijing’s commercial field and being punished by "not supporting" credit; The Municipal Bureau of Commerce considers other things that are not supported.

　　(2) Ensure that the data is true. The reporting enterprise shall not tamper with statistics, finance, activity expenses and other relevant data without authorization. For the project reporting unit that forges or provides false materials, the project collection and verification work will no longer be carried out during the policy period. Among them, the supported enterprises shall return the support funds to the Municipal Bureau of Commerce and deal with them according to the "Administrative Measures for the List of Bad Credit Records in Beijing Commercial Fields (Trial)".

　　(3) Optimize the use of funds. This policy is not repeated with the capital policy related to promoting consumption activities in Beijing consumption season. Enterprises that meet multiple support directions can declare at the same time. Among them, enterprises that meet both "Support Direction (1)" and "Support Direction (2)" in this document will be supported according to the principle of "focusing on the high and not repeating"; The enterprises supported in accordance with "Support Direction (1)" or "Support Direction (2)" in this document during the year must meet the corresponding support conditions. If the annual data of the supported enterprises do not meet the basic support conditions during the year, the supported funds must be returned to the Municipal Bureau of Commerce. If the annual data of the supported enterprises in the year is lower than (or higher than) the corresponding support standards when they are supported in the year, liquidation work such as capital addition or return will be carried out in 2024 according to the principle of "more refund and less replenishment"; If there are similarities between the enterprises cultivated or introduced by the platforms and bases that meet Article 2 of "Support Direction (III)" in this document, priority shall be given to the approval of the declared batch by the former. During the year, the same batch of reporting units were approved in different ways in turn, such as "giving priority to the base where the cultivated or introduced enterprises settled" and "giving priority to the platform where the cultivated or introduced enterprises realized a large transaction volume", and the approval was not repeated.

　　(4) Do a good job in evaluation. The Municipal Bureau of Commerce will, jointly with relevant departments, summarize and evaluate the implementation effect of the policy according to the development status and characteristics of the online consumer market in this city. Supported enterprises should actively cooperate with relevant supervision and inspection, data monitoring, auditing and evaluation, and encourage enterprises to use funds to actively carry out online promotion and live e-commerce activities.

　　VI. Other matters

　　The Municipal Bureau of Commerce shall be responsible for the interpretation of this document, which shall come into force as of the date of promulgation and expire on February 18, 2024.

　　I hereby inform you.

Beijing Municipal Bureau of Commerce　　　　

March 22, 2023　　

　　Notes:

　　[Note 1] The description of relevant indicators of wholesale and retail industry refers to the national statistical system.

　　[Note 2] The relevant indicators of the Internet life service platform refer to the national statistical system.

　　[Note 3] Live broadcast (e-commerce) operation service enterprises certified or filed by e-commerce platforms and live broadcast platforms.

　　[Note 4] Relevant enterprises recognized by the Measures for the Identification of Beijing Characteristic Live E-commerce Bases (Trial).

　　[Note 5] Zero increment of enterprise network accounts for the proportion of zero increment of the whole city’s network.

　　Chen Shuguo is in the laboratory. Photo by Mao Lei

　　When I saw Chen Shuguo, he was standing on the coast, guiding the students around him and testing the drone.

　　"Our job is to serve the ocean ‘ Have a physical examination ’ 。” Hand over the remote control of the drone to the students. The young associate professor said, "If you want to develop, utilize and study the ocean, you must first know it and understand everything ‘ Physical examination index ’ . China’s offshore marine atmospheric environment is very complicated. Although China’s autonomous ocean color satellite remote sensing technology has developed rapidly in recent years, how to process the data can be more accurate, and how to determine the error and correct it are all problems we are committed to solving. "

　　Chen Shuguo, 37, is an associate professor and doctoral supervisor at Sanya Institute of Oceanography, China Ocean University, and a part-time researcher at the National Satellite Ocean Application Center. He has been studying marine optical remote sensing for more than ten years, and the on-orbit alternative calibration algorithm of marine optical satellites developed by his team is serving the operational calibration system of China’s independent marine color satellites Haiyang-1 C and Haiyang-1 D. In recent years, Chen Shuguo is in charge of the project "Technical Development of Synchronous Observation System for Marine Water and Atmosphere", which has realized long-term, continuous and stable observation of optical parameters of water and atmosphere, and will be applied to the inspection of marine remote sensing products of Haiyang-1 series satellites and a new generation of water color observation satellites.

　　Calibration of marine optical satellites to make data more comprehensive and accurate.

　　Chen Shuguo became attached to marine optical remote sensing in 2009. That year, he was admitted to China Ocean University as a postgraduate majoring in marine information detection and processing, and saw the sea for the first time.

　　"I am determined to engage in academics." Chen Shuguo’s academic enthusiasm has never wavered since he first entered school. After graduating from Ph.D., he continued to stay at his alma mater to study the basic theory and innovative application of marine optics.

　　"When the sun shines on the water, some of it is reflected, some of it enters the water and is absorbed, and some of it will be scattered. Remote sensing of ocean water color is to analyze the spectral characteristics by receiving these scattered energy and deduce the optical composition of water body. " Chen Shuguo explained, "These detection data play an important role in China’s maritime rights and interests maintenance, marine resources development, marine environmental monitoring and marine disaster prediction."

　　The most efficient and effective way to observe the ocean by remote sensing is to launch ocean satellites. Since the launch of the first ocean color test satellite, Ocean No.1 A, in 2002, China’s ocean satellites have developed for 20 years, and China’s autonomous ocean satellite optical remote sensor is also moving towards the "last mile" of full autonomy.

　　Calibration refers to the process of converting satellite observation data into real radiation. "If satellite observation is a pole ‘ Scale ’ , then calibration is to add ‘ Sight ’ The process can make satellite data more accurate. " Chen Shuguo said, however, for a long time, we have to improve the calibration algorithm and lack the necessary calibration infrastructure.

　　In order to solve this problem, Chen Shuguo settled down and studied hard. Reading literature, publishing papers, leading teams to conduct on-the-spot observation and experiments … … "We have conducted more than 20 voyages of marine optical comprehensive experiments on different types of water atmospheric environment." Chen Shuguo said that a large number of first-hand data have laid a solid foundation for follow-up research.

　　While doing theoretical deduction and finding the best algorithm, the site selection of calibration field is determined through comprehensive analysis of a large number of data. One month before the launch of Haiyang-1 C satellite, Chen Shuguo led a team to develop an on-orbit alternative calibration algorithm for China autonomous ocean color satellite.

　　After years of field observation, the swaying deck is the second laboratory.

　　Ocean optics and water color remote sensing are disciplines based on field measurement. In order to obtain comprehensive field observation data of ocean optics, Chen Shuguo has worked in the observation line for many years, taking the swaying deck as the second laboratory and writing papers on the ocean.

　　For Chen Shuguo, the sea is an unpredictable "old friend". Although he has been dealing with it for more than 10 years and knows it better than others, Chen Shuguo is still looking forward to and uneasy every time he puts the observation instrument into the water for measurement. "Ocean observation not only has bad sea conditions, but also is accompanied by various unknown factors underwater. Changing all the time is the essence of the ocean. "

　　Observation at sea, a voyage is about 20 days. Due to the heavy scientific research tasks, Chen Shuguo once slept less than 4 hours a day on several voyages. Up to now, Chen Shuguo has been at sea for more than 300 days, of which the longest time has been 74 days in the western Pacific Ocean. "Which marine is not ready to bear hardships?" Chen Shuguo said.

　　Love is dedicated to the sea, and the sea is also fruitful. In 2020, Chen Shuguo began to be responsible for the project "Technical Development of Synchronous Observation System for Marine Water and Atmosphere" of National Satellite Ocean Application Center. This project will set up eight inspection systems with long-term continuous monitoring capability of optical properties of marine water and atmosphere along the coastline of China, which can realize long-term, continuous and stable observation of optical parameters of water and atmosphere under unattended conditions.

　　From the calibration algorithm of China autonomous ocean color satellite to the construction of synchronous observation system of ocean water and atmosphere, Chen Shuguo’s dream of deep blue has never stopped.

　　Down-to-earth, really do some original work.

　　In the winter of 2019, Sanya Ocean Research Institute of China Ocean University held an unveiling ceremony and officially settled in Yazhouwan Science and Technology City, Sanya. In May 2020, Chen Shuguo came to the South China Sea from the Yellow Sea.

　　"We want to build a calibration field for marine water color satellites. The seawater in the South China Sea is cleaner, and the complexity of the coastal water atmosphere is not so high." After joining Sanya Oceanographic Research Institute, Chen Shuguo took the lead in building a remote sensing calibration laboratory for ocean color, which can not only effectively support the maintenance of China’s independent ocean color satellite system to replace the calibration field, but also serve the calibration of marine optical instruments in universities and research institutes and ensure the accuracy of measured data.

　　Today, Chen Shuguo’s students are located in Qingdao and Sanya, and some senior students are internship at the National Satellite Ocean Application Center in Beijing. "Every time we have an online group meeting ‘ Longitudinal span ’ In the north and south, some people are attending classes at school, some are studying in the laboratory, and some are internship in the center. " Chen Shuguo said with a smile, "Learning while thinking and practicing, Industry-University-Research is integrated."

　　The ocean is a huge treasure house of resources, and building a maritime power is a major strategic task to realize the great rejuvenation of the Chinese nation. More than 20 years ago, China didn’t have its own ocean satellite, so it was necessary to buy data from abroad to understand the atmospheric situation of China’s offshore water bodies. Nowadays, groups of scientists are working together to promote the high-level self-reliance and self-improvement of marine science and technology. China marine satellites have entered the era of networked observation, which has not only formed the continuous high-frequency observation coverage of global sea areas, but also the data has the same accuracy as international advanced products. "Doing your job seriously is the greatest contribution to the country." Chen Shuguo said.

　　Newspaper work is an important part of the party’s ideological propaganda work. During the Anti-Japanese War, under the correct leadership of the Communist Party of China (CPC), the Party’s newspaper work made great progress. According to incomplete statistics, from 1937 to 1939 alone, there were 330 kinds of newspapers and periodicals in the four major anti-Japanese base areas in North China. Newspapers and periodicals have become an important public opinion position to publicize the party’s anti-Japanese proposition, mobilize the general public and consolidate and expand the anti-Japanese national United front.

　　Mao Zedong attached great importance to the work of newspapers and periodicals, and clearly pointed out the role and strength of newspapers and periodicals, "because it can make the party’s program, line, principles and policies, tasks and working methods meet the masses most quickly and extensively". During the Anti-Japanese War, Mao Zedong thought deeply about the Party’s newspaper work, and gave guidance on how to do it well many times. These thoughts and guidance are also of great enlightenment and reference significance for us to do related work well today.

　　First, we should regard newspaper work as a weapon to organize all work.　

　　Newspaper work is of great significance to the cause of the party. Mao Zedong pointed out that "newspapers are the most powerful tool for the Party’s propaganda and agitation work, and they contact and influence hundreds of thousands of people every day. Therefore, running newspapers well is a central task of the Party". Mao Zedong clearly regards newspaper work as an important part of cultural work and superstructure by applying Marxist theory on the relationship between economic base and superstructure, and "a certain culture … is a reflection of the politics and economy of a certain society, which has a great influence and function on the politics and economy of a certain society". Therefore, from this perspective, newspaper work is not only an important part of the party’s cultural work, but also an important way and powerful weapon to promote political and economic work.

　　In March 1944, Mao Zedong pointed out in his speech at the propaganda work conference held by the the Central Committee of the Communist Party of China Propaganda Committee: "We should take newspapers in our own hands as a weapon to organize all work, a weapon to reflect and guide politics, military affairs and economy, and a weapon to organize and educate the masses. We should pay great attention to this work and make it progress year by year. " "Now the heads of various organs are responsible and regard the newspaper as their own good way of working. We have a lot of political and economic work, and if we run newspapers well, we can make these work better. " He also took the revised Liberation Daily as an example to illustrate the significance of newspaper work. He pointed out that the Shaanxi-Gansu-Ningxia Border Region is a sparsely populated and vast region with relatively backward economy and culture. Without newspapers, it is quite difficult to carry out the work smoothly, and "a Liberation Daily can organize the political and cultural life of the entire border region".

　　Mao Zedong has repeatedly given specific guidance on how to make full use of newspapers and periodicals to promote various work. In March 1942, at the symposium on the revision of Jiefang Daily, Mao Zedong proposed that "using Jiefang Daily should be one of the regular businesses of various organs. After newspapers spread the experience of one department, we can promote the transformation of other departments’ work … We must make good use of newspapers ". On September 15th, Mao Zedong pointed out in a letter to Kaifeng about newspapers and translation work that comrades in all departments of the central government should further improve their awareness of "using newspapers to do their work" and must "regard newspapers as their extremely important weapons". On September 22nd, Liberation Daily published an editorial, Party and Party Newspaper. The editorial pointed out that "active use of newspapers is a big problem and an important part of improving our work, which is a problem that our whole party should pay attention to." Leading organs at all levels and working departments of the party must make full use of newspapers to publicize and explain the party’s principles and policies and make full use of newspapers to carry out work and inspection. In March 1943, Mao Zedong pointed out in the Politburo meeting of the Chinese Communist Party that "newspapers are a very important way. Central comrades should be good at using newspapers and spend half their time on them. " Obviously, Mao Zedong regards newspapers and periodicals as an important way and tool for the Party to publicize policies and promote work, and it is also an important starting point for leading cadres to pay full attention to and use them. Therefore, doing a good job in newspapers and periodicals is of positive significance to promoting all the work of the party.

　　Two, the newspaper work should be "completely in line with the party’s policy"　

　　It is the fundamental principle of the party’s newspaper work to adhere to the principle of party spirit and to insist that the party newspaper bears the name of the party. The party’s newspaper work must obey the party’s leadership, serve the overall situation of the party’s work, and conform to the party’s principles and policies. During the Anti-Japanese War, Mao Zedong attached great importance to the issue of upholding the principle of party spirit in party newspapers and periodicals, and always stressed that the party’s newspaper propaganda must be subordinate to the party’s work and policies.

　　(1) The work of newspapers and periodicals should serve the overall situation of the Party’s work. Newspapers and periodicals are an integral part of the Party’s work and must serve the Party’s central work and overall situation. In October, 1939, Mao Zedong put forward that the purpose of founding communist party People was to "help build a Bolshevized the Communist Party of China (CPC) with nationwide, broad masses and complete ideological, political and organizational consolidation", and clearly pointed out that the mission of communist party People was to serve the great project of party building. In February, 1940, he pointed out in "The China Workers" that the Communist Party of China (CPC)’s political and organizational task is to unite all forces that can be United to oppose the class oppression of imperialism and feudalism, overthrow their rule and create a new democratic China, and "The China Workers" was published for this task. In the same month, in an article commemorating the first anniversary of the revision of New China Newspaper in Yan ‘an, Mao Zedong proposed that the political direction of New China Newspaper in the second year "is to emphasize unity and progress, so as to oppose all the cigar smoke that harms the Anti-Japanese War, with a view to further victory in the anti-Japanese cause". This political direction is completely consistent with the policy of "resistance, unity and progress" put forward by the party at the second anniversary of the Anti-Japanese War in 1939.

　　In May, 1941, Mao Zedong mentioned the mission of newspapers and periodicals in the Preface of Liberation Daily. He pointed out that "Liberation Daily" should be subordinate to the cause of the party, therefore, "what is the mission of this newspaper? Uniting the people of the whole country to defeat Japanese imperialism is enough. " In 1942, the rectification movement began, which was a far-reaching and party-wide Marxist educational practice carried out by our party during the Anti-Japanese War. During the movement, newspapers and periodicals, as an important tool and platform, became an important channel for the party to carry out ideological education.

　　In September 1941, the enlarged meeting of the Political Bureau of the Communist Party of China (CPC) Central Committee made a decision, and the Liberation Daily was expanded from two pages to four pages from September 16, and at the same time, the propaganda against subjectivism and sectarianism was added to the content. In April 1942, Mao Zedong pointed out at the meeting of the Central Learning Group that the publicity and education materials of the rectification movement should be widely disseminated by newspapers such as Liberation Daily. He believes that under the situation that the whole world is at war, there must be news of war, but less news can be published, while more publicity and education materials should be published. During the whole rectification movement, Party newspapers and periodicals played an important role in publicizing the Party’s relevant policies and carrying out rectification work, which became a vivid example of the Party’s newspaper work serving the Party’s cause during the Anti-Japanese War.

　　(2) Newspaper propaganda should serve the Party’s policies. During the Anti-Japanese War, the party’s principles and policies were adjusted with the changes of the situation, and the party’s newspaper work must be highly consistent with the party’s policies. This point is more prominent in the unity and struggle between the party and the Kuomintang and the efforts to safeguard the overall situation of the war of resistance.

　　After the Anti-Japanese War entered the stalemate stage, the Kuomintang die-hards began to destroy the United front and create friction more blatantly under the Japanese policy of inducing surrender. Starting from the overall situation of the Anti-Japanese War, the Communist Party of China (CPC) not only fought back against the Kuomintang’s efforts to strive for unity and maintain the United front, but also resolutely responded to its friction and anti-communist upsurge. Under such circumstances, the party’s newspaper work must follow the changes of the party’s principles and policies in time to ensure that it can correctly and effectively serve the overall cause of the party.

　　In October 1938, just after the Anti-Japanese War entered the stalemate stage, Mao Zedong profoundly pointed out that under the new anti-Japanese war situation, "the first task of the whole nation is to highly develop national self-esteem and self-confidence, overcome the pessimism of some people, resolutely support the government’s policy of continuing the anti-Japanese war, oppose any attempt to surrender and compromise, and persist in the anti-Japanese war to the end". "To this end, we must mobilize newspapers, publications, schools, propaganda groups, cultural and artistic groups, military and political organs, mass organizations, and all other possible forces to make extensive propaganda and agitation to front-line officers and soldiers, rear garrison troops, people in occupied areas, and the people of the whole country, firmly and systematically implement this policy, advocate the war of resistance to the end, oppose capitulation and compromise, clean up pessimism, and repeatedly point out the possibility and inevitability of final victory. There is only a way out in the war of resistance, calling on the whole nation to unite, not afraid of difficulties and sacrifices. We must be free, and we must win, so as to achieve the goal of continuing the war of resistance unanimously throughout the country. "

　　At the beginning of 1941, the Kuomintang die-hards created the Southern Anhui Incident, which shocked China and foreign countries, and launched the second anti-communist climax. The Communist Party of China (CPC) attached great importance to the overall situation of the Anti-Japanese War, strictly defended himself militarily, and resolutely fought back politically. By publishing a large number of facts, he exposed the plot of the Kuomintang to undermine the Anti-Japanese War, and with the support of progressive forces from all sides, he finally quickly repelled the anti-communist climax of the Kuomintang. After repelling the anti-communist upsurge of the Kuomintang, the Communist Party of China (CPC) paid attention to easing the propaganda struggle against the Kuomintang from the perspective of maintaining the overall situation of the Anti-Japanese War.

　　In September 1942, Mao Zedong pointed out in a telegram to Chen Yi, acting secretary of the Central China Bureau of the Central Committee of the Communist Party of China and acting commander of the New Fourth Army, that the situation began to turn to resume negotiations between the Kuomintang and the Communist Party, which led to a better relationship between the two sides, and then restored the legal status of the New Fourth Army in order to unite the period of the Anti-Japanese War. Mao Zedong demanded that we should pay close attention to the guidance of newspapers and periodicals in northern Jiangsu, and "ensure that their propaganda is subject to the Party’s current policies".

　　However, in the spring of 1943, the Kuomintang die-hards launched the third anti-communist climax, and launched a propaganda offensive by the dissolution of the Communist International in May, demanding the dissolution of communist party and advocating fascism. In this regard, the Communist Party of China (CPC) resolutely refuted and hit back. From July to October, 1943, Mao Zedong repeatedly gave instructions on using public opinion propaganda to counter the Kuomintang die-hards, with special emphasis on giving full play to the role of newspapers and periodicals, and instructed Xinhua Daily, The Mass and other newspapers and periodicals to "publish more anti-fascist articles in order to carry out ideological struggle".

　　Under the Communist Party of China (CPC)’s resolute counterattack, and public opinion at home and abroad generally demanded that the Kuomintang and the Communist Party cooperate and jointly resist Japan, after mid-September 1943, the anti-communist propaganda of the Kuomintang obviously weakened, and the anti-communist climax and public opinion attacks of the Kuomintang die-hards were repelled. In this case, Mao Zedong promptly instructed the relevant newspapers and periodicals to "temporarily stop publishing the remarks exposing the Kuomintang as a sign of easing, and see if the Kuomintang has a political solution and a tendency to ease the current situation", and at the same time asked Xinhua News Agency to stop publishing "articles exposing the Kuomintang" in an effort to safeguard the overall situation of unity and the war of resistance.

　　(3) Improve the level of the Party’s leadership over the work of newspapers and periodicals. Newspapers and periodicals are the mouthpiece of the party. To give full play to the role of newspapers and periodicals in serving the party’s cause and policies, we must strengthen the party’s leadership over the work of newspapers and periodicals, strive to improve the level of the party’s leadership over the work of newspapers and periodicals, and especially improve the political literacy and discipline awareness of the party’s newspaper staff. On October 28th, 1942, Mao Zedong pointed out in his instructions to the central bureaus and sub-bureaus drafted for the Secretariat of the CPC Central Committee that "the local central bureaus and sub-bureaus paid little attention to the work of local news agencies and newspapers, lacked guidance to propagandists and propaganda work, and did not realize the great role of news agencies and newspapers as propagandists and organizers of revolutionary policies and revolutionary work, and did not understand that many of the work of leaders should be done through newspapers". He urged all localities to "correct the past habit of not discussing news policies and editorial guidelines, pay close attention to the leadership of news agencies and newspapers, ensure that their propaganda fully conforms to the party’s policies, and ensure that our propaganda strengthens party spirit", and "educate our propagandists with many documents published by Liberation Daily on how to strengthen the party spirit of newspapers, and overcome the wrong tendency of making independence among propagandists". On the same day, he also stressed in a telegram to Lin Feng, secretary of the Jinsui Branch of the Central Committee that "the news policy and editorial policy of the whole news agency and newspaper office must be constantly paid attention to and mastered by the branch to make our propaganda fully conform to the party’s policy."

　　Third, the party’s newspapers and periodicals should adhere to seeking truth from facts and oppose subjectivism.　

　　Seeking truth from facts is the fundamental viewpoint of Marxism, the fundamental requirement for the Communist Party of China (CPC) people to understand and transform the world, and the basic thinking method, working method and leadership method of our party. During the War of Resistance against Japanese Aggression period, Mao Zedong combined the basic principles of Marxism with the concrete reality of the China Revolution, emphasizing that communist party should "eat by Marxism–Leninism’s truth, seek truth from facts and eat by science". This requirement also runs through Mao Zedong’s thinking and guidance on doing a good job in the Party’s newspapers and periodicals.

　　(1) We must persist in investigation and study in the work of newspapers and periodicals. No investigation, no right to speak. Investigation and research is the basic requirement of seeking truth from facts, and it is also the basic skill for us to do a good job. Mao Zedong pointed out, "People who do propaganda work can never give a lecture without investigating, researching and analyzing their target audience.". Newspapers and periodicals should publish more articles for solid investigation and study, and advocate the style of seeking truth from facts. He clearly opposed the practice of "no investigation, no research" and "hard writing" directly, thinking that it was a very irresponsible attitude.

　　On September 14th and 15th, 1941, Liberation Daily published an investigation report "Lu Zhongcai’s Long March" written by Gao Kelin, then secretary-general of the Party Committee of the Shaanxi-Gansu-Ningxia Border Region. This paper is the result of Gao Kelin’s in-depth practice and investigation, and describes the story of Lu Zhongcai leading a transport team to the "trilateral" areas (Anbian, Jingbian and Dingbian) belonging to the Shaanxi-Gansu-Ningxia Border Region for long-distance salt transportation. Mao Zedong wrote a note specially for this article, pointing out that "this is a report reflecting the actual situation with concise words" and "Comrade Gao Kelin’s report was written after a three-person investigation meeting in one night. His investigation meeting was very good and his report was well written. What we need is this kind of thing, not those stereotyped’ rhetoric’, not those stereotyped party writing. " In his opinion, this article is a model of persisting in investigation and study and reflecting the actual situation, which is completely different from those articles written by Wan Li who are far from the point, as well as those articles that are full of rhetoric, so it is worth studying carefully.

　　(2) Newspapers and periodicals should resolutely oppose subjectivism and stereotyped Party writing. The job of newspapers and periodicals is propaganda, but the basis of propaganda is facts. Newspapers and periodicals must resolutely oppose all unrealistic subjectivism and stereotyped Party writing if they rely on facts. Stereotyped Party writing is a style of writing that is divorced from reality, flashy and formalistic, and a manifestation of subjectivism. In 1942, Mao Zedong elaborated on eight counts of stereotyped Party writing in his famous article "Opposing Stereotyped Party Writing", including "empty talk, nothing to say", "putting on airs to scare people", "shooting at the target without looking at the object" and "tasteless language, like a beggar". He pointed out that some people in the party like to write long articles, but they only have form and no content, just like the foot-binding of a lazy woman, which is smelly and long. This long article with nothing to say must be cleaned up first. He called for "foreign stereotyped writing must be abolished, empty and abstract U-turns must be sung less, dogmatism must rest, and replaced by fresh and lively China style and China style that are loved by China people". In March 1942, the Propaganda Department of the Central Committee formulated the Notice on Reforming Party Newspapers according to Mao Zedong’s opinion, which pointed out that "the words of party newspapers in various places should be popular and concise, so that they can be read not only by ordinary cadres, but also by people with a little education". This further concretizes the demand against stereotyped Party writing.

　　(3) Newspapers and periodicals should publicize materialism and materialist dialectics. Mao Zedong pointed out that some people in the party "think they believe in Marxism, but they don’t try to publicize materialism, and they don’t think about what is subjective after listening to or watching it, and they don’t make comments. This attitude is not the attitude of Communist party member ". Mao Zedong put forward that "if we want to oppose subjectivism, we should publicize materialism and materialist dialectics" and "we should publish more articles in newspapers, reward articles on dialectical materialism and oppose subjectivism". He further demanded that materialist dialectics should be carried out in the work of newspapers and periodicals to get rid of the influence of subjectivism. In his view, if we can’t adhere to materialist dialectics well and don’t conduct in-depth analysis and research, the conclusion will be too simplistic, either absolutely positive or absolutely negative. "The lack of analytical articles in our newspapers and the fact that the habit of analysis within the Party has not been fully developed all indicate the existence of this problem. This situation should be improved in the future, and the way to improve it is to use Marxism and "make a concrete analysis of specific situations."

　　Fourth, running newspapers and periodicals well depends on the joint efforts of the whole party and the masses　

　　The party’s newspaper work is a part of the party’s cause and needs the efforts of the whole party; For the sake of the masses, the party’s newspaper work should also fully rely on the masses. Mao Zedong believes that to do a good job in newspapers and periodicals, we should not only rely on the joint efforts of all party member, but also practice the mass line and rely on the masses to do a good job in newspapers and periodicals.

　　(a) adhere to the "whole party newspaper". In order to promote the development of the party’s newspaper work, Mao Zedong emphasized that the whole party should be mobilized to participate in the newspaper work. In 1942, the editorial "Party and Party Newspaper" of Liberation Daily pointed out that "not only the higher authorities of the party newspaper … have the responsibility to have the closest relationship with the newspaper and provide it with various guidance, materials, articles and opinions, but also the party organs at all levels, organizations at all levels and even every party member are responsible for the party newspaper". What is this responsibility? That is, reading party newspapers frequently, including studying and discussing important articles and conversations in party newspapers; Help the party newspaper to carry out editing and distribution work, including helping the party newspaper to assemble manuscripts, participating in the party newspaper newsletter, and actively promoting the party newspaper.

　　Mao Zedong believes that only by mobilizing all Party comrades to participate in running a newspaper can a party newspaper truly become a party newspaper, otherwise, it will be more or less just a newspaper owned by its colleagues. Taking the wall newspaper as an example, he pointed out that the wall newspaper is also a kind of newspaper. If there are 100 people in a catering unit, a wall newspaper can be published. "In this way, there can be thousands of newspapers in the whole border area, which is called running a newspaper by the whole party."

　　Mao Zedong also actively mobilized the party’s leading cadres to write articles for newspapers and support their work. In May 1941, in the notice about the publication of Liberation Daily, Mao Zedong asked the leading comrades of the Central Committee and important cadres of the Party to write editorials for Liberation Daily. In September, at the enlarged meeting in the Political Bureau of the Central Committee, he also pointed out that "comrades working in various ministries and commissions of the Central Committee should write more articles for Liberation Daily to explain the Party’s policies and introduce their work experience, so as to truly become the organ of the whole Party reflecting the actual leadership work". In January, 1942, he pointed out in Politburo meeting of the Chinese Communist Party that the newspaper should assign topics to the central leading comrades to write social reviews and monographs, and at the same time, "the central ministries and commissions should organize their own news and write press releases and commentaries". In September 1942, after the Liberation Daily was expanded from two pages to four pages, there were often insufficient manuscripts, especially the fourth edition with strong theory. In this regard, Mao Zedong personally drafted the method of soliciting contributions for the fourth edition of Liberation Daily, and asked Deng Fa, Peng Zhen, Wu Yuzhang, Cai Chang, Fan Wenlan and others to be responsible for soliciting contributions, ranging from 5,000 words to 12,000 words per person per month. He also specifically requested that "all comrades should choose and revise the manuscripts they are responsible for, so as to ensure that there is no problem in thinking, the words are fluent, and strive for popularization."

　　(2) Newspapers and periodicals work for and rely on the masses. The mass line is the lifeline and fundamental working line of our party, and it is an important heirloom for our party to maintain its youthful vitality and combat effectiveness forever. Facing and relying on the masses is not only an important principle of our party’s newspaper work, but also an important method to run newspapers well. The party’s newspaper work is to stand on the position of the party and the people, report and publicize the deeds of the people, and strive to serve the people.

　　In February, 1942, Mao Zedong pointed out in the Politburo meeting of the Chinese Communist Party that "the newspaper should focus on the affairs of its own country". He criticized Liberation Daily for publishing too much news from domestic and foreign bourgeois news agencies, while neglecting to publicize our party’s policies and mass activities. He demanded that the propaganda focus of Liberation Daily should be China’s anti-Japanese war, our party’s policies, the construction of base areas, and the people’s production, life and struggle practice. In October 1944, when Mao Zedong visited the staff of Jiefang Daily and Xinhua News Agency in the auditorium of Qingliangshan Central Printing Factory in Yan ‘an, he encouraged everyone to serve the people wholeheartedly and run Jiefang Daily and Xinhua News Agency well.

　　The broad masses of the people are an important force to promote the party’s newspaper work. To do a good job in the party’s newspaper work, we must rely on the masses closely and adhere to the working methods of coming from the masses and going to the masses. Mao Zedong believes that "in all practical work of our Party, all correct leaders must come from the masses and go among them". It is an important magic weapon to do well the party’s newspaper work by coming from the masses, going among the masses and relying on the wisdom of the masses to promote the work. In February, 1940, Mao Zedong pointed out in the Preface of Workers in China that "once a newspaper has been set up, it should be done as a matter, and it must be done well. This is not only the responsibility of the person who does it, but also the responsibility of the person who looks at it. It is very important for readers to give their opinions, write short messages and send them to show what they are happy about and what they are not happy about, so as to make this newspaper run well. " In fact, this is to advocate the broad masses of the people to put forward requirements and expectations for the work of newspapers and periodicals and help them improve their work.

　　In March, 1942, he wrote an inscription for Liberation Daily, "Going deep into the masses, not empty talk", hoping that journalists could go deep into the masses, understand their reality and report their experiences. In the same month, Mao Zedong also proposed that "Xinhua Daily, Jiefang Daily and newspapers and periodicals in the anti-Japanese base areas should attract non-party people to express their opinions, so that all anti-fascist and anti-Japanese imperialists have the opportunity to speak in our party newspaper, and try their best to attract non-party people to participate in the editorial committee, so as to make the newspapers and periodicals run better".

　　In March, 1943, Liberation Daily was revised to better meet the needs of the masses, and Mao Zedong praised it: "Liberation Daily has made progress since it was revised in April last year, and it has touched the working methods from the masses to the masses, so the sources of newspaper materials are endless." At the end of December, 1944, Mao Zedong demanded in his instructions to the Anti-Japanese Daily in the Jin-Sui Border Region that the Anti-Japanese Daily "is a newspaper for the people in the Jin-Sui Border Region, and should be based on the needs of the local people (contacting the masses and serving them), otherwise it would be divorced from the masses and lose its local guiding significance". The basic spirit of Mao Zedong’s instructions and demands is to ask the party’s newspapers and periodicals to practice the mass line, reflect the will and voice of the masses extensively and timely, gather the strength of the masses, rely on the masses to promote their work and better serve them.

　　During the Anti-Japanese War, starting from the overall situation of the Anti-Japanese War and the overall situation of the Party’s work, Mao Zedong thought deeply about the Party’s newspaper work and gave many instructions on how to do a good job. These thoughts and guidance not only provided important guidance for the party’s newspaper work to better serve the party’s cause and the masses at that time, but also provided important enlightenment and reference for us to fully understand the significance of newspaper work, give full play to the role of newspapers and periodicals and further do a good job in ideological propaganda today.

Author: Zhao Weifang

Recently, Iqiyi launched the movie label of "Action Master Season" online, and launched four action-type films: Stop the Horse and Take the Knife, Arrogant 2, Stop Evil, and Strange Knife. It combines action, martial arts, suspense, comedy, drama and many other elements. Among them, As a pure martial arts genre in ancient costume, The Stranger’s Mad Knife describes an reclusive charcoal seller Tian Anye who was inadvertently involved in the court coup to usurp power. He joined forces with other chivalrous men such as Qin Gu, the former head of the Prince, to stand up and uphold justice for the prince’s widow Nie Linger and the oppressed people in distress, showing the chivalrous demeanor in China’s traditional ethics. This film is devoted to the genre creation of costume martial arts, especially in the aspect of genre narration and fighting action. On the basis of returning to the classic Chinese action genre film, it has achieved some transcendence.

Action types are the classic types in Chinese movies, among which the action types in Hong Kong movies are the epitome of Chinese action types. After more than half a century’s development, they reached the peak of aesthetics in the 1980s and 1990s. The chivalrous spirit led by China’s Confucianism, such as getting rid of violence, helping justice, once upon a time in america and forbearing practice, has become the subjective ideological output of these films; A series of action elements, which combine the performance of China North School and the actual combat of China South School, and are designed according to the specific characters’ personalities and performance space, have become another essence of Chinese action films. Therefore, Chinese action movies have a strong artistic vitality and are constantly advancing aesthetics; This kind of films not only have a wide audience in Chinese-speaking areas, but also helped China films to enter the world mainstream film market twice in the early 1970s and the early 21st century, thus realizing the effective international spread of China films.

Due to the shortage of talents, lack of innovation, capital flight and other reasons, this classic China film has shown less and less situation in the Chinese film market in recent years, and its performance in the cinema market is also very weak. However, judging from a series of data of online movies and online dramas in recent years, this content creation type with the most China characteristics still has a considerable number of potential audiences in China and other parts of the world, and the fundamentals of its audience have not changed fundamentally, but the broad audience, especially the cinema audience, has a strong demand for its innovation, and there is no way out to repeat the past. The film labels of "Stranger Knife" and "Action Master Season" launched by iQiyi are undoubtedly the response to this appeal.

The Stranger Knife follows the theme and genre narration of traditional martial arts films, but it adds new elements on this basis. First, the film does not set Tian Anye’s formulated chivalrous character, but focuses on the passivity of his participation in rescuing Nie Linger’s mother and son, and his chivalrous actions are gradually stimulated in this passivity, thus giving this character a more three-dimensional character and more growth arcs.

At the same time, the film also gives more folk and individual expression to Nie Linger’s feelings, and gives a rich display to Qin Gu’s behavior of being an enemy and a friend, and also gives a humorous portrayal to another key chivalrous man, Qiansun Zhao. This characterization not only increases the appreciation of the film, but also gives the film more humanistic value and modernity.

Secondly, on the specific narrative level, The Stranger’s Mad Knife did not follow the revenge routine of traditional martial arts films step by step, but expanded in the present. For example, when Tian Anye, Qiansun Zhao and Qin Gu took Nie Linger and his mother to break through, the film designed four barriers that they wanted to break through, and each barrier was animated in the film. Tian Anye and others’ breakthroughs in these four barriers were like the breakthrough in the game. This narrative setting makes the film more contemporary and can generate more empathy with the mainstream audience in the new media era.

The film’s innovative performance is also reflected in the action design and super weapon design. First of all, the film designs corresponding actions according to the characters’ personality and behavior characteristics, so as to better show the artistic charm of action types. For example, when Tian An Ye began to rescue Nie Linger’s mother and son, his identity was a charcoal seller, and the carbon element occupied the dominant position in the picture. The action design around Tian An Ye was also full of carbon element, especially in the scene where he defeated the Fei Fei army in the dark with a charcoal stick. The burning charcoal stick danced like fireworks in the night, which produced a strong visual impact. In the second half of the film, the audience knows Tian Anye’s true identity as the head coach of the Mo Dao Army, and his fighting action is no longer full of charcoal elements but the actual combat of Mo Dao.

For Zhang Xuqing, the leader of the anti-angle flying army, he was suppressed by the King of Qi, and threatened by Liu Bingfeng, the deputy leader. In this kind of crevice, the founder designed weapons with long and short knives for him, which highlighted his toughness in fighting. Qin Gu’s style in the film is a white hat with a black veil. She has a pure personality and a gray area that she is most reluctant to mention. She strives to solve the confrontation quickly. Therefore, the film designs her movements to highlight the characteristics of quickness. When she shoots, the knife will not be drawn, and she will win immediately, emphasizing "the martial arts in the world, only fast and unbreakable".

Secondly, the film highlights Tian Anye’s strange knife and its fighting. According to historical data, the film restores the strange knife used by Tian Anye according to the actual size, which is about 2.6 meters long and weighs dozens of kilograms. Such a super weapon has never appeared in previous martial arts shooting. The creative team also designed a new knife method according to the personality of the characters and the characteristics of this knife. This knife method was particularly fully displayed in the scene where Tian Anye fought Zhang Xuqing’s long and short knives with a strange knife at the end of the film. The two weapons formed a sharp contrast. The fighting tactics of the knife method and the rigidity and softness of your coming and going all reflected the bold innovation of the creative team in weapon design and action guidance, which further expanded the action type elements of domestic martial arts films.

As a martial arts film with an expanding mission, the film also has room for improvement. The first is the recurring camel phantom, which seems unnecessary in the play. Secondly, the four barriers of film design lack a sense of progressive upgrading, which reduces the sense of game entertainment of the film. However, at a time when the action genre, especially the martial arts genre, needs to be revived, the brand of "Action Master Season", especially "A Stranger’s Sword", is undoubtedly of great significance.

(The writer is the director of the Film and Television Research Institute of China Academy of Art and the vice president of China Film Criticism Society.)

　　Jinan, Oct. 10 (Reporter Zhang Xiaoyan Wang Huang) There are many tourists who choose to come to Jinan during the 11th holiday, and Baotu Spring is one of the must-see attractions when coming to Jinan. On October 4th, a netizen posted that Weibo saw a water pump and a transformer box near Baotu Spring in Jinan, questioning the gushing of Baotu Spring in Jinan. By 7: 00 pm on the 10th, the Weibo content had been forwarded for 308 times with 334 comments. On the 10th, the staff of Baotu Spring Scenic Area said that Baotu Spring spewing was a natural phenomenon.

　　On October 4th, a netizen named "Lang Qibo" in Weibo posted a list of people taking photos of tourists by Baotu Spring in Weibo. The spring eyes rumbled outward, and I heard the sound of a water pump from all directions. I found the distribution box by following the sound. Listening to this sound, the quality of the water pump is still good. I don’t know if it is an imported pump or a domestic pump. " It is equipped with three pictures, one of which is a distribution box in the scenic spot.

　　"I live near Baotu Spring, which is a real spring. Don’t mislead tourists and netizens." Weibo published by Lang Qibo quickly attracted comments from many netizens, and everyone left messages on his Weibo to show the authenticity of Baotu Spring in Jinan. However, many netizens’ messages did not dispel "Lang Qibo’s doubts about the gushing of Baotu Spring in Jinan. @ Sincerely and diligently, Jinan’s abundant rainfall and water volume have naturally increased greatly this year. You don’t know that the daily TV news will report the situation of staff monitoring water volume in real time, and you probably haven’t heard of the words "saving water and protecting springs"! @ Livefa _0′ s spring farm message, Jinan has a lot of rain this year, and the groundwater supply is very sufficient. Not only Baotu Spring, but also 72 springs around it have a lot of water inflow.

　　Below the Weibo, "Lang Qibo" is still full of doubts about the reply words of many netizens, and asks for evidence to prove the authenticity, and says that the water pump in the park can be turned off to prove it.

　　"The water pump is mainly used to water the green plants in the scenic spot, and the substation box is mainly used for power supply in the scenic spot." A staff member of the scenic spot said that they also paid attention to the contents of the Weibo, and the water pump that made the netizens doubt was mainly used for watering. In addition, the power distribution room mentioned was the scenic spot substation box, which had nothing to do with the water pump. "The spring eye of Baotu Spring is a natural phenomenon and cannot be moved. Our job is to protect it."

　　Now Jinan, online celebrity is well known by more and more people. Walking around the moat, Black Tiger Spring and other scenic spots, you will find transformer boxes in hidden and safe areas at regular intervals. With the arrival of "Quancheng Night Banquet" in Jinan, these transformer boxes are very useful and add a lot of color to Jinan night scene.

　　On August 24th, 2022, the Propaganda Department of the CPC Central Committee held the 23rd news conference on the theme of "China this decade" to introduce the situation of promoting the high-quality development of culture and tourism in the new era. Among them, the relevant leading comrades of the Ministry of Culture and Tourism introduced the creative transformation and innovative development of intangible cultural heritage since the 18th CPC National Congress. Let’s watch together!

　　The picture shows Gao Dianliang (right), a provincial non-genetic inheritor from Yuxian County, Zhangjiakou City, Hebei Province, showing the paper-cut works of Yuxian County with the theme of Winter Olympics. Photo courtesy of Hebei Daily

　　Since the 18th National Congress of the Communist Party of China, the CPC Central Committee with the Supreme Leader as the core has attached great importance to the protection and inheritance of intangible cultural heritage, made a series of major arrangements, and launched a series of pragmatic measures to promote the creative transformation and innovative development of intangible cultural heritage, so as to bloom more fascinating brilliance in the new era.

　　First, the legacy of right and wrong has become an important aspect of continuing the cultural context and inheriting Chinese civilization.

　　Up to now, there are more than 100,000 non-legacy representative projects at all levels in China, including 1,557 national non-legacy representative projects; There are more than 90,000 representative inheritors at all levels, including 3,062 national non-legacy representative inheritors; Twenty-three national cultural and ecological protection zones have been set up, and intangible cultural heritage projects, China traditional craft revitalization plan, China non-genetic inheritor research and training plan and Quyi inheritance and development plan have been implemented. More than 100,000 inheritors have been trained, and the vitality of non-genetic inheritors has been continuously enhanced.

　　Second, non-legacy has become an important source of strengthening cultural self-confidence and casting a solid sense of the Chinese nation’s community.

　　Various places hold colorful non-legacy activities on traditional festivals and cultural and natural heritage days, and the whole society has a stronger atmosphere of loving Chinese excellent traditional culture. "Twenty-four solar terms" show the Chinese nation’s cultural heritage and self-confidence to the world on the stage of Beijing Winter Olympics. All 56 ethnic groups have projects listed in the list of national intangible cultural heritage representative projects. Under the framework of intangible cultural heritage protection, excellent traditional cultures of all ethnic groups exchange, appreciate and respect each other, and intangible cultural heritage has become a carrier and link to promote exchanges and exchanges among ethnic groups and build a strong sense of community of the Chinese nation.

　　Third, non-legacy has become an important force to promote high-quality economic and social development and meet the needs of the people for a better life.

　　Promote the revitalization and development of traditional crafts, the categories of traditional crafts products are increasingly rich, the quality is significantly improved, and they have been widely used in modern life. We will carry out non-legacy work to help precision poverty alleviation and rural revitalization, and set up more than 2,500 non-legacy workshops in various places to promote poverty alleviation and local economic development. Non-legacy projects related to family discipline and village regulations have played an important role in cultivating good folk customs and enriching community cultural accumulation.

　　Fourth, the legacy of right and wrong has become an important part of displaying China’s image and spreading China’s voice.

　　Up to now, 42 non-legacy projects in China have been listed in UNESCO’s non-legacy list and roster, ranking first in the world, contributing "China color" to world cultural diversity. Jointly declared projects such as "Mongolian long-tune folk songs" and "sending a boat to the king" have become an important embodiment of promoting civilized exchanges and mutual learning. Projects such as Acupuncture in Traditional Chinese Medicine, Bathing in Tibetan Medicine and Tai Ji Chuan provide "China Wisdom" for solving human health problems.

　　(Planning: Chai Xiaofan Audit: Li Yanling)

Special feature of 1905 film network "It was successfully held for 15 sessions, witnessing 87 projects entering production, 72 participating in major film festivals at home and abroad, 44 being shortlisted for Class A film festivals, and 63 films being shown in cinemas at home and abroad." At the 25th Shanghai International Film Festival, the host chose to use such a set of figures as the opening remarks.

Behind the figures are the achievements made by the venture capital unit of Shanghai Film Festival in the past 16 years. By providing docking services such as incubation, financing and promotion for projects of different scales and stages, Shanghai Film Festival Venture Capital has become an incubator for young directors’ works and an important platform for the industry to discover new Chinese speakers.

It will be released on June 16th, and the young director’s feature film debut is one of the examples. In 2017 and 2019, the project was selected by Shanghai Film Festival Venture Capital twice, and in 2021, it was selected as the "One Concern" unit of Cannes Film Festival. Starting from venture capital, going to international film festivals, and then landing on the cinema screen, Street Kids has gone out of the "idealized" path.

On the same day, director Najiazuo also came to the scene where the honor was announced, telling the significance of venture capital to him. "In 2017, I met the producer because of venture capital. In 2019, the filming was completed, and I went to many film festivals. I always wanted to go home and see it. Time flies. I hope I can still work as hard as filming Street Kids when I am 40 years old!"

As the 25th Shanghai International Film Festival, originally scheduled to be held in 2022, was postponed to 2023, the organizing committee received a total of 679 project declarations in two years, and the competition was particularly fierce. After selection, 33 projects stood out.

　

In the end, various honors were announced: the director’s new work "Bye-bye, Bye-bye" won the "Recommended Project in Production"; The film "Wild Crane in the Clouds" with the theme of ethnic minorities won the "Recommended Project by Young Directors"; The director’s "Yao Yao Zhuan" and Gao Ming’s "Two Time Zones" were awarded "Creative Recommended Project" and "Special Recommended Project" respectively.

#01. The genre theme is novel and diverse.

"I think the diversity of this venture capital project is very good, not limited to a certain type of theme." This is the biggest feeling of the annual recommender and producer of project venture capital.

　

Bye-bye, which won the honor of "recommended project in production", focuses on the "bye-bye" belief culture in the relatively small Minnan area, and thus shows the living conditions of local elderly women. Similar themes are very rare in the domestic market, which also makes the judges shine. The recommendation language reads: "The theme is novel, the film language is distinctive and the completion is high."

　

Producer Kick told 1905 Film Network that she and director Ye Qian are both from Fujian, and they are particularly familiar with the stories and female images in the film. Since the debut novel "Sweet Potato Dried with Rice", Ye Qian has been insisting on the creation of similar themes.

"Paying attention to the elderly women and taking root in the soil of southern Fujian, Ye Qian has always been very firm. He will not pick up other people’s adaptation projects, and he is very determined to do his own things, which is very valuable and rare."

　

It is this persistence that made the director successfully move to play the heroine. "After reading the story, she said that she had not seen the role that moved her so much for a long time, which reminded her of the director."

Starting from one’s own life experience, combining personal experience, social observation and thinking with audio-visual language and transforming it into a powerful movie story, which is exactly what many outstanding projects of this venture capital have in common.

　

The same is true of Wild Crane in the Clouds, which won the honor of "Young Director’s Recommended Project". Director Ahmad McMaiti chose to tell a familiar "Xinjiang Story" in a humorous way, which left a deep impression on the judges from Uighur lines to strong regional cultural characteristics and ethnic customs.

　

The recommender concluded: "Personal experience and feelings are the best fulcrum for the director’s early creation. Rooting the seeds of creation in life may grow something with strong imagination. "

Not only do you dare to focus on minority themes in topic selection, but this year’s venture capital finalists are also showing a trend of blooming in variety. Youth, suspense, sports, family, crime, comedy, love, fantasy and martial arts are all involved, taking into account art and business. The enthusiasm and vision presented by young creators are gratifying.

　

#02 Hot Women’s Issues with Realistic Themes Get Attention

In recent years, the market feedback of realistic works has been fierce, which has frequently triggered heated discussions in the society and staged a box office success of "small and broad". Coupled with its relatively low cost and shooting difficulty, realistic themes have become the focus of young creators.

For example, the director’s new work focuses on education and medical care, which are closely related to people’s livelihood, and interweaves them with dramatic techniques. He explained the theme of the film like this: "When fairness and justice are not good for you, will you still insist on fairness and justice?"

　

Faced with this controversial topic, Chen Zhixi bluntly said that the director could be bolder, take a "stinging" step forward on the basis of the original script, and more directly poke the "pain point" of the audience and society.

Different from the warm tone of Trading Destiny, From Now on, written and directed by young director Yang Guomin, hopes to maintain a cruel and true "hard spirit" and "force generate’s true feelings in a cruel way" when showing the special father-son relationship of the family with cerebral palsy.

　

While the three judges affirmed the quality and strength of the script, they also pointed out from the market point of view that the audience would like to see the story of how the protagonist in trouble faces life actively and meets challenges, which can increase the initiative of some characters.

　

"In the current environment, the audience hopes that the film can give it some hope and courage while empathizing, which also makes warm realism a preferred type in the current market," Chen Zhixi said.

Among many realistic works, the increase of women’s themes is also a significant trend. For example, Night Running tells about the situation and choices of three generations of women, Taste of Chinese focuses on the growth experience of post-90 s girls, and Playground this Friday puts the pressure of single and full-time mothers on the table.

When Chen Meiyu, the director and screenwriter of "Mom at the same table", took her 7-year-old daughter to the public presentation site, it quickly attracted the attention of the judges and guests. And her work is also adapted from personal experience. "I took the college entrance examination five months pregnant and reported to the university when I was nine months pregnant." Mother at the same table "tells the story of female college students taking their children to college."

　

In Chen Meiyu’s view, when it comes to "early pregnancy mother", many viewers will inevitably have curiosity, and the heroine she created is to break the stereotype of the audience: she can argue with the school for the right to go to school, boldly respond to her ex-husband’s struggle for custody, and dare to tear open the wound to tell her story to the public. "The first key word is fierce. She is not bitter at all, but she is optimistic and brave."

During Chen Meiyu’s presentation, producer Chen Zhixi was moved to tears. She bluntly said that the real and special story emotion is the biggest advantage of this project, which makes it both topical and market space.

　

"She has got a natural good topic, and the next step is to have a good text, find universality under a special story, and the mother-daughter emotion should be able to make the audience empathize."

　

Indeed, both "Mother at the Same Table" and the above-mentioned female-themed projects are paying attention to women’s living difficulties and inner world from different dimensions. Several judges also reminded the creators that the shaping of female images and the choice of female actors are very important and will become the key to whether the audience can substitute and empathize.

#03 Art or business to be decided

　

"Do you want to make a movie to express yourself, or do you want the audience to buy tickets to go to the cinema? These are two completely different goals." A sentence from the judges triggered on-the-spot thinking.

In his view, art or business, personal expression or market-oriented, this is the direction that needs to be determined in the early stage, and it is also a problem that many creators have not thought clearly.

　

Wu Ershan explained: "The new director’s project needs to have a clear goal, not both sides. For example, if it is the direction of film festivals, it needs to maintain the originality of creation and the creativity of film language, while maintaining low cost; However, if the target is the mass market, then you need to consider what types of elements your work has, whether the organization is mature, whether it meets the needs of the market, and whether the budget can match. "

The producer of Bye-bye, Bye-bye has a clear position in this respect. As a narrative film with a strong author style, they made it clear from the beginning that they would take the direction of film festival exhibition, and they also hoped to make targeted regional announcements in Fujian and Guangdong during the cinema stage.

　

"The key to a small-budget movie is to find its unique audience, recognize its own advantages, find audiences with the same roots and similar cultural soil, and it is good to’ punch through’ an area without eating into a big fat man."

　

The same is true of the romantic film Time Hotel, which was also selected as a "project in progress". The total budget of the project is only 3.5 million yuan, and the filming has been completed and entered the post-production stage.

　

Director Yixiang Zhai said, "I hope to make a movie with aesthetic feeling and adult love theme. At present, there are few similar movies depicting adult emotions in the domestic market. I had expectations for the market from the beginning, so I was more concerned about the budget than the producer. I finished shooting in 26 days and have been saving the budget. "

　

"We should not only see what everyone is doing, but also figure out what we can do." This is Xin Yukun’s message to young filmmakers.

He is also very envious that young creators can have a platform for exchange and learning, such as "venture capital". "In the process, you can know more like-minded friends, and you will also revise and sort out your own creative concept and film concept. This is the meaning of venture capital."

Wu Ershan hopes that the new directors can really exert their strength on the word "new". "We don’t need him to be perfect or mature, but we want to see new themes, new ideas and new film languages. This is the primary standard. With this longboard, other shortcomings can be slowly filled."

Starting from the "new", the next China story is on its way to the world.

Tengchong is located in the western border of Yunnan Province. The name of Tengchong started from the Book of the Old Tang Dynasty, and it was called Yunnan and Vietnam in the Western Han Dynasty. In the Sui and Tang Dynasties, Jimizhou was located, and in the early Song Dynasty, it was softened. Later, it was changed to Tengchong Prefecture, and Tengchong Prefecture was established in Yuan Dynasty. Tengchong Prefecture was established in Ming Dynasty, and Tengyue Prefecture and Tengyue Hall were established successively in Qing Dynasty. Tengchong County was established in 1913 and Tengchong City was established in September 2015. It is the gateway to Myanmar, India, Pakistan and other Southeast Asian and South Asian countries, and is known as the "first city in the extreme". There are seven nationalities living in the world: Han, Dai, Hui, Lisu, Wa, Bai and Achang. Tengchong is rich in culture and natural resources, and there are many intangible cultural heritage resources to inherit and protect. By 2019, there were 293 projects and inheritors at all levels, including 66 projects and 213 representative inheritors (2 at the national level and 14 at the provincial level).

On the occasion of the 13th Cultural and Natural Heritage Day, let’s enjoy the elegance of Tengchong’s intangible cultural heritage projects!

I. List of National Intangible Cultural Heritage Protection (2)

1. Wa nationality Qing opera

Published in 2008

Project introduction

Classify traditional dramas

Qing Opera, also known as Hubei Gaoqiang, was introduced into Tengchong, Yunnan during Xianfeng period in Qing Dynasty, and remained in Sugarcane Village, Wa village. It is the only local drama in Tengchong that has been included in China minority operas. Qing opera has the characteristics of "nine-cavity thirteen-board" and high-cavity opera, and its tunes are cadence, pleasing to the ear and good at narration and lyricism. The story of the play is touching and the characters are distinct.

2. Tengchong Shadow Play

Published in 2011

Project introduction

Classify traditional dramas

Tengchong shadow play, also known as "light shadow" and "shadow play", is a local art form with a long history and wide influence. According to legend, during the Hongwu period of Ming Dynasty, it was introduced from Jiangnan, Huguang and Sichuan, and it was divided into two types in singing: Western (lively rhythm and high spirits) and Eastern (beautiful melody and solemn atmosphere). Tengchong shadow puppets are exquisitely made, which not only has the style of shadow puppets in the Central Plains, but also has obvious border and regional characteristics.

Two, the provincial intangible cultural heritage protection list (6)

1. Tengchong Heshun folk song "Introduction to Yangwendun"

Published in 2006

Project introduction

Category folk literature

Yang Wen’s Little Introduction is an exhortation ballad based on the life experiences of Tengchong Heshun people and even people in western Yunnan who "went abroad". Yang Wen Cun Xiao Yin is famous for its ancient name, which was written in Daoguang period of Qing Dynasty. After several times of circulation, some traditional manuscripts of cotton paper brushes were scattered among the people.

2. Tengchong jade carving art

Published in 2006

Project introduction

Classify traditional art

Tengchong jade carving has a long history. According to local chronicles, there were more than 100 workshops engaged in jade processing in Tengchong before 1949, with more than 3,000 craftsmen. Today, Tengchong jade carving industry is developing rapidly, the jade carving team is expanding, the production process has evolved into mechanization and electrification, and the technology level is changing with each passing day.

3. Tengchong dulcimer

Published in 2009

Project introduction

Lei bie qu yi

Dulcimer is a kind of rap art, which is suitable for narrative content, events and characters’ emotions. The accompaniment instruments include dulcimer, erhu, pipa, cello and percussion. It is said that the dulcimer was introduced into Tengchong in Guangxu period of Qing Dynasty, and then it was integrated with the local four-tone pronunciation to form Tengchong dulcimer. There are three major melodies of dulcimer, namely "Yangdiao", "Daoqing" and "Sanban", which are light and lively, passionate with resentment, humorous, steady and deep.

4, Tengchong Diantan Shuicheng Lisu traditional cultural protection area.

Published in 2009

Project introduction

Category-specific national cultural protection areas

Lisu Village, Shuicheng, Lianzu Community, Diantan Town, Tengchong City, is located in the northwest of Diantan Town, 65 kilometers away from the county seat, bordering Myanmar, with a border of 24 kilometers. It is said that the ancestors of the Lisu people in Shuicheng settled in Shuicheng, Diantan, in the fourth year of Qing Emperor Kangxi. They were Lisu people who settled in Tengchong earlier, preserved traditional looms and textile processing, and most women mastered embroidery techniques. Folk literature plays an important role in the traditional culture of Lisu nationality; Dances mainly include ga-dancing and three-string dancing; The folk paintings of Lisu people in Shuicheng have distinct characteristics of the times and nationalities, and have high artistic appreciation value and collection value; The biggest and ceremonious festival among the Lisu people in Shuicheng is the Knife and Pole Festival, and "Going up the knife mountain and going down to the sea of fire" is the most wonderful folk activity of the Knife and Pole Festival.

5, Tengchong Chinese patent medicine production skills

Published in 2017

Project introduction

Biebie traditional medicine

Tengchong Chinese patent medicine herbs benefit from the unique geographical climate of Gaoligong Mountain, and are refined by traditional pharmaceutical techniques and secret recipes. Pharmaceutical factory uses pharmaceutical tools such as hay cutter, mortar, grinding trough and bowl, and uses the unique processing technology of "soaking, soaking, calcining, stewing, frying, steaming and boiling" and the ancient preparation technology to produce and process Chinese patent medicines. The products are sold in major pharmacies in more than 20 provinces and cities in China, including pills, plasters, medicinal liquor, tablets and injections. Yunnan Tengyao Pharmaceutical Co., Ltd. was recognized as "China’s time-honored brand" by the Ministry of Commerce in 2006.

6. Dongjing Music

Published in 2017

Project introduction

Classify traditional music

The Cave Sutra is the Cave True Sutra, and its full name is "Taishan Yuqing Wuji Always True Wenchang Cave Fairy Sutra", which is a long-standing traditional ancient music in Tengchong. The scriptures are profound, the melody is solemn and beautiful, and it is a noble and auspicious symbol. Dongjing musical instruments are composed of China national musical instruments, such as silk string, orchestral string, playing, plucking and percussion. Qupai is a mixture of ancient court music and Taoist music. The way of playing is dominated by classics, combined with singing and playing, and given certain religious ceremonies, which are solemn, elegant and simple.

Three, Baoshan municipal intangible cultural heritage protection list (32)

1. The Legend of Tengchong’s "Great Rescue"

Published in 2005

Project introduction

Category folk literature

The Legend of Tengchong’s "Rescue" is a legend that Zhu Youlang, Emperor Yongli of Nanming, was rescued by a local farmer with a bowl of fried bait when he fled to Tengchong, so he was named "Rescue". "Great rescue" means cutting Tengchong bait into small pieces and frying them with eggs and cabbage, which is a famous dish at local banquets.

2. The Lisu narrative poem "New Year Tune"

Project introduction

Category folk literature

"Chinese New Year Tune" is a "major" sung by Lisu people during the Chinese New Year. It is sung in a way of dialogue between people and gods, depicting how Lisu people wait for the arrival of their ancestors and gods during the Chinese New Year. This ancient poem sums up the Lisu ancestors’ understanding of the relationship between heaven and man, life and death, fate and reality, etc. The universe, the sun, the moon, the morning, the night, the gods and human beings it shows constitute a holy and spectacular epic realm.

3. The Legend of the Cliff of the Sacrifice of Yunfeng Mountain

Project introduction

Category folk literature

Yunfeng Taoist Temple, built in the seventh year of Chongzhen in Ming Dynasty (AD 1634), is a famous Taoist mountain in western Yunnan. It is said that to make a pilgrimage to Yunfeng Mountain and make a wish is responsive, and it has become a place where all sentient beings who worship Taoism yearn for worship. There are many folk legends and fairy tales circulating in Yunfeng Mountain, which is known as the "Fairy Mountain Qiongge". The legend about Sheshen Cliff is well known to women and children, adding a mysterious color to Yunfeng Mountain.

4. The Legend of Huzhu Temple

Project introduction

Category folk literature

The Legend of Huzhu Temple is based on the ancient temple Huzhu Temple. It is said that there is a dragon-to-pearl drama in the dry sea, which is lost occasionally and gained by Meng. Sometimes, the thunderstorm is raging, and Meng is afraid, and the temple is suitable for a statue. Meng Nazhu is named after the Buddha’s belly. Huzhu Temple is one of the oldest existing buildings in Tengchong and even Baoshan City. Huzhu Temple and its surrounding cultural relics represent an important history of Tengchong in Song and Yuan Dynasties. Its architectural style and legends are of high cultural value for studying Tengchong’s religious history and human geography.

5. Tengchong Lantern Music

Project introduction

Classify traditional music

According to legend, Tengchong Lantern was introduced into Tengchong from the mainland during the Hongwu period of the Ming Dynasty, and then it was merged with local songs and dances, and gradually developed into Tengchong Lantern with local characteristics, which was mainly based on dance or singing, with simple songs and dances, singers with good luck, seasonal farming, bidding farewell to the old and welcoming the new, praying for exorcism and good weather, and then further developed into a lantern play with a complete plot.

6. Lisu people "jump"

Project introduction

Biebie traditional dance

"Dancing Ga" is a kind of folk art that combines song and dance. In places where Lisu people live in compact communities, this dance is necessary for celebrations, funerals and building houses. "Tiao Ga" takes a circle as the formation, and the "Ga Tou", the leader of the dance and singer, leads the dancers to walk counterclockwise, singing and dancing while dancing. The activity of Tiaoga is of great value to the study of the cultural inheritance and development of Lisu people.

7. Lisu "Sanxian Dance"

Project introduction

Biebie traditional dance

"Sanxian Dance" is a dance with Xiao Sanxian as the main accompaniment instrument, and bamboo flute, oral string and duet can also be played together. On the occasion of "Spring Festival" and "Knife and Pole Festival", all the men, women and children in the village gather together to form a circle and dance in steps with the accompaniment of Xiao Sanxian. The formation can be horizontal or vertical, crossing each other and being flexible and changeable.

8. Dai "Kirin Dance" in Wuhe Township

Project introduction

Biebie traditional dance

Dai unicorn dance is an ancient dance with both self-entertainment and sacrifice, which is similar to the lion dance of Han nationality. It is a kind of sacrifice activity for people to pray for the blessing of the old heaven, for the village to be clean and auspicious, for people to live a long life and avoid disasters.

9. The Han folk dance "Little Back Dragon" in Beihai Township.

Project introduction

Biebie traditional dance

Xiao Beilong’s personal performance in Tengchong Dragon Lantern has local characteristics and is unique in Yunnan and even the whole country. It consists of three parts: the dragon head, the dragon body and the dragon tail, which are connected by cloth painted with scales in the middle. When performing, the dragon dancer carries the dragon body on his back and holds the dragon head and the dragon tail in both hands respectively. In the accompaniment of gongs and drums, he performs various performances, such as "playing pearls with dragons" and "turning waves and surging waves".

10. Qushi Township Han folk drama "Fishing Lantern"

Project introduction

Classify traditional dramas

Fish lanterns, an ancient play of Tengchong lanterns, were introduced into Tengchong during the Hongwu period of the Ming Dynasty, which is unique in Yunnan and even the whole country. The performance of "Fish Lantern" has many props and huge scenes. During the performance, wooden scaffolding is used to decorate the dragon gate, and people dance the fish to play the game of "Fish Leaping over the Dragon Gate". The fish dancers are paired to play "high handle", "low handle", "fish turning over", "fish drying belly", "fish grabbing water", "fish chasing pendulum" and ".

11. Tengchong Han folk drama "Fairy Lantern"

Project introduction

Classify traditional dramas

Fairy lantern is a symbolic play of Tengchong Lantern, which combines dancing and singing. Because there are fairies and immortals in the role, it is commonly known as fairy lantern. Fairy lanterns mainly show people dancing with gods, celebrating the Spring Festival and praying for a prosperous life, peace and prosperity, good luck and so on.

12. The Lantern Festival in Zhonghe Township is "Dashun Farming"

Project introduction

Classify traditional dramas

Dashun Tilling the Field is the oldest play handed down from the rural lantern drama, and it still retains the primitive and quaint characteristics of the early lantern. Before leaving home, Shun was driving an elephant to the fields for the last time, plowing and sowing with tribal villagers, and saying goodbye to the villagers. "Da Shun Geng Tian" is a large-scale traditional lantern play, in which there are many roles, and it takes thirty or forty people to perform the role-playing of characters and animals. There are many props and complicated systems, which are difficult to inherit and protect. It is an extremely precious "living fossil" to study the development and evolution of lanterns.

13, Lisu costume craft

Project introduction

Traditional skills of classification

Tengchong Lisu people’s costumes are complex in technology and colorful. Women’s costumes include "safflower thrush clothes", mainly including Baotou, silver beard collar, beaded beads, "thrush clothes", outer shoulder coat, streamer skirt, large pants, lacquer hoop, hanging tube, bamboo and linen sandals, etc. The man’s costume "Magpie Clothes" has a magpie-like head, with a white gown, a jacket, knee-length shorts and cotton embroidered hem.

14. Xingyang Flower Paper Umbrella in Gudong Town

Project introduction

Traditional skills of classification

Xingyang Flower Umbrella in Gudong Town, Tengchong has a history of at least 200 years, which is called "paper support or support" locally. Xingyang people make flower umbrellas by cutting bamboo into ribs and bamboo or wood into handles, drilling holes at the intersection of the ribs and the handles and fixing them with threads, then covering the stretched ribs with white cotton paper made of leather, printing colorful flowers on the paper, and painting with varnish. The flower umbrella is durable, beautifully patterned and brightly colored, which is suitable for daily sunshade and rainproof and performance.

15, Tengyue Town bait production process

Published in 2012

Project introduction

Traditional skills of classification

Tengchong bait silk production is an important local traditional food production process. It is made of high-quality old indica rice pulp rice as raw material, using local unique water quality, integrating traditional technology and modern science and technology. The product is clean and fine in color, soft and delicious, and has a unique flavor. It is very delicious whether cooked or fried, and is favored by tourists both inside and outside the province.

16, Tengyue Town thin bean powder production process

Project introduction

Traditional skills of classification

Thin bean flour is a local traditional snack. Peas are used as raw materials, ground into slurry, poured into a large iron pot with sufficient firepower, stirred and boiled out with slow fire. Golden color, full of fragrance, accompanied by soy sauce, sesame oil, pepper oil, Chili oil, garlic oil, tsaoko oil, broken peanuts, water chestnut root and so on.

17, Tengyue Town large sheet production process

Project introduction

Traditional skills of classification

Dapian is a famous local dish in Tengchong, and its family has been passed down for four generations. Made from pig’s head meat, the kung fu lies in the words. The big slice of the slice is as big as the palm of your hand and as thin as cicada’s wing. Put it in the dip water made of aged vinegar, bamboo shoots, eggplant, mustard and a variety of seasoning oils and rinse it. It is not oily or greasy, crisp and fresh.

18. Tengchong peasant paintings

Project introduction

Classify traditional art

Tengchong peasant painting is an extension of traditional folk painting in China, which was produced and formed in mass painting activities in the 1970s. Farmers who love painting in Tengchong countryside regard painting as their main spiritual pursuit after their production and work. For decades, they have created a large number of high-quality peasant paintings, which have had a good influence both inside and outside the province, and some of them even enjoy a good reputation in Beijing and have been broadcast overseas.

19. Tengchong God (A) Horse Printing Plate

Project introduction

Classify traditional art

Tengchong Shenma, also known as paper horse, is a block-printed product printed with various ghosts and gods, which is incinerated (or pasted independently) with gold and silver ingots and paper money when praying for blessings, disasters and sacrifices in folk religions. Tengchong Shenma is famous for its delicacy, which is the top grade in Yunnan Shenma art and the best in traditional folk black and white woodcut prints.

20. Tengchong caravan culture

Project introduction

Classify people’s customs

Caravan is a unique means of transportation in southwest China, which is transported by mules and horses. Tracing back to its roots, the existence and operation of Tengchong caravan has a history of thousands of years. Tengchong is the hub of the ancient Southern Silk Road, the earliest international trading port, and an important military town in history.

21. Heshun’s "three drops of water" diet custom

Project introduction

Classify people’s customs

Heshun’s "three drops of water" is a distinctive food culture in Tengchong. One drop of water is a series, and the first drop mainly includes fruits, dried fruits, candied fruits, preserved fruits, sweet liquor and cakes. The second drop contains sweet tea (such as milk fan tea), brain (fried dried rice cake), chicken, pig, shredded bacon, fried tofu, finely fried walnut kernels and peanuts; The third drop is dinner, mainly for delicacies, game, seafood, chicken with eight treasures, hibiscus eggs, shrimp covers, chicken brains, curry meat, roasted pigs and brown-wrapped white fish soup.

22. Lisu people’s "three glasses of wine" diet custom

Project introduction

Classify people’s customs

The Lisu people’s eating custom of "three glasses of wine" is formed in the Lisu people’s production and life, which shows the Lisu people’s national character of attaching importance to feelings and righteousness, being sincere to friends and being generous. The first cup, a "toast" to meet each other; The second cup is a "pour a glass of wine" of mutual respect and respect; The third cup is a "concentric wine".

23. Festival custom of Han nationality at the age of "protecting the territory"

Project introduction

Classify people’s customs

"Fighting to protect the territory" is a kind of folk worship activity. Its main body is the cave sutra, which is a large-scale and well-organized folk custom activity, in which Buddhism, Taoism and Emperor sutra are gathered to complete praying for auspicious disaster and peace, with the participation of the whole village.

24. Xianduo Dai traditional cultural protection zone in Hehua Township.

Project introduction

Category-specific traditional cultural protection areas

Xianduo is located in the southwest of Lotus Town, Tengchong, with a land area of 21.43 square kilometers. Xianduo Village has a long history and profound cultural heritage. With the changes of the times, some traditional cultural customs have changed or even disappeared, but the traditional culture of Xianduo Dai family, such as social morality, language and clothing, living habits, festivals, literature and art, sports, fine arts and religious beliefs, can still be passed down and carried forward.

25. Xinhua Township, the hometown of Achang people’s songs and dances

Project introduction

Classify the hometown of traditional culture.

Xinhua Township is a multi-ethnic area, mainly including Achang, Lisu and Dai. All ethnic groups retain rich and traditional folk culture. The songs and dances of various ethnic groups in Xinhua Township, Tengchong, have a broad mass base, and are highly artistic and ornamental, especially the folk songs "Love Song Tune", "Say Ai Tune" and the dance "Deng Wo Luo" have more distinctive national styles and regional characteristics.

26. Tengchong is the hometown of jadeite craft.

Project introduction

Classify the hometown of traditional culture.

Tengchong is a distribution center of jadeite, with a long history of trade and processing, which has formed its own characteristics. Jade culture is an important part of Tengyue culture, and jade craft production is a cultural industry with rapid development and great potential. With the acceleration of economic globalization, Tengchong jadeite processing and trade has become a bright spot in our county’s economic growth.

27. Xinzhuang Village, Jietou Township is the hometown of papermaking technology.

Project introduction

Classify the hometown of traditional culture.

Xinzhuang Village is located in the east of Jietou Town, Tengchong City, and still retains the traditional ancient manual papermaking skills. For more than 300 years, making white paper has been a traditional cottage industry in Xinzhuang Village, and selling handmade white paper is one of the main economic incomes of the village, accounting for 50% of the total income of the village.

28. Xiaoxi Town is the hometown of bamboo weaving technology.

Project introduction

Classify the hometown of traditional culture.

Xiaoxi has developed handicraft industry in history. Rattan, hat, reed, dustpan, bamboo chopsticks and brown products are exported to Myanmar and inside and outside the province, especially bamboo hats, which are exquisite in craftsmanship, elegant in appearance, firm and durable, and have established a good brand image in Myanmar and western Yunnan.

29. Tengchong, the hometown of Lisu knife and pole art.

Project introduction

Classify the hometown of traditional culture.

The Lisu people in Tengchong have a long history, a broad mass base and a unique artistic style.

30. Wanyao Village, Mazhan Township is the hometown of pottery making technology.

Project introduction

Classify the hometown of traditional culture.

"Tengchong County Records" contains: "Pottery production is mainly concentrated in bowls and kilns in Mazhan District, and earthenware has been fired for more than 500 years." Making and selling pottery is a traditional handicraft industry in Wanyao village. For hundreds of years, making and selling pottery has been one of the main sources of income in the village.

31. Tengchong is the hometown of folk music.

Project introduction

Classify the hometown of traditional culture.

During the Hongwu period of the Ming Dynasty, the large-scale migration of military and civilian villages brought the music culture from all parts of the Central Plains to Tengchong. The music not only maintained the charm of the ancient music in the Central Plains, but also blended with the tones of the border songs, thus forming the Tengyue ancient music with Tengchong regional music style. The representative music includes: Dongjing music, shadow play music, lantern music, dulcimer music, folk songs, Wa Qing opera music, Dai opera music and Lisu folk songs.

32. Tengchong sings books

Published in 2015

Project introduction

Biebie traditional folk art

Singing books is similar to storytelling, also known as "good books", which is a folk art popular in Tengbei rural areas in the 1960s and 1970s. It is a kind of sitting and singing quyi, which is mainly based on singing, and it is rarely said in plain English. The story is vivid and touching.

Four, Tengchong municipal intangible cultural heritage protection list (26)

1, the legend of Deng’s participation.

Published in 2005

Project introduction

Folk oral literature of different ethnic groups

2, columnar joints, Heiyu River legend.

Published in 2005

Project introduction

Folk oral literature of different ethnic groups

3. Lie about Zhang San’s story

Published in 2005

Project introduction

Folk oral literature of different ethnic groups

4. Tengchong Fishing Drum

Project introduction

Folk folk art of different ethnic groups

5. Lisu marriage

Published in 2005

Project introduction

Folk traditional customs of different ethnic groups

6. Lotus Township, the hometown of folk art (peasant paintings) in China

Published in 2005

Project introduction

Folk regional culture of different ethnic groups

7. Gudong Town, the hometown of folk art (shadow play) in China.

Published in 2005

Project introduction

8. Tengchong Lion Dance

Project introduction

Classify traditional sports, recreation and acrobatics.

9. Tengchong Dragon Lantern

Published in 2015

Project introduction

10. Tengchong Dai Opera

Published in 2015

Project introduction

Classify traditional dramas

11. Tengchong Dai language

Published in 2015

Project introduction

Category folk literature

12, Tengchong traditional old cloth shoes production

Published in 2015

Project introduction

Traditional skills of classification

13. Baking Techniques of Mingguang Small Ear Pig

Published in 2015

Project introduction

Traditional skills of classification

14, Tengchong burning pig technology

Published in 2015

Project introduction

Traditional skills of classification

15. Handmade Maltose Production Process in Gudong Town

Published in 2015

Project introduction

Traditional skills of classification

16, Tengchong pavilion production process

Project introduction

Traditional skills of classification

17, Tengchong clay pot production process

Published in 2015

Project introduction

Traditional skills of classification

18, Tengchong paper binding process

Published in 2015

Project introduction

Traditional skills of classification

19, ponytail buckle production process

Published in 2015

Project introduction

Traditional skills of classification

20. Tengchong Fragrant Technology

Published in 2015

Project introduction

Traditional skills of classification

21, Tengchong indigenous oil extraction process

Published in 2015

Project introduction

Traditional skills of classification

22, Tengchong wool felt production process

Published in 2015

Project introduction

Traditional skills of classification

23, Tengchong rice plastic technology

Published in 2015

Project introduction

Classify traditional art

24, Tengchong saddle making skills

Project introduction

Traditional skills of classification

25, Tengchong linen sandals compilation skills

Project introduction

Traditional skills of classification

26, Tengchong black sauce production process

Published in 2015

Project introduction

Traditional skills of classification

Source: Tengchong Cultural Center